A) Frans Hals B) Johannes Vermeer C) Rembrandt D) Anthony van Dyck
A) 1642 B) 1606 C) 1631 D) 1624
A) Louvre, Paris B) Uffizi Gallery, Florence C) Wallace Collection, London D) Rijksmuseum, Amsterdam
A) Watercolor on paper B) Oil on canvas C) Charcoal on canvas D) Tempera on panel
A) Belly laughter B) An angry grimace C) A sad smile D) A confident smirk
A) Loose, visible brushstrokes B) Pointillist dots C) Thick impasto only D) Smooth, blended layers
A) Delft B) Antwerp C) Amsterdam D) Haarlem
A) J.P. Morgan B) Sir Richard Wallace C) Catherine the Great D) King Charles I
A) Recently restored to new B) Good condition with some aging C) Mostly repainted D) Severely damaged and faded
A) From below B) From the upper left C) Even lighting throughout D) From directly behind
A) Jewel-encrusted frame B) Silver paint highlights C) Elaborate embroidery and lace D) Gold leaf background
A) They look upward B) They look away C) They are closed D) They engage directly with the viewer
A) Leonardo da Vinci B) Rembrandt C) Claude Monet D) Vincent van Gogh
A) Its religious subject matter B) Its mythological theme C) Its large landscape background D) Its elaborate costume details
A) French Impressionism B) Dutch Golden Age painting C) Baroque D) Italian Renaissance
A) Landscape B) Historical painting C) Still life D) Portrait
A) Blue B) Red C) Black D) Green
A) Seated position B) Three-quarter view C) Full frontal D) Profile view
A) No collar B) Mandarin collar C) Windsor collar D) Ruff collar
A) Wide-brimmed hat B) No hat C) Top hat D) Beret
A) 17th century B) 15th century C) 16th century D) 18th century
A) Royal prince B) Religious figure C) Poor farmer D) Wealthy gentleman |