Ludwig van Beethoven - Quiz
A) Berlin B) Bonn C) Vienna D) Paris
A) Cello B) Flute C) Violin D) Piano
A) Symphony No. 3 B) Symphony No. 7 C) Symphony No. 5 D) Symphony No. 9
A) Romantic and Modern B) Baroque and Classical C) Medieval and Renaissance D) Classical and Romantic
A) Symphony No. 7 B) Symphony No. 9 C) Symphony No. 3 D) Symphony No. 5
A) Für Elise B) Immortal Beloved C) Eroica Symphony D) Moonlight Sonata
A) 1750 B) 1799 C) 1827 D) 1869
A) The Magic Flute B) Carmen C) Fidelio D) Madama Butterfly
A) French B) Italian C) German D) Austrian
A) F sharp major B) C minor C) D major D) A flat minor
A) Napoleon Bonaparte B) Maréchal Ney C) Louis-Alexandre Berthier D) Joachim Murat
A) Joseph Haydn B) Franz Rovantini C) Christian Gottlob Neefe D) Johann van Beethoven
A) Composer B) Pianist C) Conductor D) Kapellmeister (music director)
A) Munich B) Vienna C) Berlin D) Bonn
A) Johann IX Philipp von Walderdorff B) Clemens August C) Heinrich Keverich D) Karl Alois, Prince Lichnowsky
A) Grandson through his father, who worked at the court B) Nephew C) Son D) Cousin
A) Julie Guicciardi B) Helene von Breuning C) Maria Magdalena Keverich D) Nannerl Mozart
A) 18 December 1770 B) 16 December 1770 C) 17 December 1770 D) 15 December 1770
A) Waldstein Sonata B) Moonlight Sonata C) Pathétique Sonata D) Appassionata Sonata
A) 56 B) 60 C) 50 D) 65
A) Eroica Symphony B) Fifth Symphony C) Bagatelle "Für Elise" D) Ninth Symphony
A) Late period (1812–1827) B) Romantic period C) Middle period (1802–1812) D) First period (up to 1802)
A) Fifth Symphony B) Große Fuge C) Eroica Symphony D) Ninth Symphony
A) Christian Gottlob Neefe B) Johann van Beethoven C) Joseph Haydn D) Court concertmaster Franz Anton Ries
A) Eroica Symphony B) First Symphony C) Moonlight Sonata D) Pathétique Sonata
A) Christian Gottlob Neefe B) Count Ferdinand von Waldstein C) Maximilian Franz D) Franz Wegeler
A) Three piano sonatas (WoO 47) B) A set of keyboard variations (WoO 63) C) Ballet Musik zu einem Ritterballett (WoO 1) D) Cantata for the death of Joseph II (WoO 87)
A) Haydn B) Waldstein C) Breuning D) Kurfürst
A) Johann van Beethoven B) Maximilian Franz's wife C) Anna von Schaden D) Helene von Breuning
A) Maximilian Franz B) Franz Wegeler C) Christian Gottlob Neefe D) Count Ferdinand von Waldstein
A) Musik zu einem Ritterballett (WoO 1) B) Fidelio C) Leonore D) Die Geschöpfe des Prometheus
A) 1789 B) 1785 C) July 1787 D) 1792
A) Paisiello B) Gluck C) Mozart D) Beethoven
A) 1785 B) 1789 C) 1792 D) Late 1790
A) 1794 B) 1789 C) 1801 D) 1792
A) Mozart B) Haydn C) Salieri D) Albrechtsberger
A) Cello B) Piano C) Flute D) Violin
A) Ferdinand B) Joseph C) Kaspar D) Carl
A) Ferdinand Ries B) Joseph Wölfl C) Ignaz Moscheles D) Daniel Steibelt
A) It was called 'the most interesting concert in a long time' by the Allgemeine musikalische Zeitung B) It was universally praised without criticism C) The players ignored the soloist entirely D) Beethoven's works were not well received
A) Steinway & Sons B) Broadwood C) Yamaha D) Bechstein
A) Josephine Brunsvik B) Julie Guicciardi C) Therese Malfatti D) Antonie Brentano
A) Pasqualatihaus (Mölker Bastei 8) B) Beethoven Museum in Probusgasse C) Beethoven House, Bonn D) Beethovenhalle
A) Anton Schindler B) Johann Nepomuk Hummel C) Michael Umlauf D) Ludwig van Beethoven
A) The Ruins of Athens B) Meeresstille und glückliche Fahrt C) Egmont D) King Stephen
A) Hummel or Muzio Clementi B) Bach and Handel C) Haydn and Mozart D) Schubert and Liszt
A) Therese Obermayer B) His brother Johann C) Kaspar's widow Johanna D) A local magistrate
A) Contemporary virtuosos B) Mature composers C) Rank beginners D) Classical masters
A) 1827 B) 1900 C) 1863 D) 1888
A) 2007 B) 1880 C) 2001 D) 1845
A) Heiligenstadt B) Leipzig C) Cassel D) Vienna
A) Beethoven's B) Schubert's C) Mozart's D) Haydn's
A) Classical era B) Renaissance era C) Baroque-era D) Romantic era
A) Seventh Symphony, Op. 92 B) The Allegretto movement C) Battle Symphony D) Wellington's Victory (Op. 91)
A) "Es muss sein!" B) "Von Herzen—Möge es wieder—Zu Herzen gehn!" C) "Der schwer gefasste Entschluss" D) "Muss es sein?"
A) £100 B) A grand piano C) A lifetime membership D) A portrait of him
A) Czerny B) General Bernadotte C) E. T. A. Hoffmann D) Archduke Rudolf
A) Ignaz Schuppanzigh B) Antonio Salieri C) Johann Albrechtsberger D) Joseph Haydn
A) Inflammatory fever B) Migraine C) Rheumatism D) Tuberculosis
A) 500 florins B) 2000 florins C) 1000 florins D) 1500 florins
A) Tragic Quartet B) Quartetto serioso C) Dramatic Quartet D) Heroic Quartet
A) Berlin B) Vienna C) Budapest D) Munich
A) Migraine B) A sudden illness C) Rheumatism D) Tuberculosis
A) He had a passionate correspondence with her. B) He never wrote to her. C) They were married. D) She rejected his proposal.
A) Neural degeneration B) Tinnitus C) Auricular infection D) Otosclerosis
A) 1815 B) 1824 C) 1798 D) 1802
A) Bonn B) Vienna C) St. Louis D) San Jose, California
A) In early 1813 B) On 8 November 1812 C) In late 1820 D) On 15 November 1815
A) 75 ducats per quartet. B) 50 ducats per quartet. C) 100 ducats per quartet. D) 30 ducats per sonata.
A) Goethe B) Antonie Brentano C) Bettina Brentano D) Rudolph
A) 1820 B) 1822 C) 1816 D) 1818
A) Joseph Mayseder B) Franz Schubert C) Heinrich Anschütz D) Anselm Hüttenbrenner
A) A fourth period B) New compositions C) The influence of other composers D) Sub-periods
A) 2001 B) August 1845 C) 1880 D) 2007
A) Pneumonia B) Tuberculosis C) Malaria D) Cholera
A) Dr. Malfatti B) Schindler C) Karl D) Andreas Ignaz Wawruch
A) Rudolph B) Schindler C) Karl Holz D) Michael Umlauf
A) Johann Friedrich Rochlitz B) Rudolph C) Louis XVIII D) Michael Umlauf
A) Composed between 1806–1814 B) Opp. 59, 74 and 95 C) Composed from 1824 onwards D) Op. 18 quartets
A) Fidelio B) An die Hoffnung C) Der glorreiche Augenblick (The Glorious Moment) D) Wellington's Victory
A) It was a financial success B) It resulted in significant losses for Beethoven C) The concert was cancelled due to poor ticket sales D) Beethoven had to refund all the tickets
A) String Quartet No. 14 B) Ninth Symphony C) Diabelli Variations D) Missa solemnis
A) As an overbearing manner. B) As supportive and caring. C) As minimal and uninvolved. D) As indifferent and distant.
A) Duke of Wellington B) Ludwig Spohr C) Moscheles D) Johann Nepomuk Maelzel
A) Archduke Trio B) Egmont Overture C) Meeresstille und glückliche Fahrt D) F minor String Quartet
A) "With God's guidance." B) "To success!" C) "For art and glory." D) "O Man, help thyself."
A) Conversation books B) Braille C) Telegraph D) Sign language
A) Munich B) Vienna C) Berlin D) Teplitz (now Teplice)
A) Recording technology B) The professional orchestra C) The art of conducting D) The modern piano
A) Wolfgang Amadeus Mozart B) George Frideric Handel C) Claudio Monteverdi D) Johann Sebastian Bach
A) Piano sonatas B) Symphonies C) Concertos D) The quartets
A) 50,000 B) 5,000 C) 10,000 D) 20,000
A) Artaria B) Haslinger C) Cramer D) Schlesinger
A) 1826 B) 1825 C) 1824 D) 1823
A) Berlin B) Vienna C) Baden D) Munich
A) "Plaudite, amici, comoedia finita est" B) "Veni, vidi, vici" C) "To be or not to be" D) "Carpe diem"
A) Mass in C, Op. 86 B) Archduke Trio Op. 97 C) Violin Concerto D) Fidelio
A) Louis XVIII B) Charles X C) Napoleon Bonaparte D) François I
A) Alois Jeitteles B) Maelzel C) Nannette Streicher D) Thomas Broadwood
A) The decade 1790–1800 B) The decade 1820–1830 C) The decade 1810–1819 D) The decade 1780–1790 |
Created with That Quiz —
the site for test creation and grading in math and other subjects.