Ludwig van Beethoven - Quiz
A) Berlin B) Paris C) Bonn D) Vienna
A) Flute B) Piano C) Violin D) Cello
A) Symphony No. 3 B) Symphony No. 5 C) Symphony No. 7 D) Symphony No. 9
A) Baroque and Classical B) Medieval and Renaissance C) Classical and Romantic D) Romantic and Modern
A) Symphony No. 9 B) Symphony No. 7 C) Symphony No. 5 D) Symphony No. 3
A) Eroica Symphony B) Für Elise C) Moonlight Sonata D) Immortal Beloved
A) 1869 B) 1750 C) 1827 D) 1799
A) Fidelio B) Carmen C) The Magic Flute D) Madama Butterfly
A) Italian B) German C) French D) Austrian
A) A flat minor B) D major C) F sharp major D) C minor
A) Napoleon Bonaparte B) Louis-Alexandre Berthier C) Maréchal Ney D) Joachim Murat
A) Joseph Haydn B) Franz Rovantini C) Christian Gottlob Neefe D) Johann van Beethoven
A) Kapellmeister (music director) B) Conductor C) Composer D) Pianist
A) Vienna B) Bonn C) Berlin D) Munich
A) Karl Alois, Prince Lichnowsky B) Johann IX Philipp von Walderdorff C) Heinrich Keverich D) Clemens August
A) Son B) Grandson through his father, who worked at the court C) Nephew D) Cousin
A) Nannerl Mozart B) Julie Guicciardi C) Maria Magdalena Keverich D) Helene von Breuning
A) 16 December 1770 B) 15 December 1770 C) 17 December 1770 D) 18 December 1770
A) Pathétique Sonata B) Waldstein Sonata C) Moonlight Sonata D) Appassionata Sonata
A) 56 B) 65 C) 50 D) 60
A) Ninth Symphony B) Bagatelle "Für Elise" C) Eroica Symphony D) Fifth Symphony
A) Middle period (1802–1812) B) First period (up to 1802) C) Romantic period D) Late period (1812–1827)
A) Fifth Symphony B) Eroica Symphony C) Ninth Symphony D) Große Fuge
A) Christian Gottlob Neefe B) Court concertmaster Franz Anton Ries C) Johann van Beethoven D) Joseph Haydn
A) Moonlight Sonata B) Pathétique Sonata C) Eroica Symphony D) First Symphony
A) Count Ferdinand von Waldstein B) Franz Wegeler C) Maximilian Franz D) Christian Gottlob Neefe
A) Cantata for the death of Joseph II (WoO 87) B) A set of keyboard variations (WoO 63) C) Three piano sonatas (WoO 47) D) Ballet Musik zu einem Ritterballett (WoO 1)
A) Haydn B) Breuning C) Kurfürst D) Waldstein
A) Johann van Beethoven B) Anna von Schaden C) Maximilian Franz's wife D) Helene von Breuning
A) Maximilian Franz B) Count Ferdinand von Waldstein C) Franz Wegeler D) Christian Gottlob Neefe
A) Fidelio B) Musik zu einem Ritterballett (WoO 1) C) Die Geschöpfe des Prometheus D) Leonore
A) July 1787 B) 1792 C) 1785 D) 1789
A) Beethoven B) Gluck C) Mozart D) Paisiello
A) 1792 B) Late 1790 C) 1785 D) 1789
A) 1792 B) 1794 C) 1789 D) 1801
A) Haydn B) Mozart C) Salieri D) Albrechtsberger
A) Flute B) Piano C) Cello D) Violin
A) Joseph B) Carl C) Kaspar D) Ferdinand
A) Ferdinand Ries B) Joseph Wölfl C) Daniel Steibelt D) Ignaz Moscheles
A) It was called 'the most interesting concert in a long time' by the Allgemeine musikalische Zeitung B) The players ignored the soloist entirely C) It was universally praised without criticism D) Beethoven's works were not well received
A) Bechstein B) Broadwood C) Yamaha D) Steinway & Sons
A) Therese Malfatti B) Antonie Brentano C) Josephine Brunsvik D) Julie Guicciardi
A) Beethovenhalle B) Pasqualatihaus (Mölker Bastei 8) C) Beethoven Museum in Probusgasse D) Beethoven House, Bonn
A) Anton Schindler B) Ludwig van Beethoven C) Johann Nepomuk Hummel D) Michael Umlauf
A) Egmont B) Meeresstille und glückliche Fahrt C) King Stephen D) The Ruins of Athens
A) Schubert and Liszt B) Bach and Handel C) Haydn and Mozart D) Hummel or Muzio Clementi
A) A local magistrate B) Therese Obermayer C) His brother Johann D) Kaspar's widow Johanna
A) Contemporary virtuosos B) Mature composers C) Rank beginners D) Classical masters
A) 1900 B) 1888 C) 1827 D) 1863
A) 2001 B) 1880 C) 1845 D) 2007
A) Heiligenstadt B) Cassel C) Vienna D) Leipzig
A) Mozart's B) Beethoven's C) Haydn's D) Schubert's
A) Renaissance era B) Classical era C) Baroque-era D) Romantic era
A) The Allegretto movement B) Battle Symphony C) Seventh Symphony, Op. 92 D) Wellington's Victory (Op. 91)
A) "Der schwer gefasste Entschluss" B) "Muss es sein?" C) "Von Herzen—Möge es wieder—Zu Herzen gehn!" D) "Es muss sein!"
A) A lifetime membership B) A grand piano C) £100 D) A portrait of him
A) Czerny B) General Bernadotte C) E. T. A. Hoffmann D) Archduke Rudolf
A) Johann Albrechtsberger B) Ignaz Schuppanzigh C) Joseph Haydn D) Antonio Salieri
A) Migraine B) Tuberculosis C) Rheumatism D) Inflammatory fever
A) 2000 florins B) 1000 florins C) 500 florins D) 1500 florins
A) Dramatic Quartet B) Tragic Quartet C) Quartetto serioso D) Heroic Quartet
A) Munich B) Budapest C) Berlin D) Vienna
A) A sudden illness B) Migraine C) Tuberculosis D) Rheumatism
A) He had a passionate correspondence with her. B) She rejected his proposal. C) They were married. D) He never wrote to her.
A) Neural degeneration B) Tinnitus C) Otosclerosis D) Auricular infection
A) 1798 B) 1802 C) 1815 D) 1824
A) Vienna B) St. Louis C) San Jose, California D) Bonn
A) In late 1820 B) In early 1813 C) On 8 November 1812 D) On 15 November 1815
A) 50 ducats per quartet. B) 75 ducats per quartet. C) 100 ducats per quartet. D) 30 ducats per sonata.
A) Rudolph B) Bettina Brentano C) Goethe D) Antonie Brentano
A) 1816 B) 1822 C) 1818 D) 1820
A) Heinrich Anschütz B) Anselm Hüttenbrenner C) Joseph Mayseder D) Franz Schubert
A) New compositions B) A fourth period C) The influence of other composers D) Sub-periods
A) August 1845 B) 2001 C) 2007 D) 1880
A) Cholera B) Pneumonia C) Malaria D) Tuberculosis
A) Karl B) Dr. Malfatti C) Andreas Ignaz Wawruch D) Schindler
A) Michael Umlauf B) Rudolph C) Schindler D) Karl Holz
A) Louis XVIII B) Johann Friedrich Rochlitz C) Michael Umlauf D) Rudolph
A) Composed from 1824 onwards B) Opp. 59, 74 and 95 C) Composed between 1806–1814 D) Op. 18 quartets
A) Fidelio B) An die Hoffnung C) Der glorreiche Augenblick (The Glorious Moment) D) Wellington's Victory
A) Beethoven had to refund all the tickets B) It was a financial success C) It resulted in significant losses for Beethoven D) The concert was cancelled due to poor ticket sales
A) Diabelli Variations B) Ninth Symphony C) Missa solemnis D) String Quartet No. 14
A) As an overbearing manner. B) As indifferent and distant. C) As minimal and uninvolved. D) As supportive and caring.
A) Johann Nepomuk Maelzel B) Duke of Wellington C) Ludwig Spohr D) Moscheles
A) Archduke Trio B) Meeresstille und glückliche Fahrt C) F minor String Quartet D) Egmont Overture
A) "With God's guidance." B) "For art and glory." C) "To success!" D) "O Man, help thyself."
A) Telegraph B) Conversation books C) Braille D) Sign language
A) Munich B) Teplitz (now Teplice) C) Berlin D) Vienna
A) Recording technology B) The professional orchestra C) The modern piano D) The art of conducting
A) Wolfgang Amadeus Mozart B) Johann Sebastian Bach C) Claudio Monteverdi D) George Frideric Handel
A) Piano sonatas B) The quartets C) Concertos D) Symphonies
A) 50,000 B) 5,000 C) 10,000 D) 20,000
A) Artaria B) Cramer C) Haslinger D) Schlesinger
A) 1825 B) 1826 C) 1823 D) 1824
A) Baden B) Munich C) Berlin D) Vienna
A) "Carpe diem" B) "Plaudite, amici, comoedia finita est" C) "To be or not to be" D) "Veni, vidi, vici"
A) Fidelio B) Archduke Trio Op. 97 C) Mass in C, Op. 86 D) Violin Concerto
A) François I B) Napoleon Bonaparte C) Louis XVIII D) Charles X
A) Nannette Streicher B) Alois Jeitteles C) Maelzel D) Thomas Broadwood
A) The decade 1820–1830 B) The decade 1780–1790 C) The decade 1810–1819 D) The decade 1790–1800 |
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