A) International actors were more affordable than French ones. B) He felt French cinema lacked a mythological aspect. C) The production budget required international funding. D) He could not find qualified French actors.
A) The Golden Coach and Singin' in the Rain B) Lady L and The Madwoman of Chaillot C) The 400 Blows and Two English Girls D) Contempt and The Golden Coach
A) It showed everyone involved in a film, not just the stars. B) It was the only film he watched during his sabbatical. C) It was the first film to use the day for night technique. D) It featured a cameo by Graham Greene.
A) She was a close personal friend of Truffaut. B) She had starred in The Golden Coach. C) She spoke French. D) She specifically requested the role.
A) New York B) London C) Nice D) Paris
A) The Great Movies B) The 400 Blows C) Lady L D) Two English Girls
A) The Madwoman of Chaillot B) The 400 Blows C) Two English Girls D) Lady L
A) A film director B) A crew member C) An insurance company representative D) An actor playing a star
A) Graham Greene B) Truffaut's Friend C) Henry Graham D) The Representative
A) He felt Greene gave a poor performance. B) Greene refused to speak to him on set. C) The scene was cut from the final film. D) He did not know it was Greene until later.
A) Two English Girls B) The Madwoman of Chaillot C) The Golden Coach D) The 400 Blows
A) Charles Champlin B) Roger Ebert C) Pauline Kael D) Vincent Canby
A) Gene Siskel B) Roger Ebert C) Pauline Kael D) Richard Combs
A) It was too long. B) The technical filmmaking was flawed. C) The performances were poor. D) It had no center and not much spirit.
A) Failing to portray the reality of filmmaking. B) Copying his style. C) Making a film that was a lie. D) Disrespecting the acting profession.
A) He wrote a book about Graham Greene. B) He took a sabbatical. C) He retired from cinema. D) He started filming another movie.
A) The life of Graham Greene. B) The self-afflicted madness that is making a movie. C) The art of international acting. D) The history of French cinema.
A) The Troubled Production B) Day for Night C) American Boredom D) Meet Pamela
A) Luis Buñuel B) Jean-Luc Godard C) Alfred Hitchcock D) François Truffaut
A) Dorothy Gish B) Jacqueline Bisset C) Ingrid Bergman D) Lillian Gish
A) L'ennui américain B) Je vous présente Paméla C) Meet the Crew D) La Nuit américaine
A) American Night B) American Boredom C) The Actress's Secret D) I Introduce You to Pamela
A) Alexandre B) Alphonse C) Ferrand D) Séverine
A) Three B) Four C) Two D) One
A) Dramatic melodrama effects B) Indoor lighting during outdoor scenes C) Old-fashioned silent film aesthetic D) Nighttime scenes filmed during the day
A) Alexandra Stewart B) Jacqueline Bisset C) Valentina Cortese D) Dani
A) L'ennui américain B) La Nuit artistique C) L'ennui tragique D) La Nuit comique |