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A) Chronological list B) Lost index C) Main catalogue D) Appendix
A) Two B) Four C) Five D) Three
A) II B) III C) IV D) I
A) New discoveries B) Lost works or tiny fragments C) Spurious works D) Confirmed Bach works
A) Works established as not composed by Bach B) Lost works C) Works definitely composed by Bach D) Works of dubious authenticity
A) By date of composition B) By genre C) Alphabetically D) By date of discovery
A) Bach B) Schmieder C) Yoshitake Kobayashi D) Alfred Dürr
A) A bracket B) A star C) A hyphen D) An arrow
A) BWV 11 was merged with BWV 249b B) BWV 11 was removed C) BWV 11 replaced BWV 249b D) BWV 11 was inserted after BWV 249b
A) BWV 1998 B) The Anhang Edition C) Schmieder II D) BWV2a
A) Schmieder and Bach B) Bach and Dürr C) Schmieder and Kobayashi D) Alfred Dürr and Yoshitake Kobayashi
A) BWV 1081–1126 B) BWV 1–100 C) BWV 2000–2100 D) BWV 1000–1080
A) It was deleted B) It was assigned a number in the 1–100 range C) It remained in the Anhang D) It was given a number above 1080
A) By using a capital letter B) By using a dash C) By adding a lower case letter D) By adding an asterisk
A) Movements B) Volumes C) Revisions D) Chapters
A) They were removed B) They were renumbered C) They were added to the Anhang D) They were moved to the main catalogue
A) 1900 B) 1740 C) 1950 D) 1916
A) The Bach Museum Association B) Bach-Werke-Verzeichnis (BWV) C) The Schmieder Foundation D) Neue Bachgesellschaft (NBG)
A) 1950 B) 1940 C) 1900 D) 1916
A) 225–231 B) 250–438 C) 1–224 D) 232–243
A) 225–231 B) 250–438 C) 232–243 D) 1–224
A) 244–249 B) 232–243 C) 225–231 D) 1041–1065
A) 232–243 B) 250–438 C) 244–249 D) 439–524
A) 439–524 B) 772–994 C) 525–771 D) 250–438
A) 772–994 B) 1001–1040 C) 995–1000 D) 525–771
A) 1001–1040 B) 772–994 C) 995–1000 D) 525–771
A) 1001–1040 B) 995–1000 C) 772–994 D) 1041–1071
A) 995–1000 B) 1001–1040 C) 1041–1071 D) 1072–1078
A) 1072–1078 B) 1079–1080 C) 1001–1040 D) 1041–1071
A) 1072–1078 B) 1079–1080 C) 995–1000 D) 1041–1071
A) Only for organ works B) Yes C) No D) Only for cantatas
A) Motets B) Operas C) Ballets D) Symphonies
A) Trombone B) Clarinet C) Lute D) Harp
A) Johann Nikolaus Forkel B) Schauer C) Philipp Spitta D) Harvey Grace
A) 10 volumes B) 100 volumes C) 50 volumes D) 25 volumes
A) Hilgenfeldt B) Philipp Spitta C) Harvey Grace D) Johann Nikolaus Forkel
A) Johann Nikolaus Forkel B) Schauer C) Philipp Spitta D) Harvey Grace
A) Lists of his family members B) Lists of his students C) Lists of his travels D) Lists of his compositions
A) Arias B) Suites C) Songs D) Oratorios
A) A newspaper advertisement B) His obituary C) The BGA preface D) The BWV
A) A list of performances B) A biographical summary C) A musical critique D) A unique identification
A) The destruction of the BGA B) The lack of titles C) The use of various publisher editions D) The loss of original manuscripts
A) The 18th century B) The 17th century C) The 20th century D) The 19th century |