Ludwig van Beethoven - Quiz
A) Paris B) Vienna C) Berlin D) Bonn
A) Piano B) Cello C) Violin D) Flute
A) Symphony No. 3 B) Symphony No. 9 C) Symphony No. 7 D) Symphony No. 5
A) Romantic and Modern B) Classical and Romantic C) Medieval and Renaissance D) Baroque and Classical
A) Symphony No. 9 B) Symphony No. 5 C) Symphony No. 3 D) Symphony No. 7
A) Immortal Beloved B) Moonlight Sonata C) Eroica Symphony D) Für Elise
A) 1750 B) 1869 C) 1799 D) 1827
A) The Magic Flute B) Fidelio C) Carmen D) Madama Butterfly
A) Italian B) Austrian C) French D) German
A) C minor B) F sharp major C) D major D) A flat minor
A) Maréchal Ney B) Louis-Alexandre Berthier C) Napoleon Bonaparte D) Joachim Murat
A) Christian Gottlob Neefe B) Franz Rovantini C) Johann van Beethoven D) Joseph Haydn
A) Conductor B) Composer C) Pianist D) Kapellmeister (music director)
A) Bonn B) Vienna C) Munich D) Berlin
A) Heinrich Keverich B) Karl Alois, Prince Lichnowsky C) Clemens August D) Johann IX Philipp von Walderdorff
A) Cousin B) Grandson through his father, who worked at the court C) Nephew D) Son
A) Helene von Breuning B) Maria Magdalena Keverich C) Nannerl Mozart D) Julie Guicciardi
A) 16 December 1770 B) 18 December 1770 C) 15 December 1770 D) 17 December 1770
A) Moonlight Sonata B) Appassionata Sonata C) Pathétique Sonata D) Waldstein Sonata
A) 56 B) 50 C) 65 D) 60
A) Bagatelle "Für Elise" B) Fifth Symphony C) Ninth Symphony D) Eroica Symphony
A) Late period (1812–1827) B) Romantic period C) First period (up to 1802) D) Middle period (1802–1812)
A) Ninth Symphony B) Fifth Symphony C) Große Fuge D) Eroica Symphony
A) Johann van Beethoven B) Court concertmaster Franz Anton Ries C) Joseph Haydn D) Christian Gottlob Neefe
A) Eroica Symphony B) Pathétique Sonata C) First Symphony D) Moonlight Sonata
A) Count Ferdinand von Waldstein B) Christian Gottlob Neefe C) Franz Wegeler D) Maximilian Franz
A) Three piano sonatas (WoO 47) B) Ballet Musik zu einem Ritterballett (WoO 1) C) A set of keyboard variations (WoO 63) D) Cantata for the death of Joseph II (WoO 87)
A) Haydn B) Kurfürst C) Waldstein D) Breuning
A) Maximilian Franz's wife B) Helene von Breuning C) Anna von Schaden D) Johann van Beethoven
A) Franz Wegeler B) Christian Gottlob Neefe C) Maximilian Franz D) Count Ferdinand von Waldstein
A) Fidelio B) Musik zu einem Ritterballett (WoO 1) C) Die Geschöpfe des Prometheus D) Leonore
A) July 1787 B) 1785 C) 1792 D) 1789
A) Mozart B) Paisiello C) Beethoven D) Gluck
A) Late 1790 B) 1792 C) 1785 D) 1789
A) 1789 B) 1792 C) 1794 D) 1801
A) Salieri B) Haydn C) Albrechtsberger D) Mozart
A) Piano B) Cello C) Flute D) Violin
A) Kaspar B) Carl C) Joseph D) Ferdinand
A) Ferdinand Ries B) Daniel Steibelt C) Joseph Wölfl D) Ignaz Moscheles
A) The players ignored the soloist entirely B) It was universally praised without criticism C) Beethoven's works were not well received D) It was called 'the most interesting concert in a long time' by the Allgemeine musikalische Zeitung
A) It was a financial success B) Beethoven had to refund all the tickets C) The concert was cancelled due to poor ticket sales D) It resulted in significant losses for Beethoven
A) Joseph Haydn B) Ignaz Schuppanzigh C) Johann Albrechtsberger D) Antonio Salieri
A) 1798 B) 1815 C) 1802 D) 1824
A) Neural degeneration B) Auricular infection C) Tinnitus D) Otosclerosis
A) Leipzig B) Cassel C) Vienna D) Heiligenstadt
A) General Bernadotte B) Archduke Rudolf C) Czerny D) E. T. A. Hoffmann
A) Mass in C, Op. 86 B) Violin Concerto C) Fidelio D) Archduke Trio Op. 97
A) Meeresstille und glückliche Fahrt B) King Stephen C) Egmont D) The Ruins of Athens
A) Dramatic Quartet B) Quartetto serioso C) Tragic Quartet D) Heroic Quartet
A) Teplitz (now Teplice) B) Munich C) Berlin D) Vienna
A) Bettina Brentano B) Goethe C) Rudolph D) Antonie Brentano
A) Therese Malfatti B) Josephine Brunsvik C) Antonie Brentano D) Julie Guicciardi
A) He had a passionate correspondence with her. B) They were married. C) He never wrote to her. D) She rejected his proposal.
A) F minor String Quartet B) Meeresstille und glückliche Fahrt C) Archduke Trio D) Egmont Overture
A) Budapest B) Berlin C) Munich D) Vienna
A) Tuberculosis B) Cholera C) Malaria D) Pneumonia
A) 1000 florins B) 2000 florins C) 500 florins D) 1500 florins
A) On 8 November 1812 B) In late 1820 C) On 15 November 1815 D) In early 1813
A) A local magistrate B) Therese Obermayer C) Kaspar's widow Johanna D) His brother Johann
A) 1818 B) 1816 C) 1822 D) 1820
A) As supportive and caring. B) As minimal and uninvolved. C) As indifferent and distant. D) As an overbearing manner.
A) Seventh Symphony, Op. 92 B) Wellington's Victory (Op. 91) C) The Allegretto movement D) Battle Symphony
A) Ludwig Spohr B) Moscheles C) Johann Nepomuk Maelzel D) Duke of Wellington
A) "With God's guidance." B) "For art and glory." C) "O Man, help thyself." D) "To success!"
A) An die Hoffnung B) Fidelio C) Wellington's Victory D) Der glorreiche Augenblick (The Glorious Moment)
A) Migraine B) Tuberculosis C) Inflammatory fever D) Rheumatism
A) Mozart's B) Beethoven's C) Haydn's D) Schubert's
A) Conversation books B) Braille C) Telegraph D) Sign language
A) Alois Jeitteles B) Thomas Broadwood C) Maelzel D) Nannette Streicher
A) Steinway & Sons B) Broadwood C) Bechstein D) Yamaha
A) 75 ducats per quartet. B) 30 ducats per sonata. C) 100 ducats per quartet. D) 50 ducats per quartet.
A) 1823 B) 1826 C) 1824 D) 1825
A) Rudolph B) Johann Friedrich Rochlitz C) Louis XVIII D) Michael Umlauf
A) Napoleon Bonaparte B) Charles X C) Louis XVIII D) François I
A) Ludwig van Beethoven B) Michael Umlauf C) Anton Schindler D) Johann Nepomuk Hummel
A) Artaria B) Cramer C) Haslinger D) Schlesinger
A) Rudolph B) Karl Holz C) Michael Umlauf D) Schindler
A) Missa solemnis B) String Quartet No. 14 C) Ninth Symphony D) Diabelli Variations
A) "Der schwer gefasste Entschluss" B) "Es muss sein!" C) "Muss es sein?" D) "Von Herzen—Möge es wieder—Zu Herzen gehn!"
A) Tuberculosis B) A sudden illness C) Migraine D) Rheumatism
A) Munich B) Berlin C) Baden D) Vienna
A) Andreas Ignaz Wawruch B) Schindler C) Karl D) Dr. Malfatti
A) £100 B) A portrait of him C) A lifetime membership D) A grand piano
A) "Plaudite, amici, comoedia finita est" B) "To be or not to be" C) "Veni, vidi, vici" D) "Carpe diem"
A) 5,000 B) 10,000 C) 20,000 D) 50,000
A) Joseph Mayseder B) Anselm Hüttenbrenner C) Heinrich Anschütz D) Franz Schubert
A) 1888 B) 1900 C) 1827 D) 1863
A) Concertos B) The quartets C) Piano sonatas D) Symphonies
A) Op. 18 quartets B) Opp. 59, 74 and 95 C) Composed from 1824 onwards D) Composed between 1806–1814
A) Sub-periods B) New compositions C) A fourth period D) The influence of other composers
A) Rank beginners B) Classical masters C) Contemporary virtuosos D) Mature composers
A) Schubert and Liszt B) Hummel or Muzio Clementi C) Bach and Handel D) Haydn and Mozart
A) The decade 1790–1800 B) The decade 1820–1830 C) The decade 1810–1819 D) The decade 1780–1790
A) Wolfgang Amadeus Mozart B) Claudio Monteverdi C) Johann Sebastian Bach D) George Frideric Handel
A) Classical era B) Baroque-era C) Romantic era D) Renaissance era
A) The modern piano B) Recording technology C) The art of conducting D) The professional orchestra
A) 1845 B) 2001 C) 2007 D) 1880
A) San Jose, California B) St. Louis C) Vienna D) Bonn
A) Beethoven Museum in Probusgasse B) Pasqualatihaus (Mölker Bastei 8) C) Beethoven House, Bonn D) Beethovenhalle
A) 2007 B) August 1845 C) 2001 D) 1880 |
Created with That Quiz —
the site for test creation and grading in math and other subjects.