Ludwig van Beethoven - Quiz
A) Paris B) Berlin C) Vienna D) Bonn
A) Violin B) Flute C) Cello D) Piano
A) Symphony No. 7 B) Symphony No. 5 C) Symphony No. 3 D) Symphony No. 9
A) Romantic and Modern B) Baroque and Classical C) Medieval and Renaissance D) Classical and Romantic
A) Symphony No. 5 B) Symphony No. 7 C) Symphony No. 3 D) Symphony No. 9
A) Für Elise B) Eroica Symphony C) Immortal Beloved D) Moonlight Sonata
A) 1827 B) 1799 C) 1750 D) 1869
A) Madama Butterfly B) Fidelio C) Carmen D) The Magic Flute
A) French B) Italian C) German D) Austrian
A) A flat minor B) F sharp major C) D major D) C minor
A) Louis-Alexandre Berthier B) Napoleon Bonaparte C) Joachim Murat D) Maréchal Ney
A) Joseph Haydn B) Christian Gottlob Neefe C) Johann van Beethoven D) Franz Rovantini
A) Conductor B) Composer C) Kapellmeister (music director) D) Pianist
A) Bonn B) Munich C) Berlin D) Vienna
A) Clemens August B) Johann IX Philipp von Walderdorff C) Heinrich Keverich D) Karl Alois, Prince Lichnowsky
A) Son B) Grandson through his father, who worked at the court C) Nephew D) Cousin
A) Julie Guicciardi B) Nannerl Mozart C) Maria Magdalena Keverich D) Helene von Breuning
A) 18 December 1770 B) 17 December 1770 C) 15 December 1770 D) 16 December 1770
A) Waldstein Sonata B) Appassionata Sonata C) Moonlight Sonata D) Pathétique Sonata
A) 60 B) 65 C) 50 D) 56
A) Bagatelle "Für Elise" B) Eroica Symphony C) Ninth Symphony D) Fifth Symphony
A) Romantic period B) Late period (1812–1827) C) Middle period (1802–1812) D) First period (up to 1802)
A) Große Fuge B) Ninth Symphony C) Eroica Symphony D) Fifth Symphony
A) Johann van Beethoven B) Christian Gottlob Neefe C) Court concertmaster Franz Anton Ries D) Joseph Haydn
A) Moonlight Sonata B) Pathétique Sonata C) First Symphony D) Eroica Symphony
A) Franz Wegeler B) Count Ferdinand von Waldstein C) Christian Gottlob Neefe D) Maximilian Franz
A) A set of keyboard variations (WoO 63) B) Cantata for the death of Joseph II (WoO 87) C) Three piano sonatas (WoO 47) D) Ballet Musik zu einem Ritterballett (WoO 1)
A) Kurfürst B) Waldstein C) Haydn D) Breuning
A) Helene von Breuning B) Johann van Beethoven C) Anna von Schaden D) Maximilian Franz's wife
A) Franz Wegeler B) Christian Gottlob Neefe C) Maximilian Franz D) Count Ferdinand von Waldstein
A) Fidelio B) Leonore C) Musik zu einem Ritterballett (WoO 1) D) Die Geschöpfe des Prometheus
A) 1789 B) 1785 C) July 1787 D) 1792
A) Paisiello B) Mozart C) Beethoven D) Gluck
A) 1789 B) 1792 C) Late 1790 D) 1785
A) 1801 B) 1789 C) 1794 D) 1792
A) Salieri B) Albrechtsberger C) Haydn D) Mozart
A) Flute B) Cello C) Piano D) Violin
A) Kaspar B) Ferdinand C) Joseph D) Carl
A) Ignaz Moscheles B) Joseph Wölfl C) Ferdinand Ries D) Daniel Steibelt
A) Beethoven's works were not well received B) It was universally praised without criticism C) The players ignored the soloist entirely D) It was called 'the most interesting concert in a long time' by the Allgemeine musikalische Zeitung
A) Steinway & Sons B) Yamaha C) Bechstein D) Broadwood
A) Therese Malfatti B) Antonie Brentano C) Julie Guicciardi D) Josephine Brunsvik
A) Beethoven House, Bonn B) Pasqualatihaus (Mölker Bastei 8) C) Beethoven Museum in Probusgasse D) Beethovenhalle
A) Anton Schindler B) Johann Nepomuk Hummel C) Michael Umlauf D) Ludwig van Beethoven
A) Meeresstille und glückliche Fahrt B) King Stephen C) Egmont D) The Ruins of Athens
A) Haydn and Mozart B) Hummel or Muzio Clementi C) Bach and Handel D) Schubert and Liszt
A) Kaspar's widow Johanna B) Therese Obermayer C) His brother Johann D) A local magistrate
A) Rank beginners B) Mature composers C) Classical masters D) Contemporary virtuosos
A) 1888 B) 1827 C) 1863 D) 1900
A) 1845 B) 2001 C) 1880 D) 2007
A) Cassel B) Vienna C) Heiligenstadt D) Leipzig
A) Beethoven's B) Haydn's C) Schubert's D) Mozart's
A) Baroque-era B) Classical era C) Renaissance era D) Romantic era
A) Wellington's Victory (Op. 91) B) Seventh Symphony, Op. 92 C) Battle Symphony D) The Allegretto movement
A) "Der schwer gefasste Entschluss" B) "Es muss sein!" C) "Von Herzen—Möge es wieder—Zu Herzen gehn!" D) "Muss es sein?"
A) A portrait of him B) £100 C) A lifetime membership D) A grand piano
A) Archduke Rudolf B) Czerny C) E. T. A. Hoffmann D) General Bernadotte
A) Joseph Haydn B) Ignaz Schuppanzigh C) Johann Albrechtsberger D) Antonio Salieri
A) Tuberculosis B) Rheumatism C) Inflammatory fever D) Migraine
A) 1500 florins B) 1000 florins C) 500 florins D) 2000 florins
A) Heroic Quartet B) Quartetto serioso C) Dramatic Quartet D) Tragic Quartet
A) Berlin B) Budapest C) Vienna D) Munich
A) Migraine B) Rheumatism C) Tuberculosis D) A sudden illness
A) He never wrote to her. B) They were married. C) She rejected his proposal. D) He had a passionate correspondence with her.
A) Tinnitus B) Neural degeneration C) Auricular infection D) Otosclerosis
A) 1798 B) 1824 C) 1815 D) 1802
A) San Jose, California B) St. Louis C) Vienna D) Bonn
A) In early 1813 B) On 8 November 1812 C) On 15 November 1815 D) In late 1820
A) 75 ducats per quartet. B) 50 ducats per quartet. C) 30 ducats per sonata. D) 100 ducats per quartet.
A) Antonie Brentano B) Goethe C) Bettina Brentano D) Rudolph
A) 1816 B) 1820 C) 1818 D) 1822
A) Anselm Hüttenbrenner B) Franz Schubert C) Heinrich Anschütz D) Joseph Mayseder
A) Sub-periods B) The influence of other composers C) New compositions D) A fourth period
A) 2007 B) 2001 C) 1880 D) August 1845
A) Cholera B) Malaria C) Pneumonia D) Tuberculosis
A) Dr. Malfatti B) Andreas Ignaz Wawruch C) Schindler D) Karl
A) Michael Umlauf B) Schindler C) Karl Holz D) Rudolph
A) Louis XVIII B) Michael Umlauf C) Rudolph D) Johann Friedrich Rochlitz
A) Composed from 1824 onwards B) Composed between 1806–1814 C) Op. 18 quartets D) Opp. 59, 74 and 95
A) Wellington's Victory B) Der glorreiche Augenblick (The Glorious Moment) C) An die Hoffnung D) Fidelio
A) It resulted in significant losses for Beethoven B) Beethoven had to refund all the tickets C) It was a financial success D) The concert was cancelled due to poor ticket sales
A) Ninth Symphony B) Diabelli Variations C) Missa solemnis D) String Quartet No. 14
A) As minimal and uninvolved. B) As an overbearing manner. C) As supportive and caring. D) As indifferent and distant.
A) Johann Nepomuk Maelzel B) Ludwig Spohr C) Moscheles D) Duke of Wellington
A) Archduke Trio B) F minor String Quartet C) Meeresstille und glückliche Fahrt D) Egmont Overture
A) "O Man, help thyself." B) "With God's guidance." C) "To success!" D) "For art and glory."
A) Conversation books B) Telegraph C) Braille D) Sign language
A) Berlin B) Vienna C) Teplitz (now Teplice) D) Munich
A) The modern piano B) Recording technology C) The art of conducting D) The professional orchestra
A) Johann Sebastian Bach B) George Frideric Handel C) Claudio Monteverdi D) Wolfgang Amadeus Mozart
A) The quartets B) Piano sonatas C) Symphonies D) Concertos
A) 10,000 B) 20,000 C) 5,000 D) 50,000
A) Haslinger B) Cramer C) Artaria D) Schlesinger
A) 1824 B) 1825 C) 1826 D) 1823
A) Baden B) Berlin C) Vienna D) Munich
A) "Carpe diem" B) "To be or not to be" C) "Plaudite, amici, comoedia finita est" D) "Veni, vidi, vici"
A) Violin Concerto B) Fidelio C) Archduke Trio Op. 97 D) Mass in C, Op. 86
A) François I B) Louis XVIII C) Charles X D) Napoleon Bonaparte
A) Nannette Streicher B) Alois Jeitteles C) Maelzel D) Thomas Broadwood
A) The decade 1820–1830 B) The decade 1790–1800 C) The decade 1780–1790 D) The decade 1810–1819 |
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