A) 1776 B) 1793 C) 1789 D) 1801
A) A military general B) David's art teacher C) A French king D) A radical journalist and politician
A) Poisoned B) Shot C) Stabbed in his bath D) Hanged
A) Napoleon Bonaparte B) Charlotte Corday C) Maximilien Robespierre D) Marie Antoinette
A) For artistic inspiration B) It was his office C) To relieve his skin condition D) He was hiding from enemies
A) A letter B) A crown C) A paintbrush D) A sword
A) The Jacobins B) The Royalists C) The Moderates D) The Girondins
A) Le Figaro B) Le Monde C) L'Ami du Peuple D) La Gazette
A) The Louvre B) British Museum C) Musée d'Orsay D) Royal Museums of Fine Arts of Belgium
A) Romanticism B) Baroque C) Neoclassicism D) Impressionism
A) Water B) Towels C) Soap D) Clothing
A) Artistic flourish B) The killer's signature C) Marat's sacrifice for the revolution D) Royalist oppression
A) Marat was his student B) Marat was his patron C) They were both Jacobin politicians D) They were related
A) The rise of Napoleon B) The Storming of the Bastille C) The Reign of Terror D) The Restoration
A) "Vive la Revolution" B) "To Marat, David" C) "Death to Tyrants" D) "Liberty, Equality, Fraternity"
A) Sfumato B) Impasto C) Pointillism D) Chiaroscuro
A) Foreign diplomat B) Military commander C) Convention member D) Treasury official
A) It shows the brutality of revolution B) It promotes royal restoration C) It glorifies Marat as a revolutionary martyr D) It criticizes the Jacobins
A) Into religious iconography B) Into a comedy C) Into political propaganda D) Into abstract art |