Johann Sebastian Bach
A) 1735 B) 1720 C) 1685 D) 1650
A) Germany B) Austria C) France D) Italy
A) Violin B) Flute C) Organ D) Piano
A) Musical Offering B) Brandenburg Concertos C) The Well-Tempered Clavier D) Mass in B minor
A) Beethoven B) Brahms C) Haydn D) Mozart
A) Elisabeth Juliana B) Anna Magdalena C) Regina Susanna D) Maria Barbara
A) Classical B) Baroque C) Modern D) Romantic
A) Prelude in G major B) Prelude in E major C) Prelude in D minor D) Prelude in C major
A) Brahms B) Schumann C) Mendelssohn D) Forkel
A) Eisenach B) Weimar C) Köthen D) Leipzig
A) Johann Christoph Friedrich Bach B) Wilhelm Friedemann Bach C) Carl Philipp Emanuel Bach D) Felix Mendelssohn
A) Court composer of the Elector of Saxony B) Director of Collegium Musicum C) Thomaskantor D) Organist at St. Thomas Church
A) Leipzig B) Eisenach C) Arnstadt D) Mühlhausen
A) Sonatas and Partitas for Solo Violin B) St. Matthew Passion C) Goldberg Variations D) Cello Suites
A) Mass in B minor B) The Well-Tempered Clavier C) Cello Suites D) Brandenburg Concertos
A) St. Matthew Passion B) Brandenburg Concertos C) The Art of Fugue D) Goldberg Variations
A) Eight B) Six C) Two D) Four
A) Köthen B) Eisenach C) Leipzig D) Arnstadt
A) Brandenburg Concertos B) Cello Suites C) St. Matthew Passion D) Collegium Musicum
A) Use of electronic instruments B) Mastery of counterpoint C) Primarily secular themes D) Focus on solo piano works
A) Keyboard B) Bassoon C) Percussion D) Guitar
A) Financial disagreements B) Religious conflicts C) Lack of musical talent D) His responsibilities and expectations
A) Brandenburg Concertos B) St. Matthew Passion C) Mass in B minor D) Goldberg Variations
A) Johann Christoph Bach B) Johann Pachelbel C) Vitus Bach D) Johann Ambrosius Bach
A) Georg Böhm B) Vitus Bach C) Johann Pachelbel D) Johann Christoph Bach
A) Johann Pachelbel B) Georg Böhm C) Dieterich Buxtehude D) Johann Caspar Kerll
A) Clavichord B) Harpsichord C) Organ D) Violin
A) On a ship B) By horseback C) In a carriage D) Mostly on foot
A) The school's comprehensive musical library B) An orchestra for practice C) A private tutor for music theory D) Exclusive manuscripts of famous composers
A) Thirteen B) Seven C) Four D) Six
A) 1720 B) 1707 C) 1713 D) 1721
A) Four B) Six C) Seven D) Thirteen
A) Catharina Dorothea B) Johann Gottfried Bernhard C) Regina Susanna D) Elisabeth Juliane Friederica
A) Johann Adam Reincken B) Prince Leopold C) Dieterich Buxtehude D) P. D. Kräuter
A) Köthen B) Lübeck C) Weimar D) Mühlhausen
A) Organ Concerto No.1 in G Major, BWV 592 B) Gott ist mein König, BWV 71 C) Concerto for Organ solo in C major, BWV 595 D) Christ lag in Todes Banden, BWV 4
A) 1730 B) 1717 C) 1723 D) 1708
A) 1717 B) 1723 C) 1708 D) 1730
A) Operas B) Choral works C) Secular music D) Religious cantatas
A) Brandenburg Concertos B) Cello Suites C) Sonatas and Partitas for Solo Violin D) Orchestral suites
A) An oboe concerto B) A viola da gamba concerto C) A violin concerto D) A cello concerto
A) Supportive B) Generous C) Penny-pinching D) Indifferent
A) Binary form B) Strophic form C) Per omnes versus D) Through-composed
A) Lively ballets with rapid rhythm B) Ornamentation C) Slow and stately movements D) Four-part harmony
A) Palestrina, Kerll, Torri, Bassani, Gasparini, Caldara B) Lully, Charpentier, Couperin, Rameau C) Mozart, Beethoven, Haydn, Schubert D) Vivaldi, Scarlatti, Corelli, Telemann
A) In the early 20th century B) In the late 19th century C) Around the 1970s D) During his lifetime
A) 15 March 1750 B) 31 December 1749 C) 1 January 1750 D) 28 July 1750
A) The 1730s B) The 1710s C) The 1720s D) The 1740s
A) Antonio Vivaldi B) François Couperin C) Jean-Baptiste Lully D) George Frideric Handel
A) Neither is featured prominently. B) Both as continuo parts. C) As equal soloists. D) One as a soloist and the other as accompaniment.
A) One B) Three C) Four D) Two
A) Corelli B) Torelli C) Marcello D) Vivaldi
A) Three B) Five C) Six D) One
A) The music was found in 1735. B) Both the music and the libretto are lost. C) It is lost, but the libretto by Picander is extant. D) Bach's music for it survives intact.
A) Fortepiano B) Harpsichord C) Organ D) Clavichord
A) King Frederick the Great B) Lorenz Christoph Mizler C) Johann Christoph Altnickol D) Heinrich von Brühl
A) Arcangelo Corelli B) Antonio Vivaldi C) Giuseppe Torelli D) Benedetto Marcello
A) Wolfgang Amadeus Mozart. B) Carl Philipp Emanuel Bach. C) Joseph Haydn. D) Ludwig van Beethoven.
A) Coffee Cantata B) Brandenburg Concertos C) Christmas Oratorio D) Well-Tempered Clavier
A) The 1720s B) The 1730s C) The 1710s D) The 1740s
A) Four-part harmony B) Five-part harmony C) Three-part harmony D) Two-part harmony
A) French, referring to a musical journey. B) Italian, indicating a fast-paced composition. C) Greek, meaning "to sing together." D) Latin for "flight" or "escape."
A) Seven B) Three C) Two D) Five
A) A stroke without prior complications B) Complications due to unsuccessful eye surgery C) Natural causes D) Pneumonia
A) 1894 B) 1800 C) 1750 D) 1900
A) Opera compositions B) Four-part harmony C) Counterpoint D) Use of continuo instruments
A) Berlin Sing-Akademie B) Breitkopf & Härtel C) Neue Zeitschrift für Musik D) Bach-Gesellschaft
A) Science textbooks B) Sacred books C) Fictional novels D) Historical manuscripts
A) Jean-Baptiste Lully B) François Couperin C) Johann Sebastian Bach D) George Frideric Handel
A) 1749 B) 1760 C) 1751 D) 1775
A) Prussian B) Saxon C) Hessian D) Bavarian
A) 1760 B) 1754 C) 1775 D) 1750
A) Homophony B) Monody C) Polyphony D) Counterpoint
A) The meeting was canceled by Leopold B) Bach lost his way C) Handel had left town D) Bach decided to stay in Köthen
A) Suites B) Concertos C) Opera D) Chorale preludes
A) Mandolin B) Harp C) Viola da gamba D) Double bass
A) 1723 B) 1701 C) 1730 D) 1714
A) 20 B) 15 C) 30 D) 27
A) Goldberg Variations B) Schübler Chorales C) Art of Fugue D) Musical Offering
A) Spinet B) Organ C) Piano D) Clavichord
A) They avoided ornamentation. B) They simplified liturgical compositions. C) They imitated the operatic vocal style. D) They used only German styles.
A) Good Friday, 11 April 1727 B) Good Friday, 23 March 1731 C) Christmas Day, 1727 D) Easter Sunday, 1728
A) Johann Sebastian Bach himself. B) Ludwig van Beethoven. C) Gottfried van Swieten. D) Carl Philipp Emanuel Bach.
A) A new melody line. B) Additional instruments. C) Simplified harmonies. D) Explicit ornamentation.
A) Immaculate Conception B) Visitation C) Annunciation D) Assumption of Mary
A) Bach B) Handel C) Kuhnau D) Telemann
A) 1749 B) 1750 C) 1745 D) 1747
A) Wilhelm Friedemann, Bach's oldest son B) The court secretary C) Leopold, Prince of Anhalt-Köthen D) Johann Sebastian Bach himself
A) Modal system B) Polyphonic system C) Tonal system D) Monophonic system
A) E Aeolian B) D Dorian C) A Phrygian D) G Lydian
A) Frederick Augustus B) Georg Philipp Telemann C) Johann Kuhnau D) Christoph Graupner
A) Elisabeth Juliane Friederica B) Catharina Dorothea Bach C) Anna Magdalena Bach D) Maria Barbara Bach
A) The Leipzig Gazette B) Mizler's Musikalische Bibliothek C) Musical Times D) Harmonia Mundi
A) English madrigals B) The Lutheran chorale C) Italian opera D) French overture
A) Arcangelo Corelli B) Antonio Vivaldi C) Giuseppe Torelli D) Benedetto Marcello
A) Lorenz Christoph Mizler B) John Taylor C) George Frideric Handel D) Elias Gottlob Haussmann
A) Just one or two B) None C) Almost all D) Only a few
A) Kapellmeister B) Cantor at the Thomasschule C) Court composer D) Thomaskantor
A) Harmony B) Melody C) Structure D) Rhythm
A) 1727 B) 1725 C) 1729 D) 1723 |
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