A) Sending unsolicited audition tapes. B) Moving to a circus hotspot without a plan. C) Researching different circus companies and roles. D) Immediately buying juggling equipment.
A) Physical Fitness B) Clowning C) Acrobatics D) Advanced Calculus
A) Becoming a taxidermist. B) Joining a local circus school or training program. C) Writing a strongly worded letter to the mayor. D) Collecting rare stamps.
A) Consistent physical conditioning and injury prevention. B) Avoiding stretching and warm-ups. C) Relying solely on natural talent. D) Ignoring pain and pushing through injuries.
A) Posting blurry cell phone videos online. B) Showing up unannounced at a performance. C) Creating a professional quality demo reel or portfolio. D) Sending a handwritten letter.
A) It's only for managers and directors. B) It's essential for finding opportunities and building relationships. C) It involves bribing circus officials. D) It's irrelevant, as talent speaks for itself.
A) Relevant skills, training, and performance experience. B) A list of your favorite movies. C) Your social security number. D) Your high school GPA.
A) To demonstrate your skills and suitability for a role. B) To critique the current performers. C) To get free tickets to the show. D) To sabotage the competition.
A) Software Engineer B) Actuary C) Dental Hygienist D) Rigger
A) Take it constructively and use it to improve. B) Write a scathing review of the circus. C) Argue with the judges about their assessment. D) Ignore it completely.
A) A second audition, indicating strong initial interest. B) A request for money. C) A threat of legal action. D) A rejection notice.
A) Circus schedules are always rigid and predictable. B) You must be able to bend over backwards to please everyone. C) Physical flexibility is unimportant. D) Circus work often involves travel and adapting to new environments.
A) Papercuts B) Sunburn C) Falls D) Boredom
A) Travel insurance for travel to the moon B) Car insurance C) Pet insurance D) Health and accident insurance.
A) To represent performers and negotiate contracts. B) To write the circus's social media posts. C) To sell popcorn at the show. D) To clean up after the elephants.
A) A map of the circus grounds. B) A description of the performer's costume. C) A list of the performer's favorite snacks. D) A document specifying the technical requirements for a performance.
A) Teamwork is just a management buzzword. B) Many acts require collaboration and trust among performers. C) Teamwork only matters for animal handlers. D) Circus performers are all solitary and independent.
A) To write the music for the show. B) To train the animals. C) To design the costumes. D) To coordinate the technical aspects of a performance.
A) Shining a spotlight on the performer. B) Cleaning the stage. C) Providing physical support to prevent falls. D) Identifying potential audience members.
A) The main tent where the circus performs. B) The name of the circus's accounting department. C) A large hat worn by the ringmaster. D) A secret code used by circus performers.
A) The dungeon B) The void. C) The attic D) The lot.
A) Take a picture and post it on social media. B) Ignore it and hope it goes away. C) Try to fix it yourself without proper training. D) Report it immediately to the appropriate authorities.
A) Because it's fun. B) To make it look shiny. C) To avoid annoying the stage manager. D) To ensure safety and prevent accidents.
A) Circuses often travel internationally and interact with diverse audiences. B) Circuses are culturally homogenous and don't require sensitivity. C) Ignoring other cultures is a circus tradition. D) Cultural sensitivity is only important for clowns.
A) Liability clauses. B) Which animals the artist likes most. C) A clause requiring the artist to wear silly hats at all times. D) How many ice cream scoops the artist gets per day.
A) Exclusively showcasing animal acts. B) Theatrical storytelling. C) Complete lack of any narrative structure. D) Use of only pre-1900s technology.
A) Ignore it or handle it with humor and professionalism. B) Engage in a shouting match with the heckler. C) Throw something at the heckler. D) Cry.
A) Drinking large amounts of alcohol. B) Pretending the audience is made of vegetables. C) Practice and mental preparation techniques. D) Hiding backstage until the show is over.
A) Blame someone else for the mistake. B) Improvise gracefully and try to get back on track. C) Panic and run off stage. D) Start reciting the alphabet backwards.
A) Silently sabotage the unsafe practices. B) File a lawsuit immediately, even without evidence. C) Ignore your concerns and hope for the best. D) Raise your concerns with management before accepting the position. |