A) Write the dialogue. B) Develop a compelling logline. C) Create character bios. D) Outline the action sequences.
A) Arial 11pt B) Helvetica 10pt C) Courier 12pt D) Times New Roman 12pt
A) Introduction B) International C) Intense D) Interior
A) Exterior B) Extinguish C) Extended D) External
A) A pause or moment of silence. B) A musical cue. C) A fight scene. D) A character's heartbeat.
A) To be a literary masterpiece. B) To be read as a novel. C) To be a blueprint for a film. D) To win awards.
A) Scene Heading B) Dialogue Tag C) Action Line D) Parenthetical
A) Setup B) Confrontation C) Denouement D) Resolution
A) To show character development and change. B) To pad the runtime. C) To introduce new characters. D) To confuse the audience.
A) A flashback sequence. B) A supporting character. C) An object that drives the plot. D) A special effect.
A) Dramatic Irony B) Situational Irony C) Verbal Irony D) Cosmic Irony
A) The climax of the story. B) A minor plot point. C) The resolution of the story. D) The event that sets the story in motion.
A) It is not necessary for a good story. B) It makes the story boring. C) It makes the story predictable. D) It drives the plot and creates tension.
A) VOX B) VCR C) OV D) V.O.
A) Showing, not telling. B) Creating compelling characters. C) Using strong verbs. D) Writing on-the-nose dialogue.
A) 1 page equals approximately 1 minute of screen time. B) 10 pages equals approximately 1 minute of screen time. C) 5 pages equals approximately 1 minute of screen time. D) 1 page equals approximately 5 minutes of screen time.
A) A list of camera angles. B) A list of sound effects. C) A character biography. D) An outline of key plot points in a story.
A) To drive the main action of the story B) To provide comic relief. C) To be a background character. D) To be the villain.
A) The part of the story where conflicts are resolved and loose ends are tied up. B) A moment of intense action. C) A fight scene. D) The introduction to a character.
A) Off Screen B) Out of Sync C) Original Score D) On Stage
A) The protagonist's best friend. B) A supporting character who always agrees with the protagonist. C) A neutral character. D) The character or force opposing the protagonist.
A) A list of actors. B) A marketing plan for the film. C) A detailed summary of the screenplay. D) A rough draft of the screenplay.
A) Casting the film. B) Referring back to an earlier plot point or joke. C) A stage direction for an actor. D) A phone call in the script.
A) A minor conflict. B) The turning point or most intense moment in the story. C) The end of the story. D) The beginning of the story.
A) To directly state facts to the audience. B) To use only dialogue. C) To hide the plot from the audience. D) To reveal information through actions and visuals, not exposition.
A) A surprise twist. B) The most exciting part of the story. C) A musical interlude. D) Background information about the characters, setting, and plot.
A) The director's notes. B) The number of pages in the script. C) The speed and rhythm of the story. D) The font size used in the script.
A) A detailed character biography. B) A marketing slogan for the film. C) A brief summary of the story's plot and central conflict. D) A list of locations.
A) Proof of Value B) Power Over Voltage C) Piece of Vinyl D) Point of View
A) To show the passage of time or a series of related events. B) To introduce a new character. C) To slow down the pace of the story. D) To confuse the audience. |