Ludwig van Beethoven - Quiz
A) Bonn B) Vienna C) Berlin D) Paris
A) Flute B) Piano C) Cello D) Violin
A) Symphony No. 7 B) Symphony No. 5 C) Symphony No. 3 D) Symphony No. 9
A) Baroque and Classical B) Romantic and Modern C) Classical and Romantic D) Medieval and Renaissance
A) Symphony No. 7 B) Symphony No. 9 C) Symphony No. 3 D) Symphony No. 5
A) Immortal Beloved B) Moonlight Sonata C) Für Elise D) Eroica Symphony
A) 1799 B) 1827 C) 1869 D) 1750
A) The Magic Flute B) Carmen C) Fidelio D) Madama Butterfly
A) French B) Italian C) Austrian D) German
A) D major B) F sharp major C) A flat minor D) C minor
A) Napoleon Bonaparte B) Joachim Murat C) Maréchal Ney D) Louis-Alexandre Berthier
A) Johann van Beethoven B) Franz Rovantini C) Joseph Haydn D) Christian Gottlob Neefe
A) Conductor B) Kapellmeister (music director) C) Pianist D) Composer
A) Bonn B) Vienna C) Berlin D) Munich
A) Johann IX Philipp von Walderdorff B) Karl Alois, Prince Lichnowsky C) Clemens August D) Heinrich Keverich
A) Cousin B) Nephew C) Son D) Grandson through his father, who worked at the court
A) Julie Guicciardi B) Maria Magdalena Keverich C) Nannerl Mozart D) Helene von Breuning
A) 15 December 1770 B) 17 December 1770 C) 18 December 1770 D) 16 December 1770
A) Pathétique Sonata B) Moonlight Sonata C) Waldstein Sonata D) Appassionata Sonata
A) 50 B) 65 C) 60 D) 56
A) Fifth Symphony B) Ninth Symphony C) Bagatelle "Für Elise" D) Eroica Symphony
A) First period (up to 1802) B) Late period (1812–1827) C) Middle period (1802–1812) D) Romantic period
A) Große Fuge B) Eroica Symphony C) Ninth Symphony D) Fifth Symphony
A) Joseph Haydn B) Christian Gottlob Neefe C) Court concertmaster Franz Anton Ries D) Johann van Beethoven
A) Pathétique Sonata B) Moonlight Sonata C) Eroica Symphony D) First Symphony
A) Christian Gottlob Neefe B) Franz Wegeler C) Maximilian Franz D) Count Ferdinand von Waldstein
A) A set of keyboard variations (WoO 63) B) Cantata for the death of Joseph II (WoO 87) C) Ballet Musik zu einem Ritterballett (WoO 1) D) Three piano sonatas (WoO 47)
A) Kurfürst B) Breuning C) Haydn D) Waldstein
A) Anna von Schaden B) Maximilian Franz's wife C) Johann van Beethoven D) Helene von Breuning
A) Franz Wegeler B) Christian Gottlob Neefe C) Count Ferdinand von Waldstein D) Maximilian Franz
A) Leonore B) Musik zu einem Ritterballett (WoO 1) C) Fidelio D) Die Geschöpfe des Prometheus
A) 1785 B) 1789 C) July 1787 D) 1792
A) Gluck B) Paisiello C) Mozart D) Beethoven
A) Late 1790 B) 1785 C) 1792 D) 1789
A) 1792 B) 1794 C) 1789 D) 1801
A) Haydn B) Mozart C) Albrechtsberger D) Salieri
A) Cello B) Piano C) Flute D) Violin
A) Ferdinand B) Carl C) Joseph D) Kaspar
A) Ferdinand Ries B) Ignaz Moscheles C) Joseph Wölfl D) Daniel Steibelt
A) The players ignored the soloist entirely B) It was universally praised without criticism C) It was called 'the most interesting concert in a long time' by the Allgemeine musikalische Zeitung D) Beethoven's works were not well received
A) Broadwood B) Bechstein C) Yamaha D) Steinway & Sons
A) Julie Guicciardi B) Josephine Brunsvik C) Antonie Brentano D) Therese Malfatti
A) Beethoven House, Bonn B) Pasqualatihaus (Mölker Bastei 8) C) Beethoven Museum in Probusgasse D) Beethovenhalle
A) Ludwig van Beethoven B) Michael Umlauf C) Anton Schindler D) Johann Nepomuk Hummel
A) King Stephen B) Meeresstille und glückliche Fahrt C) The Ruins of Athens D) Egmont
A) Hummel or Muzio Clementi B) Bach and Handel C) Schubert and Liszt D) Haydn and Mozart
A) Kaspar's widow Johanna B) His brother Johann C) A local magistrate D) Therese Obermayer
A) Contemporary virtuosos B) Mature composers C) Classical masters D) Rank beginners
A) 1900 B) 1827 C) 1863 D) 1888
A) 1880 B) 1845 C) 2001 D) 2007
A) Leipzig B) Heiligenstadt C) Vienna D) Cassel
A) Mozart's B) Beethoven's C) Schubert's D) Haydn's
A) Renaissance era B) Baroque-era C) Romantic era D) Classical era
A) The Allegretto movement B) Seventh Symphony, Op. 92 C) Battle Symphony D) Wellington's Victory (Op. 91)
A) "Von Herzen—Möge es wieder—Zu Herzen gehn!" B) "Der schwer gefasste Entschluss" C) "Es muss sein!" D) "Muss es sein?"
A) A grand piano B) A lifetime membership C) A portrait of him D) £100
A) General Bernadotte B) E. T. A. Hoffmann C) Czerny D) Archduke Rudolf
A) Antonio Salieri B) Johann Albrechtsberger C) Joseph Haydn D) Ignaz Schuppanzigh
A) Tuberculosis B) Inflammatory fever C) Rheumatism D) Migraine
A) 1000 florins B) 2000 florins C) 500 florins D) 1500 florins
A) Tragic Quartet B) Heroic Quartet C) Dramatic Quartet D) Quartetto serioso
A) Berlin B) Munich C) Budapest D) Vienna
A) A sudden illness B) Migraine C) Rheumatism D) Tuberculosis
A) She rejected his proposal. B) He never wrote to her. C) He had a passionate correspondence with her. D) They were married.
A) Neural degeneration B) Otosclerosis C) Tinnitus D) Auricular infection
A) 1824 B) 1802 C) 1815 D) 1798
A) Vienna B) Bonn C) San Jose, California D) St. Louis
A) On 8 November 1812 B) In early 1813 C) In late 1820 D) On 15 November 1815
A) 50 ducats per quartet. B) 75 ducats per quartet. C) 30 ducats per sonata. D) 100 ducats per quartet.
A) Bettina Brentano B) Goethe C) Rudolph D) Antonie Brentano
A) 1820 B) 1816 C) 1818 D) 1822
A) Franz Schubert B) Anselm Hüttenbrenner C) Joseph Mayseder D) Heinrich Anschütz
A) A fourth period B) New compositions C) The influence of other composers D) Sub-periods
A) 2001 B) 2007 C) August 1845 D) 1880
A) Cholera B) Tuberculosis C) Malaria D) Pneumonia
A) Schindler B) Andreas Ignaz Wawruch C) Dr. Malfatti D) Karl
A) Karl Holz B) Schindler C) Rudolph D) Michael Umlauf
A) Michael Umlauf B) Louis XVIII C) Johann Friedrich Rochlitz D) Rudolph
A) Opp. 59, 74 and 95 B) Op. 18 quartets C) Composed between 1806–1814 D) Composed from 1824 onwards
A) Wellington's Victory B) An die Hoffnung C) Der glorreiche Augenblick (The Glorious Moment) D) Fidelio
A) It was a financial success B) It resulted in significant losses for Beethoven C) The concert was cancelled due to poor ticket sales D) Beethoven had to refund all the tickets
A) String Quartet No. 14 B) Diabelli Variations C) Ninth Symphony D) Missa solemnis
A) As supportive and caring. B) As indifferent and distant. C) As an overbearing manner. D) As minimal and uninvolved.
A) Moscheles B) Ludwig Spohr C) Duke of Wellington D) Johann Nepomuk Maelzel
A) Egmont Overture B) Archduke Trio C) F minor String Quartet D) Meeresstille und glückliche Fahrt
A) "O Man, help thyself." B) "For art and glory." C) "With God's guidance." D) "To success!"
A) Braille B) Telegraph C) Conversation books D) Sign language
A) Vienna B) Berlin C) Teplitz (now Teplice) D) Munich
A) The professional orchestra B) The modern piano C) Recording technology D) The art of conducting
A) Claudio Monteverdi B) Wolfgang Amadeus Mozart C) Johann Sebastian Bach D) George Frideric Handel
A) Symphonies B) Concertos C) The quartets D) Piano sonatas
A) 5,000 B) 20,000 C) 50,000 D) 10,000
A) Artaria B) Haslinger C) Schlesinger D) Cramer
A) 1825 B) 1824 C) 1826 D) 1823
A) Vienna B) Berlin C) Munich D) Baden
A) "Plaudite, amici, comoedia finita est" B) "Veni, vidi, vici" C) "Carpe diem" D) "To be or not to be"
A) Archduke Trio Op. 97 B) Fidelio C) Mass in C, Op. 86 D) Violin Concerto
A) François I B) Napoleon Bonaparte C) Louis XVIII D) Charles X
A) Nannette Streicher B) Alois Jeitteles C) Maelzel D) Thomas Broadwood
A) The decade 1790–1800 B) The decade 1820–1830 C) The decade 1780–1790 D) The decade 1810–1819 |
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