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A) 1873 B) 1847 C) 1866 D) 1858
A) Stefano Ricci B) Leopold II, Grand Duke of Tuscany C) Queen Victoria D) The Operai
A) Encaustic wax B) Wax C) Fat D) Oil
A) Between the toes B) On the face C) Between the fingers D) On the shoulders
A) The Paris Exposition B) The Piazzale Michelangelo C) The South Kensington Museum D) Queen Victoria
A) 1857 B) 1867 C) 1866 D) 1875
A) As a wedding present B) To celebrate her birthday C) To trade for a Ghirlandaio painting D) To assuage ill feelings over a refused painting
A) Gipsoteca of the Istituto Statale d'Arte B) Piazzale Michelangelo C) Florence Cathedral D) Galleria dell'Accademia
A) A decorative fabric drape B) A detachable plaster fig leaf C) A leather loincloth D) A marble robe
A) Bronze B) Plaster C) Fibreglass D) Marble
A) Fiberglass David B) Leather David C) Parisian David D) Bronze David
A) Michelangelo B) Domenico Ghirlandaio C) Stefano Ricci D) Leopold II
A) The fourth centenary of Michelangelo's birth B) The anniversary of the commission C) The opening of the Accademia D) The Queen's visit
A) Ghiberti B) Verrocchio C) Michelangelo D) Donatello
A) The Bishop of Florence B) The Pope C) Cosimo de' Medici D) The King of France
A) The Cathedral B) A private garden C) Palazzo della Signoria D) The city gate
A) High up on the cathedral B) Inside the town hall C) The city square D) A royal palace
A) History, religion, and politics B) Cost, transport, and sculptor C) Height, weight, and material D) Aria, moda, and qualità
A) Lost completely B) Stolen by rioters C) Broken into three pieces D) Severed at the shoulder
A) Giorgio Vasari B) Machiavelli C) Donatello D) Michelangelo
A) With a spear B) With a sword and shield C) With a sling and a knife D) With bare hands
A) A religious reference B) Lorenzo de' Medici's personal emblem C) A symbol of the republic D) A common tool of the time
A) A sword belt B) A laurel wreath of gilt bronze C) A vine of copper leaves D) A gilded sling strap
A) Politically charged B) Purely artistic C) Religious symbolism D) Irrelevant to politics
A) 15 June B) 10 August C) 25 January D) 30 July
A) 8.5 B) 12.2 C) 5.17 D) 4.0
A) 14 B) 9 C) 30 D) 40
A) Piero Cannata B) Leonardo da Vinci C) Baccio Bandinelli D) Emilio De Fabris
A) In front of the cathedral B) Accademia Gallery C) Loggia dei Lanzi D) Palazzo della Signoria
A) One day B) Two weeks C) One month D) Four days
A) More than 40 B) 14 C) Exactly 30 D) More than 100
A) Michelangelo B) Donatello C) Leonardo da Vinci D) Baccio Bandinelli
A) Piero Cannata B) Baccio Bandinelli C) Emilio De Fabris D) Michelangelo
A) 2000 B) 1882 C) 1873 D) 1910
A) Dynamic movements B) The chemical composition of the marble C) The weight of the statue D) The depth of the cracks
A) The marble block discarded in 1525 B) The sling held over the shoulder C) The tree trunk against which the right leg rests D) The pedestal base
A) Italian Culture Ministry B) Accademia Gallery C) The UNESCO D) The Vatican
A) More than 1,500 B) 14 C) 30 D) Exactly 40
A) Stoic B) Empiricist C) Neo-Platonic D) Existentialist
A) Lowest relief first B) The base first C) Highest relief first D) The head first
A) Statuario B) Roman limestone C) Bianco ordinario D) Carrara superior
A) Gradina B) Trapano C) Subbia D) Calcagnuolo
A) Trapano B) Unghietto C) Gradina D) Subbia
A) Serrated saw B) Dente di cane C) Copper file D) Flat chisel
A) Drills B) Pointed chisels C) Toothed chisels D) Flat chisels
A) A decorative buckle B) An anchor for a spear C) A knot of clothing D) A point for mechanical transfer
A) 9 October 1501 B) 13 August 1501 C) 13 September 1501 D) 9 September 1501
A) Agostino di Duccio B) Donatello C) Giorgio Vasari D) Franca Falletti
A) Twelve braccia B) Seven braccia C) Nine braccia D) Five braccia
A) Subbia B) Calcagnuolo C) Gradina D) Dente di cane
A) Medici Council B) Operai del Duomo C) Otto di Guardia D) Arte della Lana
A) A mythological hero B) A Roman emperor C) A Medici family member D) An Old Testament prophet
A) il capolavoro B) il gigante C) il marmo bianco D) il profeta
A) 30 B) 35 C) 21 D) 26
A) Fantiscritti quarry B) Piazza della Signoria C) The Medici estate D) Florence Cathedral yard
A) Contrapposto B) Symmetrical balance C) Dynamic lunge D) Static frontal pose
A) Verrocchio B) Polykleitos C) Vasari D) Donatello
A) Antonio da Sangallo the Elder B) Rosalind Krauss C) Kathleen Weil-Garris Brandt D) Simone del Pollaiolo
A) Kathleen Weil-Garris Brandt B) Michelangelo C) Richard Trexler D) Alison Wright
A) Palazzo B) Scarpellini C) Imbasamento D) Socle
A) Socle B) Imbasamento C) Scarpellini D) Operai
A) 11 July 1504 B) 11 June 1504 C) 11 June 1500 D) 15 June 1504
A) A series of antique columns B) A decorative metal frame C) A sheath surrounding a core D) A solid block of stone
A) A minor detail B) A pivotal event C) An arbitrary addition D) A failed experiment
A) Rosalind Krauss B) Richard Trexler C) Alison Wright D) Kathleen Weil-Garris Brandt
A) Richard Trexler B) Rosalind Krauss C) Michelangelo D) Simone del Pollaiolo
A) Linseed oil only B) Marble dust paste C) Encaustic D) Varnish
A) Piero Cannata B) Lorenzo Bartolini C) Stefano Ricci D) Aristodemo Costoli
A) Hydrochloric acid B) Bleach C) Sulfuric acid D) Vinegar
A) Calcite B) Granite C) Quartz D) Limestone
A) Cinzia Parnigoni B) Antonio Paolucci C) A member of the National Research Council D) Stefano Ricci
A) Tarme B) Pores C) Taròli D) Halos
A) Once a year B) Every six months C) Every week D) Every two months
A) Hydrochloric acid wash B) Poultices soaked in distilled water C) Motorized erasers D) Dry soft brushes
A) Taròli B) Halos C) Vents D) Tarme |