Johann Sebastian Bach
A) 1650 B) 1720 C) 1685 D) 1735
A) Italy B) France C) Austria D) Germany
A) Violin B) Flute C) Organ D) Piano
A) Brandenburg Concertos B) The Well-Tempered Clavier C) Mass in B minor D) Musical Offering
A) Brahms B) Haydn C) Mozart D) Beethoven
A) Maria Barbara B) Elisabeth Juliana C) Anna Magdalena D) Regina Susanna
A) Classical B) Baroque C) Romantic D) Modern
A) Prelude in G major B) Prelude in C major C) Prelude in D minor D) Prelude in E major
A) Brahms B) Mendelssohn C) Schumann D) Forkel
A) Leipzig B) Köthen C) Weimar D) Eisenach
A) Johann Christoph Friedrich Bach B) Felix Mendelssohn C) Carl Philipp Emanuel Bach D) Wilhelm Friedemann Bach
A) Thomaskantor B) Court composer of the Elector of Saxony C) Organist at St. Thomas Church D) Director of Collegium Musicum
A) Eisenach B) Arnstadt C) Leipzig D) Mühlhausen
A) Goldberg Variations B) Sonatas and Partitas for Solo Violin C) St. Matthew Passion D) Cello Suites
A) Brandenburg Concertos B) Mass in B minor C) The Well-Tempered Clavier D) Cello Suites
A) St. Matthew Passion B) Brandenburg Concertos C) Goldberg Variations D) The Art of Fugue
A) Two B) Eight C) Four D) Six
A) Leipzig B) Arnstadt C) Eisenach D) Köthen
A) Brandenburg Concertos B) Collegium Musicum C) Cello Suites D) St. Matthew Passion
A) Mastery of counterpoint B) Primarily secular themes C) Focus on solo piano works D) Use of electronic instruments
A) Percussion B) Guitar C) Bassoon D) Keyboard
A) Religious conflicts B) His responsibilities and expectations C) Lack of musical talent D) Financial disagreements
A) Goldberg Variations B) Brandenburg Concertos C) St. Matthew Passion D) Mass in B minor
A) Johann Pachelbel B) Johann Christoph Bach C) Vitus Bach D) Johann Ambrosius Bach
A) Georg Böhm B) Johann Christoph Bach C) Johann Pachelbel D) Vitus Bach
A) Johann Caspar Kerll B) Georg Böhm C) Johann Pachelbel D) Dieterich Buxtehude
A) Clavichord B) Organ C) Harpsichord D) Violin
A) By horseback B) In a carriage C) Mostly on foot D) On a ship
A) The school's comprehensive musical library B) An orchestra for practice C) Exclusive manuscripts of famous composers D) A private tutor for music theory
A) Six B) Four C) Thirteen D) Seven
A) 1707 B) 1721 C) 1720 D) 1713
A) Four B) Thirteen C) Six D) Seven
A) Regina Susanna B) Johann Gottfried Bernhard C) Elisabeth Juliane Friederica D) Catharina Dorothea
A) Prince Leopold B) P. D. Kräuter C) Dieterich Buxtehude D) Johann Adam Reincken
A) Weimar B) Lübeck C) Köthen D) Mühlhausen
A) Gott ist mein König, BWV 71 B) Christ lag in Todes Banden, BWV 4 C) Organ Concerto No.1 in G Major, BWV 592 D) Concerto for Organ solo in C major, BWV 595
A) 1730 B) 1723 C) 1717 D) 1708
A) 1708 B) 1723 C) 1717 D) 1730
A) Religious cantatas B) Operas C) Choral works D) Secular music
A) Cello Suites B) Brandenburg Concertos C) Orchestral suites D) Sonatas and Partitas for Solo Violin
A) An oboe concerto B) A viola da gamba concerto C) A violin concerto D) A cello concerto
A) Generous B) Indifferent C) Penny-pinching D) Supportive
A) Per omnes versus B) Through-composed C) Binary form D) Strophic form
A) Slow and stately movements B) Ornamentation C) Four-part harmony D) Lively ballets with rapid rhythm
A) Palestrina, Kerll, Torri, Bassani, Gasparini, Caldara B) Lully, Charpentier, Couperin, Rameau C) Mozart, Beethoven, Haydn, Schubert D) Vivaldi, Scarlatti, Corelli, Telemann
A) Around the 1970s B) In the late 19th century C) During his lifetime D) In the early 20th century
A) 15 March 1750 B) 28 July 1750 C) 31 December 1749 D) 1 January 1750
A) The 1730s B) The 1710s C) The 1720s D) The 1740s
A) George Frideric Handel B) Antonio Vivaldi C) Jean-Baptiste Lully D) François Couperin
A) Neither is featured prominently. B) As equal soloists. C) One as a soloist and the other as accompaniment. D) Both as continuo parts.
A) Four B) Three C) Two D) One
A) Corelli B) Torelli C) Marcello D) Vivaldi
A) Five B) Six C) Three D) One
A) It is lost, but the libretto by Picander is extant. B) Both the music and the libretto are lost. C) Bach's music for it survives intact. D) The music was found in 1735.
A) Harpsichord B) Organ C) Fortepiano D) Clavichord
A) King Frederick the Great B) Lorenz Christoph Mizler C) Heinrich von Brühl D) Johann Christoph Altnickol
A) Benedetto Marcello B) Antonio Vivaldi C) Giuseppe Torelli D) Arcangelo Corelli
A) Carl Philipp Emanuel Bach. B) Joseph Haydn. C) Ludwig van Beethoven. D) Wolfgang Amadeus Mozart.
A) Christmas Oratorio B) Brandenburg Concertos C) Well-Tempered Clavier D) Coffee Cantata
A) The 1720s B) The 1730s C) The 1740s D) The 1710s
A) Three-part harmony B) Four-part harmony C) Five-part harmony D) Two-part harmony
A) Greek, meaning "to sing together." B) French, referring to a musical journey. C) Latin for "flight" or "escape." D) Italian, indicating a fast-paced composition.
A) Two B) Three C) Seven D) Five
A) Pneumonia B) Natural causes C) A stroke without prior complications D) Complications due to unsuccessful eye surgery
A) 1750 B) 1900 C) 1894 D) 1800
A) Counterpoint B) Use of continuo instruments C) Opera compositions D) Four-part harmony
A) Breitkopf & Härtel B) Berlin Sing-Akademie C) Bach-Gesellschaft D) Neue Zeitschrift für Musik
A) Sacred books B) Fictional novels C) Historical manuscripts D) Science textbooks
A) George Frideric Handel B) François Couperin C) Johann Sebastian Bach D) Jean-Baptiste Lully
A) 1749 B) 1751 C) 1775 D) 1760
A) Saxon B) Prussian C) Hessian D) Bavarian
A) 1750 B) 1760 C) 1754 D) 1775
A) Polyphony B) Monody C) Homophony D) Counterpoint
A) Bach decided to stay in Köthen B) Handel had left town C) Bach lost his way D) The meeting was canceled by Leopold
A) Opera B) Suites C) Concertos D) Chorale preludes
A) Double bass B) Viola da gamba C) Harp D) Mandolin
A) 1701 B) 1730 C) 1714 D) 1723
A) 20 B) 15 C) 27 D) 30
A) Musical Offering B) Art of Fugue C) Goldberg Variations D) Schübler Chorales
A) Clavichord B) Spinet C) Organ D) Piano
A) They used only German styles. B) They imitated the operatic vocal style. C) They avoided ornamentation. D) They simplified liturgical compositions.
A) Good Friday, 11 April 1727 B) Christmas Day, 1727 C) Easter Sunday, 1728 D) Good Friday, 23 March 1731
A) Gottfried van Swieten. B) Ludwig van Beethoven. C) Carl Philipp Emanuel Bach. D) Johann Sebastian Bach himself.
A) Additional instruments. B) Simplified harmonies. C) Explicit ornamentation. D) A new melody line.
A) Assumption of Mary B) Immaculate Conception C) Visitation D) Annunciation
A) Bach B) Handel C) Telemann D) Kuhnau
A) 1745 B) 1747 C) 1750 D) 1749
A) Johann Sebastian Bach himself B) The court secretary C) Leopold, Prince of Anhalt-Köthen D) Wilhelm Friedemann, Bach's oldest son
A) Modal system B) Monophonic system C) Polyphonic system D) Tonal system
A) G Lydian B) E Aeolian C) A Phrygian D) D Dorian
A) Frederick Augustus B) Johann Kuhnau C) Christoph Graupner D) Georg Philipp Telemann
A) Maria Barbara Bach B) Elisabeth Juliane Friederica C) Catharina Dorothea Bach D) Anna Magdalena Bach
A) The Leipzig Gazette B) Mizler's Musikalische Bibliothek C) Harmonia Mundi D) Musical Times
A) English madrigals B) The Lutheran chorale C) Italian opera D) French overture
A) Giuseppe Torelli B) Benedetto Marcello C) Arcangelo Corelli D) Antonio Vivaldi
A) John Taylor B) Elias Gottlob Haussmann C) George Frideric Handel D) Lorenz Christoph Mizler
A) Only a few B) None C) Just one or two D) Almost all
A) Kapellmeister B) Thomaskantor C) Court composer D) Cantor at the Thomasschule
A) Rhythm B) Structure C) Harmony D) Melody
A) 1723 B) 1725 C) 1729 D) 1727 |
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