Ned Rorem - Exam
A) 1923 B) 1945 C) 1973 D) 1960
A) Athlete B) Composer C) Architect D) Painter
A) New York City, New York B) Richmond, Indiana C) Detroit, Michigan D) San Francisco, California
A) France B) Brazil C) Russia D) Japan
A) French B) German C) Spanish D) Italian
A) Sculptors B) Chefs C) Architects D) Poets
A) The New York Cookbook B) The London Chronicles C) The Tokyo Journal D) The Paris Diary
A) Juilliard School B) Sorbonne University C) Oxford University D) Yale University
A) Herbert von Karajan B) Gustavo Dudamel C) Arturo Toscanini D) Leonard Bernstein
A) His symphonies, which have won numerous awards. B) His art songs, which number over 500. C) His operas, which are widely performed. D) His film scores, which are critically acclaimed.
A) Expressionist. B) Minimalist. C) Neoromantic. D) Modernist.
A) Margaret Bonds and Leo Sowerby. B) Francis Poulenc and Darius Milhaud. C) Aaron Copland and Virgil Thomson. D) Nuta Rothschild and Belle Tannenbaum.
A) Ned Rorem. B) Leo Sowerby. C) Clarence Rufus Rorem. D) Margaret Bonds.
A) James Holmes. B) Marie-Laure de Noailles. C) Paul Goodman. D) Rosemary.
A) The Curtis Institute. B) The University of Chicago. C) The Paris Conservatory. D) The American Conservatory of Music.
A) Evidence of Things Not Seen. B) Our Town. C) Seven different commissions for the American Bicentennial. D) Air Music: Ten Etudes for Orchestra.
A) The Grammy Award for Best Classical Composition. B) The Academy Award for Best Original Score. C) The Tony Award for Best Original Score. D) The Pulitzer Prize for Music in 1976.
A) Evidence of Things Not Seen. B) The opera Our Town. C) Air Music: Ten Etudes for Orchestra. D) Seven different commissions for the American Bicentennial.
A) Francis Poulenc and Darius Milhaud. B) Igor Stravinsky and Maurice Ravel. C) Claude Debussy and Igor Stravinsky. D) Claude Debussy and Maurice Ravel.
A) Middle-class with a strong Protestant emphasis. B) Upper-class with a strong Catholic emphasis. C) Working-class with a strong Jewish emphasis. D) Upper middle-class, semi-bohemian with a strong Quaker emphasis.
A) The Curtis Institute. B) The Blue Cross Blue Shield Association. C) The University of Chicago Laboratory Schools. D) The American Conservatory of Music.
A) Margaret Bonds. B) Leo Sowerby. C) Nuta Rothschild. D) Belle Tannenbaum.
A) Edvard Grieg. B) Igor Stravinsky. C) Claude Debussy. D) Maurice Ravel.
A) Marie-Laure de Noailles. B) Belle Tannenbaum. C) Margaret Bonds. D) Nuta Rothschild.
A) The Quakers. B) Les Six. C) The American Bicentennial. D) The Impressionists.
A) 36 texts by 24 writers. B) 30 texts by 50 writers. C) 24 texts by 36 writers. D) 50 texts by 30 writers.
A) Quaker atheist. B) Protestant. C) Catholic. D) Jewish.
A) The Curtis Institute. B) The American Conservatory of Music. C) The Paris Conservatory. D) The University of Chicago Laboratory Schools.
A) Paul Goodman. B) Margaret Bonds. C) Nuta Rothschild. D) Leo Sowerby.
A) The modernist aesthetic. B) Antiwar movements and the Religious Society of Friends (Quakers). C) The American Bicentennial. D) The Impressionist movement.
A) Gian Carlo Menotti B) Rosario Scalero C) Bernard Wagenaar D) Alfred Nolte
A) Harold Van Horne B) Alfred Nolte C) Bernard Wagenaar D) Gian Carlo Menotti
A) Aaron Copland B) Virgil Thomson C) Leonard Bernstein D) Mishel Piastro
A) 1940 B) 1942 C) 1946 D) 1943
A) Rosario Scalero B) Alfred Nolte C) Gian Carlo Menotti D) Bernard Wagenaar
A) The 70th Psalm B) The Lordly Hudson C) Piano Sonata for Four Hands D) Overture in C
A) He moved to New York B) He lost his allowance C) He considered Rosario Scalero unprogressive D) He wanted to study at Juilliard
A) Rosario Scalero B) Gian Carlo Menotti C) Alfred Nolte D) Bernard Wagenaar
A) Éva Gauthier B) Martha Graham C) Isadora Duncan D) Anna Pavlova
A) Cleveland Orchestra B) Boston Symphony Orchestra C) New York Philharmonic D) Philadelphia Orchestra
A) Narcotics Anonymous B) Alcoholics Anonymous C) Gamblers Anonymous D) Overeaters Anonymous
A) 1952 B) 1950 C) 1951 D) 1949
A) Three Sisters who are Not Sisters B) Fables C) Hearing D) Bertha
A) The Robbers B) Miss Julie C) Our Town D) Bertha
A) 1951 B) 1954 C) 1955 D) 1953
A) Robert Herrick B) George Darley C) Nathaniel Hawthorne D) W. B. Yeats
A) Aaron Copland B) Thomas Schippers C) Leonard Bernstein D) Gustav Mahler
A) Poems of Love and Rain B) Symphony No. 3 C) Miss Julie D) Eagles
A) Johann Sebastian Bach B) Francis Poulenc C) Wolfgang Amadeus Mozart D) Ludwig van Beethoven
A) Other languages B) Italian C) French D) German
A) The Anniversary B) Bertha C) Fables D) The Robbers
A) 1955 B) 1950 C) 1953 D) 1951
A) It was performed in 1961. B) It was based on the serialist tone row. C) It was based on a Chaucer tale. D) It was written by Kenneth Koch.
A) 85 B) 75 C) 110 D) 99
A) Leonard Bernstein B) Yo-Yo Ma C) Gary Graffman D) Mstislav Rostropovich
A) The Idea of Order at Key West B) Thirteen Ways of Looking at a Blackbird C) The Emperor of Ice-Cream D) Sunday Morning
A) Morocco B) Spain C) Germany D) Italy
A) The Vietnam War B) The end of World War II C) The fall of the Berlin Wall D) The September 11 attacks
A) Jonathan Sternberg B) Nadia Boulanger C) Julius Katchen D) Arthur Honegger
A) Fables B) The Anniversary C) The Robbers D) Hearing
A) 1965 to 1967 B) 1960 to 1962 C) 1957 to 1958 D) 1959 to 1960
A) The Poet's Requiem B) Piano Sonata No. 2 C) Ballet for Jerry D) Symphony No. 3
A) Elaborate B) Condensed C) Fragmented D) Extended
A) 1955 B) 1960 C) 1957 or 1958 D) 1965
A) They lead to sterility B) They enhance creativity C) They are unnecessary D) They are essential for growth
A) Stravinsky B) Schumann C) Bach D) Mozart
A) Our Town B) The Robbers C) The Anniversary D) Miss Julie
A) New York Philharmonic B) Chicago Symphony Orchestra C) Boston Symphony Orchestra D) Philadelphia Orchestra
A) Thornton Wilder B) Harold C. Schonberg C) Kenneth Koch D) Joshua Barone
A) Pulitzer Prize B) Grammy Award C) Lili Boulanger Memorial Fund Award D) Fulbright Scholarship
A) Ends B) Transitions C) Middles D) Beginnings
A) Nadia Boulanger B) Elliott Stein C) Arthur Honegger D) Marie-Laure de Noailles
A) Walt Whitman B) John Ashbery C) Paul Goodman D) Theodore Roethke
A) Renaissance-derived ground bass B) Serialism C) Minimalism D) Aleatoric music
A) Guggenheim Foundation B) Elizabeth Sprague Coolidge Foundation C) Ford Foundation D) Koussevitzky Foundation
A) Aaron Copland B) Mishel Piastro C) Virgil Thomson D) Leonard Bernstein
A) April 12, 1966 B) April 12, 1965 C) April 12, 1963 D) April 12, 1964
A) Ravel's Daphnis et Chloë B) Beethoven's Symphony No. 9 C) Bach's Brandenburg Concertos D) Mozart's Requiem
A) Boston, Massachusetts B) Nantucket, Massachusetts C) Provincetown, Massachusetts D) Martha's Vineyard, Massachusetts
A) The Last Waltz B) Recalling Nadia C) Final Symphony D) End of an Era
A) 1995 B) 2003 C) 1990 D) 2000
A) Ned Rorem B) August Strindberg C) Thornton Wilder D) Kenward Elmslie
A) Piano accompaniments B) Strict modernist aesthetics C) Song cycles D) Tonal music
A) 1974 B) 1993 C) 1985 D) 1980
A) Acamprosate B) Naltrexone C) Disulfiram D) Antabuse
A) Julius Katchen B) Nadia Boulanger C) Jonathan Sternberg D) Arthur Honegger
A) Addiction to drugs B) Depression C) Alcoholism D) Financial difficulties
A) Daron Hagen B) Steve Reich C) John Adams D) Philip Glass
A) Emily Dickinson B) Sylvia Plath C) Wallace Stevens D) Witter Bynner
A) 1940s B) 1950s C) 1960s D) 1970s
A) To a Young Girl B) Poémes pour la paix C) Flight for Heaven D) Cycle of Holy Songs
A) Nature B) Travel C) Four walls D) City life
A) Inspiration for new compositions B) Stability to abandon alcohol C) A teaching position D) Financial support
A) A Childhood Miracle B) Piano Concerto No. 2 C) Symphony No. 1 D) Poémes pour la paix
A) 1965 B) 1979 C) 2005 D) 1994
A) Jascha Kessler B) Holmes C) Stein D) Kenneth Koch
A) An infantile regression takes place B) He became more creative C) He felt a sense of peace D) He felt a sense of guilt
A) Robert Frost B) Alfred, Lord Tennyson C) Kenneth Koch D) Frank O'Hara
A) Transitions B) Middles C) Beginnings D) Ends
A) A Childhood Miracle B) Dorian Gray C) Melos D) Ballet for Jerry |
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