A) Sending unsolicited audition tapes. B) Moving to a circus hotspot without a plan. C) Immediately buying juggling equipment. D) Researching different circus companies and roles.
A) Clowning B) Physical Fitness C) Advanced Calculus D) Acrobatics
A) Collecting rare stamps. B) Writing a strongly worded letter to the mayor. C) Becoming a taxidermist. D) Joining a local circus school or training program.
A) Ignoring pain and pushing through injuries. B) Consistent physical conditioning and injury prevention. C) Relying solely on natural talent. D) Avoiding stretching and warm-ups.
A) Sending a handwritten letter. B) Posting blurry cell phone videos online. C) Creating a professional quality demo reel or portfolio. D) Showing up unannounced at a performance.
A) It involves bribing circus officials. B) It's only for managers and directors. C) It's essential for finding opportunities and building relationships. D) It's irrelevant, as talent speaks for itself.
A) Your social security number. B) A list of your favorite movies. C) Relevant skills, training, and performance experience. D) Your high school GPA.
A) To critique the current performers. B) To sabotage the competition. C) To get free tickets to the show. D) To demonstrate your skills and suitability for a role.
A) Dental Hygienist B) Rigger C) Software Engineer D) Actuary
A) Write a scathing review of the circus. B) Argue with the judges about their assessment. C) Take it constructively and use it to improve. D) Ignore it completely.
A) A request for money. B) A rejection notice. C) A second audition, indicating strong initial interest. D) A threat of legal action.
A) Circus schedules are always rigid and predictable. B) Circus work often involves travel and adapting to new environments. C) Physical flexibility is unimportant. D) You must be able to bend over backwards to please everyone.
A) Falls B) Papercuts C) Boredom D) Sunburn
A) Pet insurance B) Health and accident insurance. C) Car insurance D) Travel insurance for travel to the moon
A) To sell popcorn at the show. B) To represent performers and negotiate contracts. C) To write the circus's social media posts. D) To clean up after the elephants.
A) A map of the circus grounds. B) A document specifying the technical requirements for a performance. C) A list of the performer's favorite snacks. D) A description of the performer's costume.
A) Teamwork only matters for animal handlers. B) Many acts require collaboration and trust among performers. C) Teamwork is just a management buzzword. D) Circus performers are all solitary and independent.
A) To train the animals. B) To write the music for the show. C) To design the costumes. D) To coordinate the technical aspects of a performance.
A) Shining a spotlight on the performer. B) Providing physical support to prevent falls. C) Cleaning the stage. D) Identifying potential audience members.
A) A large hat worn by the ringmaster. B) The main tent where the circus performs. C) A secret code used by circus performers. D) The name of the circus's accounting department.
A) The lot. B) The attic C) The dungeon D) The void.
A) Take a picture and post it on social media. B) Try to fix it yourself without proper training. C) Report it immediately to the appropriate authorities. D) Ignore it and hope it goes away.
A) Because it's fun. B) To make it look shiny. C) To avoid annoying the stage manager. D) To ensure safety and prevent accidents.
A) Circuses often travel internationally and interact with diverse audiences. B) Circuses are culturally homogenous and don't require sensitivity. C) Ignoring other cultures is a circus tradition. D) Cultural sensitivity is only important for clowns.
A) A clause requiring the artist to wear silly hats at all times. B) Which animals the artist likes most. C) How many ice cream scoops the artist gets per day. D) Liability clauses.
A) Complete lack of any narrative structure. B) Theatrical storytelling. C) Exclusively showcasing animal acts. D) Use of only pre-1900s technology.
A) Engage in a shouting match with the heckler. B) Throw something at the heckler. C) Cry. D) Ignore it or handle it with humor and professionalism.
A) Pretending the audience is made of vegetables. B) Practice and mental preparation techniques. C) Hiding backstage until the show is over. D) Drinking large amounts of alcohol.
A) Improvise gracefully and try to get back on track. B) Panic and run off stage. C) Blame someone else for the mistake. D) Start reciting the alphabet backwards.
A) Silently sabotage the unsafe practices. B) Raise your concerns with management before accepting the position. C) File a lawsuit immediately, even without evidence. D) Ignore your concerns and hope for the best. |