Ludwig van Beethoven - Quiz
A) Berlin B) Vienna C) Paris D) Bonn
A) Violin B) Piano C) Cello D) Flute
A) Symphony No. 5 B) Symphony No. 9 C) Symphony No. 7 D) Symphony No. 3
A) Classical and Romantic B) Medieval and Renaissance C) Romantic and Modern D) Baroque and Classical
A) Symphony No. 7 B) Symphony No. 3 C) Symphony No. 5 D) Symphony No. 9
A) Eroica Symphony B) Immortal Beloved C) Moonlight Sonata D) Für Elise
A) 1750 B) 1799 C) 1869 D) 1827
A) Fidelio B) Carmen C) The Magic Flute D) Madama Butterfly
A) German B) French C) Austrian D) Italian
A) F sharp major B) C minor C) D major D) A flat minor
A) Joachim Murat B) Napoleon Bonaparte C) Maréchal Ney D) Louis-Alexandre Berthier
A) Johann van Beethoven B) Joseph Haydn C) Franz Rovantini D) Christian Gottlob Neefe
A) Conductor B) Composer C) Kapellmeister (music director) D) Pianist
A) Munich B) Vienna C) Berlin D) Bonn
A) Heinrich Keverich B) Karl Alois, Prince Lichnowsky C) Johann IX Philipp von Walderdorff D) Clemens August
A) Nephew B) Cousin C) Grandson through his father, who worked at the court D) Son
A) Julie Guicciardi B) Helene von Breuning C) Maria Magdalena Keverich D) Nannerl Mozart
A) 15 December 1770 B) 17 December 1770 C) 16 December 1770 D) 18 December 1770
A) Pathétique Sonata B) Moonlight Sonata C) Waldstein Sonata D) Appassionata Sonata
A) 50 B) 60 C) 65 D) 56
A) Eroica Symphony B) Bagatelle "Für Elise" C) Ninth Symphony D) Fifth Symphony
A) Middle period (1802–1812) B) Late period (1812–1827) C) First period (up to 1802) D) Romantic period
A) Ninth Symphony B) Fifth Symphony C) Große Fuge D) Eroica Symphony
A) Court concertmaster Franz Anton Ries B) Joseph Haydn C) Johann van Beethoven D) Christian Gottlob Neefe
A) First Symphony B) Pathétique Sonata C) Eroica Symphony D) Moonlight Sonata
A) Christian Gottlob Neefe B) Count Ferdinand von Waldstein C) Franz Wegeler D) Maximilian Franz
A) Cantata for the death of Joseph II (WoO 87) B) Ballet Musik zu einem Ritterballett (WoO 1) C) A set of keyboard variations (WoO 63) D) Three piano sonatas (WoO 47)
A) Waldstein B) Kurfürst C) Haydn D) Breuning
A) Maximilian Franz's wife B) Anna von Schaden C) Johann van Beethoven D) Helene von Breuning
A) Count Ferdinand von Waldstein B) Franz Wegeler C) Christian Gottlob Neefe D) Maximilian Franz
A) Die Geschöpfe des Prometheus B) Fidelio C) Leonore D) Musik zu einem Ritterballett (WoO 1)
A) 1789 B) July 1787 C) 1792 D) 1785
A) Mozart B) Beethoven C) Paisiello D) Gluck
A) 1792 B) Late 1790 C) 1789 D) 1785
A) 1792 B) 1794 C) 1789 D) 1801
A) Haydn B) Albrechtsberger C) Salieri D) Mozart
A) Violin B) Flute C) Piano D) Cello
A) Carl B) Joseph C) Kaspar D) Ferdinand
A) Ignaz Moscheles B) Joseph Wölfl C) Daniel Steibelt D) Ferdinand Ries
A) It was universally praised without criticism B) It was called 'the most interesting concert in a long time' by the Allgemeine musikalische Zeitung C) Beethoven's works were not well received D) The players ignored the soloist entirely
A) Broadwood B) Yamaha C) Steinway & Sons D) Bechstein
A) Julie Guicciardi B) Josephine Brunsvik C) Therese Malfatti D) Antonie Brentano
A) Beethovenhalle B) Pasqualatihaus (Mölker Bastei 8) C) Beethoven Museum in Probusgasse D) Beethoven House, Bonn
A) Michael Umlauf B) Johann Nepomuk Hummel C) Ludwig van Beethoven D) Anton Schindler
A) King Stephen B) Egmont C) The Ruins of Athens D) Meeresstille und glückliche Fahrt
A) Bach and Handel B) Haydn and Mozart C) Hummel or Muzio Clementi D) Schubert and Liszt
A) Kaspar's widow Johanna B) A local magistrate C) Therese Obermayer D) His brother Johann
A) Mature composers B) Rank beginners C) Contemporary virtuosos D) Classical masters
A) 1863 B) 1827 C) 1900 D) 1888
A) 2007 B) 1845 C) 2001 D) 1880
A) Leipzig B) Heiligenstadt C) Cassel D) Vienna
A) Haydn's B) Mozart's C) Beethoven's D) Schubert's
A) Baroque-era B) Renaissance era C) Romantic era D) Classical era
A) The Allegretto movement B) Wellington's Victory (Op. 91) C) Battle Symphony D) Seventh Symphony, Op. 92
A) "Muss es sein?" B) "Von Herzen—Möge es wieder—Zu Herzen gehn!" C) "Der schwer gefasste Entschluss" D) "Es muss sein!"
A) A lifetime membership B) A portrait of him C) A grand piano D) £100
A) E. T. A. Hoffmann B) Czerny C) General Bernadotte D) Archduke Rudolf
A) Ignaz Schuppanzigh B) Antonio Salieri C) Johann Albrechtsberger D) Joseph Haydn
A) Inflammatory fever B) Tuberculosis C) Migraine D) Rheumatism
A) 1500 florins B) 500 florins C) 2000 florins D) 1000 florins
A) Heroic Quartet B) Tragic Quartet C) Dramatic Quartet D) Quartetto serioso
A) Vienna B) Munich C) Budapest D) Berlin
A) Rheumatism B) Tuberculosis C) Migraine D) A sudden illness
A) He had a passionate correspondence with her. B) He never wrote to her. C) They were married. D) She rejected his proposal.
A) Tinnitus B) Neural degeneration C) Otosclerosis D) Auricular infection
A) 1824 B) 1802 C) 1798 D) 1815
A) St. Louis B) San Jose, California C) Bonn D) Vienna
A) In late 1820 B) On 8 November 1812 C) In early 1813 D) On 15 November 1815
A) 30 ducats per sonata. B) 100 ducats per quartet. C) 75 ducats per quartet. D) 50 ducats per quartet.
A) Goethe B) Antonie Brentano C) Rudolph D) Bettina Brentano
A) 1820 B) 1822 C) 1816 D) 1818
A) Joseph Mayseder B) Franz Schubert C) Anselm Hüttenbrenner D) Heinrich Anschütz
A) New compositions B) A fourth period C) Sub-periods D) The influence of other composers
A) 2007 B) 1880 C) August 1845 D) 2001
A) Tuberculosis B) Malaria C) Cholera D) Pneumonia
A) Andreas Ignaz Wawruch B) Schindler C) Dr. Malfatti D) Karl
A) Karl Holz B) Rudolph C) Schindler D) Michael Umlauf
A) Johann Friedrich Rochlitz B) Louis XVIII C) Michael Umlauf D) Rudolph
A) Op. 18 quartets B) Composed from 1824 onwards C) Opp. 59, 74 and 95 D) Composed between 1806–1814
A) Der glorreiche Augenblick (The Glorious Moment) B) Fidelio C) An die Hoffnung D) Wellington's Victory
A) Beethoven had to refund all the tickets B) The concert was cancelled due to poor ticket sales C) It resulted in significant losses for Beethoven D) It was a financial success
A) String Quartet No. 14 B) Ninth Symphony C) Missa solemnis D) Diabelli Variations
A) As minimal and uninvolved. B) As supportive and caring. C) As indifferent and distant. D) As an overbearing manner.
A) Ludwig Spohr B) Moscheles C) Duke of Wellington D) Johann Nepomuk Maelzel
A) F minor String Quartet B) Egmont Overture C) Archduke Trio D) Meeresstille und glückliche Fahrt
A) "To success!" B) "For art and glory." C) "With God's guidance." D) "O Man, help thyself."
A) Telegraph B) Conversation books C) Braille D) Sign language
A) Berlin B) Teplitz (now Teplice) C) Vienna D) Munich
A) Recording technology B) The art of conducting C) The modern piano D) The professional orchestra
A) George Frideric Handel B) Wolfgang Amadeus Mozart C) Claudio Monteverdi D) Johann Sebastian Bach
A) The quartets B) Symphonies C) Concertos D) Piano sonatas
A) 5,000 B) 20,000 C) 50,000 D) 10,000
A) Cramer B) Artaria C) Haslinger D) Schlesinger
A) 1823 B) 1825 C) 1826 D) 1824
A) Munich B) Berlin C) Vienna D) Baden
A) "Plaudite, amici, comoedia finita est" B) "Veni, vidi, vici" C) "To be or not to be" D) "Carpe diem"
A) Fidelio B) Mass in C, Op. 86 C) Violin Concerto D) Archduke Trio Op. 97
A) François I B) Napoleon Bonaparte C) Louis XVIII D) Charles X
A) Maelzel B) Nannette Streicher C) Alois Jeitteles D) Thomas Broadwood
A) The decade 1790–1800 B) The decade 1820–1830 C) The decade 1780–1790 D) The decade 1810–1819 |
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