Johann Sebastian Bach
A) 1685 B) 1650 C) 1735 D) 1720
A) Italy B) Germany C) France D) Austria
A) Piano B) Flute C) Violin D) Organ
A) Mass in B minor B) The Well-Tempered Clavier C) Brandenburg Concertos D) Musical Offering
A) Beethoven B) Haydn C) Brahms D) Mozart
A) Regina Susanna B) Anna Magdalena C) Elisabeth Juliana D) Maria Barbara
A) Baroque B) Classical C) Romantic D) Modern
A) Prelude in E major B) Prelude in D minor C) Prelude in C major D) Prelude in G major
A) Brahms B) Mendelssohn C) Schumann D) Forkel
A) Leipzig B) Köthen C) Eisenach D) Weimar
A) Felix Mendelssohn B) Wilhelm Friedemann Bach C) Johann Christoph Friedrich Bach D) Carl Philipp Emanuel Bach
A) Director of Collegium Musicum B) Court composer of the Elector of Saxony C) Organist at St. Thomas Church D) Thomaskantor
A) Mühlhausen B) Arnstadt C) Eisenach D) Leipzig
A) Cello Suites B) Goldberg Variations C) St. Matthew Passion D) Sonatas and Partitas for Solo Violin
A) Cello Suites B) The Well-Tempered Clavier C) Mass in B minor D) Brandenburg Concertos
A) Goldberg Variations B) Brandenburg Concertos C) St. Matthew Passion D) The Art of Fugue
A) Six B) Eight C) Four D) Two
A) Eisenach B) Leipzig C) Köthen D) Arnstadt
A) St. Matthew Passion B) Brandenburg Concertos C) Collegium Musicum D) Cello Suites
A) Use of electronic instruments B) Focus on solo piano works C) Mastery of counterpoint D) Primarily secular themes
A) Keyboard B) Percussion C) Bassoon D) Guitar
A) Lack of musical talent B) Religious conflicts C) His responsibilities and expectations D) Financial disagreements
A) Brandenburg Concertos B) Mass in B minor C) Goldberg Variations D) St. Matthew Passion
A) Johann Ambrosius Bach B) Johann Christoph Bach C) Johann Pachelbel D) Vitus Bach
A) Johann Pachelbel B) Johann Christoph Bach C) Vitus Bach D) Georg Böhm
A) Georg Böhm B) Dieterich Buxtehude C) Johann Caspar Kerll D) Johann Pachelbel
A) Violin B) Organ C) Harpsichord D) Clavichord
A) In a carriage B) On a ship C) By horseback D) Mostly on foot
A) A private tutor for music theory B) An orchestra for practice C) The school's comprehensive musical library D) Exclusive manuscripts of famous composers
A) Four B) Seven C) Six D) Thirteen
A) 1721 B) 1720 C) 1713 D) 1707
A) Thirteen B) Four C) Seven D) Six
A) Catharina Dorothea B) Johann Gottfried Bernhard C) Regina Susanna D) Elisabeth Juliane Friederica
A) P. D. Kräuter B) Dieterich Buxtehude C) Johann Adam Reincken D) Prince Leopold
A) Weimar B) Köthen C) Mühlhausen D) Lübeck
A) Organ Concerto No.1 in G Major, BWV 592 B) Christ lag in Todes Banden, BWV 4 C) Concerto for Organ solo in C major, BWV 595 D) Gott ist mein König, BWV 71
A) 1730 B) 1717 C) 1708 D) 1723
A) 1723 B) 1708 C) 1717 D) 1730
A) Religious cantatas B) Secular music C) Operas D) Choral works
A) Brandenburg Concertos B) Cello Suites C) Orchestral suites D) Sonatas and Partitas for Solo Violin
A) An oboe concerto B) A violin concerto C) A viola da gamba concerto D) A cello concerto
A) Penny-pinching B) Supportive C) Generous D) Indifferent
A) Per omnes versus B) Binary form C) Strophic form D) Through-composed
A) Slow and stately movements B) Ornamentation C) Four-part harmony D) Lively ballets with rapid rhythm
A) Lully, Charpentier, Couperin, Rameau B) Palestrina, Kerll, Torri, Bassani, Gasparini, Caldara C) Vivaldi, Scarlatti, Corelli, Telemann D) Mozart, Beethoven, Haydn, Schubert
A) Around the 1970s B) During his lifetime C) In the early 20th century D) In the late 19th century
A) 31 December 1749 B) 15 March 1750 C) 28 July 1750 D) 1 January 1750
A) The 1740s B) The 1730s C) The 1710s D) The 1720s
A) François Couperin B) George Frideric Handel C) Jean-Baptiste Lully D) Antonio Vivaldi
A) As equal soloists. B) Neither is featured prominently. C) One as a soloist and the other as accompaniment. D) Both as continuo parts.
A) Two B) Three C) Four D) One
A) Marcello B) Corelli C) Torelli D) Vivaldi
A) Five B) Three C) Six D) One
A) Both the music and the libretto are lost. B) The music was found in 1735. C) Bach's music for it survives intact. D) It is lost, but the libretto by Picander is extant.
A) Organ B) Fortepiano C) Harpsichord D) Clavichord
A) King Frederick the Great B) Johann Christoph Altnickol C) Heinrich von Brühl D) Lorenz Christoph Mizler
A) Arcangelo Corelli B) Giuseppe Torelli C) Benedetto Marcello D) Antonio Vivaldi
A) Carl Philipp Emanuel Bach. B) Ludwig van Beethoven. C) Joseph Haydn. D) Wolfgang Amadeus Mozart.
A) Christmas Oratorio B) Well-Tempered Clavier C) Brandenburg Concertos D) Coffee Cantata
A) The 1710s B) The 1740s C) The 1730s D) The 1720s
A) Two-part harmony B) Three-part harmony C) Five-part harmony D) Four-part harmony
A) Greek, meaning "to sing together." B) Italian, indicating a fast-paced composition. C) Latin for "flight" or "escape." D) French, referring to a musical journey.
A) Seven B) Three C) Five D) Two
A) Complications due to unsuccessful eye surgery B) Pneumonia C) A stroke without prior complications D) Natural causes
A) 1894 B) 1800 C) 1900 D) 1750
A) Counterpoint B) Opera compositions C) Use of continuo instruments D) Four-part harmony
A) Neue Zeitschrift für Musik B) Breitkopf & Härtel C) Berlin Sing-Akademie D) Bach-Gesellschaft
A) Historical manuscripts B) Science textbooks C) Sacred books D) Fictional novels
A) George Frideric Handel B) Jean-Baptiste Lully C) François Couperin D) Johann Sebastian Bach
A) 1751 B) 1775 C) 1760 D) 1749
A) Prussian B) Bavarian C) Hessian D) Saxon
A) 1775 B) 1750 C) 1754 D) 1760
A) Counterpoint B) Polyphony C) Monody D) Homophony
A) The meeting was canceled by Leopold B) Handel had left town C) Bach decided to stay in Köthen D) Bach lost his way
A) Opera B) Chorale preludes C) Concertos D) Suites
A) Viola da gamba B) Double bass C) Mandolin D) Harp
A) 1730 B) 1714 C) 1701 D) 1723
A) 20 B) 15 C) 27 D) 30
A) Goldberg Variations B) Art of Fugue C) Schübler Chorales D) Musical Offering
A) Spinet B) Clavichord C) Organ D) Piano
A) They simplified liturgical compositions. B) They used only German styles. C) They imitated the operatic vocal style. D) They avoided ornamentation.
A) Christmas Day, 1727 B) Good Friday, 23 March 1731 C) Good Friday, 11 April 1727 D) Easter Sunday, 1728
A) Johann Sebastian Bach himself. B) Gottfried van Swieten. C) Ludwig van Beethoven. D) Carl Philipp Emanuel Bach.
A) A new melody line. B) Simplified harmonies. C) Explicit ornamentation. D) Additional instruments.
A) Visitation B) Immaculate Conception C) Assumption of Mary D) Annunciation
A) Handel B) Telemann C) Kuhnau D) Bach
A) 1749 B) 1745 C) 1750 D) 1747
A) Leopold, Prince of Anhalt-Köthen B) Wilhelm Friedemann, Bach's oldest son C) Johann Sebastian Bach himself D) The court secretary
A) Polyphonic system B) Tonal system C) Modal system D) Monophonic system
A) D Dorian B) A Phrygian C) E Aeolian D) G Lydian
A) Christoph Graupner B) Frederick Augustus C) Georg Philipp Telemann D) Johann Kuhnau
A) Catharina Dorothea Bach B) Elisabeth Juliane Friederica C) Maria Barbara Bach D) Anna Magdalena Bach
A) Musical Times B) The Leipzig Gazette C) Harmonia Mundi D) Mizler's Musikalische Bibliothek
A) The Lutheran chorale B) French overture C) English madrigals D) Italian opera
A) Antonio Vivaldi B) Benedetto Marcello C) Arcangelo Corelli D) Giuseppe Torelli
A) George Frideric Handel B) Elias Gottlob Haussmann C) Lorenz Christoph Mizler D) John Taylor
A) Almost all B) Just one or two C) None D) Only a few
A) Kapellmeister B) Thomaskantor C) Court composer D) Cantor at the Thomasschule
A) Structure B) Rhythm C) Harmony D) Melody
A) 1727 B) 1725 C) 1729 D) 1723 |
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