Kyūdō - Quiz
A) To serve as the main target for competitive shooting. B) To be used for long-distance shooting practice. C) To be used exclusively by beginners. D) To allow the archer to concentrate on refining technique due to its close proximity.
A) Twenty-eight metres. B) Sixty metres. C) Seven feet. D) Thirty-six centimetres.
A) Hoshi mato. B) Kasumi mato. C) Makiwara. D) Omato.
A) Twenty-eight metres. B) Thirty-six centimeters. C) Seven feet. D) 158 centimeters.
A) Practising with a full bow and arrow. B) Shooting at the mato. C) Performing kufū geiko. D) Practising the movements of hassetsu with a rubber practice bow.
A) It organizes international kyūdō competitions. B) It is the governing body for kyūdō in Japan and oversees kyūdō clubs and events. C) It trains beginners in kyūdō. D) It is responsible for designing kyūdō equipment.
A) To receive with the eyes the style and technique of an advanced archer. B) To learn and keep in mind the details of the technique and spiritual effort. C) To shoot at the makiwara. D) To repeat the technique until it is personified in one's own shooting.
A) It houses a sand hillock and the targets, placed 28 metres from the dōjō floor. B) It is where beginners practice with rubber bows. C) It is used for storing kyūdō equipment. D) It is the main practice area for advanced shooters.
A) Kasumi mato is used for long-distance shooting. B) Hoshi mato is used for ceremonies with different markings, while kasumi mato is used for competitions and examinations. C) Hoshi mato is shot from a closer distance. D) Hoshi mato is larger than kasumi mato.
A) The arrow hits the target. B) The arrow misses the target. C) The arrow exists in the target. D) The arrow pierces the target.
A) To learn the basics of handling the bow. B) To receive with the eyes the style and technique of an advanced archer. C) To practice shooting at the makiwara. D) To repeat the technique until it is perfected.
A) A circular area with no designated target positions. B) An entrance, a large dōjō area with a wooden floor and high ceiling, a position for practice targets, and a large open wall with sliding doors. C) An outdoor area with no fixed structures. D) A small, enclosed space with no windows.
A) To refine technique with a rubber practice bow. B) To learn handling of the bow and performing hassetsu until full draw. C) To practice shooting at the mato. D) To perform ceremonial shooting.
A) To train beginners in kyūdō. B) To organize international kyūdō competitions. C) To harmonize practice and ceremonial shooting by forming a general style from the best elements of each school. D) To design kyūdō equipment.
A) When opened, they overlook an open grassy area and a separate building, the matoba. B) They are used for ceremonial purposes. C) They are used to store kyūdō equipment. D) They provide ventilation for the dōjō.
A) To receive with the eyes the style and technique of an advanced archer. B) To learn the basics of handling the bow. C) To practice shooting at the makiwara. D) To repeat the technique through which it is personified in one's own shooting.
A) Sixty metres. B) Seven feet. C) Twenty-eight metres. D) Thirty-six centimetres.
A) To provide a history of kyūdō. B) To design kyūdō equipment. C) To train beginners in kyūdō. D) To document the standard form of kyūdō practice established by the ANKF.
A) One hundred and fifty-eight centimetres. B) Twenty-eight metres. C) Thirty-six centimetres. D) Seven feet.
A) It is used exclusively by beginners. B) It serves as the main target for competitive shooting. C) It is used for long-distance shooting practice. D) It allows the archer to concentrate on refining technique rather than on the arrow's arc.
A) shin-zen-bi (真善美), 'truth-goodness-beauty' B) seisha seichū (正射正中), 'correct shooting is correct hitting' C) nobiai (伸合い), 'expansion' D) seisha hicchū (正射必中), 'true shooting, certain hitting'
A) shin-zen-bi (真善美), 'truth-goodness-beauty' B) munen musō (無念無想), 'no thoughts, no illusions' C) nobiai (伸合い), 'expansion' D) seisha hicchū (正射必中), 'true shooting, certain hitting'
A) shin-zen-bi (真善美), 'truth-goodness-beauty' B) seisha hicchū (正射必中), 'true shooting, certain hitting' C) nobiai (伸合い), 'expansion' D) munen musō (無念無想), 'no thoughts, no illusions'
A) Eugen Herrigel B) Miyamoto Musashi C) Taira Shinken D) Kanjuro Shibata XX
A) physical education B) religious ceremonies C) competitive sports D) military training
A) Heian period B) Meiji era C) Edo period D) Tokugawa era
A) Yamato-ryū B) Tōshiya C) Honda-ryū D) Kyūjutsu
A) 100 meters B) 200 meters C) 133 meters D) 60 meters
A) Morikawa Kōzan B) Honda Toshizane C) Heki D) Ogasawara
A) 1923 B) 1868 C) 1895 D) 1912
A) Honda Toshizane B) Ogasawara C) Morikawa Kōzan D) Heki
A) 1933 B) 1919 C) 1895 D) 1923
A) 1953 B) 1923 C) 1912 D) 1945
A) Samurai B) Yumi C) Kyūjutsu D) Yumihiki
A) Kasagake B) Yari C) Tanegashima D) Yumi
A) Circular B) Asymmetrical C) Straight D) Symmetrical
A) 12th century B) 17th century C) 15th century D) 16th century
A) Ogasawara Nagakiyo B) Minamoto no Yoritomo C) Heki Danjō Masatsugu D) Henmi Kiyomitsu
A) Yabusame B) Kasagake C) Hi, kan, chū D) Inuoumono
A) Ogasawara Nagakiyo B) Henmi Kiyomitsu C) Minamoto no Yoritomo D) Heki Danjō Masatsugu
A) Yari B) Tanegashima C) Kasagake D) Yumi
A) Duck or goose feathers B) Peacock or ostrich feathers C) Eagle or hawk feathers D) Turkey or swan feathers
A) Ippongake (one-finger glove) B) Morogake (five-finger glove) C) Yotsugake (four-finger glove) D) Mitsugake (three-finger glove)
A) Yebira B) Yazutsu C) Yugake D) Tsurumaki
A) Yazutsu B) Hane C) Yajiri D) Yagara
A) Giriko B) Fudeko C) Yajiri D) Tsurumaki
A) Spherical B) Rectangular C) Cylindrical D) Flat yoyo-shaped
A) Yotsugake (four-finger glove) B) Ippongake (one-finger glove) C) Morogake (five-finger glove) D) Mitsugake (three-finger glove)
A) Arrows do not spin B) Both arrows spin clockwise C) Both arrows spin counter-clockwise D) Haya spins clockwise, otoya spins counter-clockwise
A) Woven bamboo B) Steel C) Rubber D) Plastic
A) Shitagake B) Ippongake C) Yugake D) Oshidegake
A) More than the archer's height B) Less than a quarter of the archer's height C) About half the archer's height D) Equal to the archer's height
A) Muneate B) Yugake C) Shitagake D) Tsurumaki
A) Yagara B) Yajiri C) Hane D) Yazuka
A) Yajiri B) Yagara C) Hane D) Yazutsu
A) Archer's yatsuka minus 6–10 cm B) Archer's height minus 6–10 cm C) Archer's height plus 6–10 cm D) Archer's yatsuka plus 6–10 cm
A) Ippongake B) Shitagake C) Oshidegake D) Yugake
A) Tsurumaki B) Yazutsu C) Yebira D) Yugake
A) The left hand B) The right hand C) Both hands D) Neither hand
A) Yugaeri B) Zanshin C) Hikiwake D) Ashibumi
A) Hanare B) Uchiokoshi C) Torikake D) Monomi
A) Daisan B) Zanshin C) Ashibumi D) Hanare
A) Dan test frequency B) Kyū and dan levels C) Menkyo (license) system D) Colored belts
A) Mushitei (unspecified) B) 1-kyū C) 3rd kyū D) 1-dan
A) Batsu (X) B) Maru (circle) C) Dan D) Kyū
A) Honza B) Mato C) Shai D) Kiza
A) One step B) Three steps C) Two steps D) Five steps
A) Shai B) Mato C) Kiza D) Honza
A) Six B) Two C) Eight D) Four
A) Maru (circle) B) Dan C) Batsu (X) D) Kyū
A) Kiza B) Honza C) Mato D) Shai
A) Kneeling procedure B) Entering procedure C) Scoring procedure D) Shooting procedure
A) Karate B) Bukatsu C) Judo D) Kendo
A) Honda-ryū B) Heki-ryū C) Takeda-ryū D) Yabusame
A) Kishū Chikurin-ha B) Heki-ryū Chikurin-ha C) Takeda-ryū D) Ogasawara-ryū
A) Yamato-ryū B) Honda-ryū C) Heki-ryū Sekka-ha D) Ogasawara-ryū
A) Yamato-ryū B) Heki-ryū C) Ogasawara-ryū D) Takeda-ryū
A) Heki-ryū Dōsetsu-ha B) Kishū Chikurin-ha C) Heki-ryū Chikurin-ha D) Heki-ryū Sekka-ha
A) Takeda-ryū B) Yamato-ryū C) Honda-ryū D) Ogasawara-ryū
A) Takeda-ryū B) Ogasawara-ryū C) Honda-ryū D) Dai Nippon Butoku Kai
A) 1920 B) 1898 C) 1900 D) 1910
A) Washington State B) Los Angeles C) San Francisco D) New York
A) Dai Nippon Butoku Kai B) Hawaii Kyūdō Kai C) The Los Angeles Kai D) Rafu Kyūdō Kai
A) Karmê Chöling B) Hawaii Kyūdō Kai C) Daihonzan Chozen-ji D) Rinzai Zen
A) Suhara Osho B) Koen Mishima C) Kiomaru Mishima D) Chögyam Trungpa Rinpoche
A) 1980 B) 1998 C) 2006 D) 2000
A) American Kyudo Renmei B) Dai Nippon Butoku Kai C) International Kyudo Federation (IKYF) D) European Kyudo Federation
A) 10 B) 17 C) 25 D) 30
A) 30 B) 48 C) 25 D) 50
A) American Kyudo Renmei B) European Kyudo Federation C) International Kyudo Federation D) Dai Nippon Butoku Kai
A) American Kyudo Renmei B) European Kyudo Federation C) Honda-ryū Seikyūkai D) International Kyudo Federation
A) American Kyudo Renmei B) Dai Nippon Kyudo Kai C) European Kyudo Federation D) International Kyudo Federation
A) Italy B) Vermont C) United States D) Serbia
A) Heki-ryū B) Honda-ryū C) Takeda-ryū D) Sports yabusame
A) Yamato-ryū B) Honda-ryū C) Ogasawara-ryū D) Takeda-ryū
A) Feliks Hoff B) Eugen Herrigel C) John Stevens D) Dan DeProspero
A) 978-84-941125-5-3 B) 1-57062-852-1 C) 978-88-272-2148-8 D) 4-7700-1734-0
A) 1993 B) 2020 C) 2002 D) 2011
A) La Esencia del Kyudo B) Zen in the Art of Archery C) Lo zen, l'arco, la freccia D) Kyudo: The Way of the Bow
A) 978-88-272-2148-8 B) 1-57062-852-1 C) 978-84-941125-5-3 D) 978-3-938921-75-3 |
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