A) 16:9 B) 4:3 C) 2.39:1 D) 1:1
A) DaVinci Resolve B) iMovie C) Windows Movie Maker D) Adobe Premiere Pro
A) Footage shot after the main shoot B) Supplemental or alternate footage intercut with the main shot C) The main shot of the video D) Footage discarded during editing
A) A smooth transition between two shots B) A cut that uses a visual effect C) An abrupt transition between two shots of the same subject D) A cut to a different scene
A) To compose visually appealing shots B) To choose the right resolution C) To select the correct codec D) To set the audio levels
A) Adding music to the video B) Adjusting the colors of the video for a specific look C) Cutting out unwanted parts of the video D) Adding text to the video
A) A type of camera lens B) A method to compress and decompress video data C) A type of microphone D) A type of video lighting
A) Changing the speed of a clip B) Locking the position of a clip C) Animating properties of a clip over time D) Adding visual effects
A) Adding reverb to an audio track B) Increasing the volume of an audio track C) Automatically lowering the volume of one audio track when another is present D) Removing background noise
A) To isolate and remove specific brightness values B) To stabilize footage C) To adjust the audio levels D) To add a vignette
A) New definition filter for increasing sharpness B) Neutral Density filter used to reduce the amount of light entering the camera C) Night vision filter D) Noise reduction filter for audio
A) To synchronize video and audio during editing. B) To protect the camera lens. C) To act as a light reflector. D) To provide a surface for storyboarding.
A) 24 fps B) 60 fps C) 120 fps D) 30 fps
A) To apply visual effects directly. B) To directly share footage on social media. C) To edit with lower resolution versions of the original footage. D) To create backups of the project.
A) Key light, fill light, and backlight. B) Red light, green light, and blue light. C) Front light, side light, and top light. D) Spotlight, floodlight, and ambient light.
A) To track camera movement. B) To monitor audio levels. C) To apply color grading. D) To visualize the brightness levels of the video.
A) More flexibility for color correction in post-production. B) Faster editing workflow. C) Improved image sharpness. D) Smaller file sizes.
A) A type of transition between scenes. B) A technique of panning and zooming on still images. C) An audio effect. D) A color grading style.
A) To remove camera shake. B) To adjust audio levels. C) To apply a pre-defined color grading look. D) To add visual effects.
A) Adjusting the color temperature to 180 Kelvin. B) Setting the shutter angle to 180 degrees. C) Keeping the camera angle at 180 degrees. D) Maintaining consistent screen direction.
A) More On Set B) Main Operating System C) Motion Only Shot D) Mit Out Sound (without sound)
A) Wipe B) Fade C) Dissolve D) Invert
A) To zoom in and out B) To add text C) To apply effects D) To cut clips
A) The part of the audio spectrum that is most pleasing to the ear. B) The frequency where sound is attenuated the most. C) The loudest point in an audio track. D) The optimal listening position between speakers.
A) A sequence within another sequence. B) A sequence that is automatically saved. C) A sequence that contains only audio. D) A sequence that is locked and cannot be edited.
A) No data is lost during compression. B) Some data is lost, but the quality is minimally affected. C) The file is uncompressed. D) The file size is significantly reduced, but the quality is noticeably degraded.
A) To stabilize shaky footage. B) To create transparency or isolate parts of an image. C) To sharpen the image. D) To reduce noise.
A) MP4 B) DOCX C) TXT D) PPTX
A) The range of brightness values from darkest to brightest that a camera can capture. B) The sharpness of the image. C) The color accuracy of the image. D) The speed at which the camera can record.
A) To apply color grading. B) To track camera movement. C) To monitor audio levels. D) To ensure accurate color representation. |