A) Rembrandt B) Johannes Vermeer C) Anthony van Dyck D) Frans Hals
A) 1624 B) 1631 C) 1642 D) 1606
A) Uffizi Gallery, Florence B) Wallace Collection, London C) Louvre, Paris D) Rijksmuseum, Amsterdam
A) Tempera on panel B) Oil on canvas C) Charcoal on canvas D) Watercolor on paper
A) An angry grimace B) Belly laughter C) A confident smirk D) A sad smile
A) Thick impasto only B) Loose, visible brushstrokes C) Pointillist dots D) Smooth, blended layers
A) Amsterdam B) Antwerp C) Haarlem D) Delft
A) J.P. Morgan B) Sir Richard Wallace C) King Charles I D) Catherine the Great
A) Recently restored to new B) Severely damaged and faded C) Mostly repainted D) Good condition with some aging
A) From directly behind B) From the upper left C) Even lighting throughout D) From below
A) Gold leaf background B) Elaborate embroidery and lace C) Silver paint highlights D) Jewel-encrusted frame
A) They look upward B) They engage directly with the viewer C) They look away D) They are closed
A) Leonardo da Vinci B) Rembrandt C) Vincent van Gogh D) Claude Monet
A) Its elaborate costume details B) Its mythological theme C) Its large landscape background D) Its religious subject matter
A) French Impressionism B) Italian Renaissance C) Baroque D) Dutch Golden Age painting
A) Still life B) Historical painting C) Landscape D) Portrait
A) Blue B) Red C) Black D) Green
A) Three-quarter view B) Seated position C) Full frontal D) Profile view
A) Ruff collar B) Mandarin collar C) Windsor collar D) No collar
A) Top hat B) Beret C) Wide-brimmed hat D) No hat
A) 16th century B) 15th century C) 17th century D) 18th century
A) Poor farmer B) Royal prince C) Religious figure D) Wealthy gentleman |