A) Alfred Hitchcock B) Fritz Lang C) F.W. Murnau D) Robert Wiene
A) 1920 B) 1915 C) 1925 D) 1930
A) Surrealism B) Impressionism C) German Expressionism D) Cubism
A) Dr. Caligari B) Alan C) Francis D) Cesare
A) Fritz Lang B) Hans Janowitz and Carl Mayer C) Robert Wiene D) Alfred Hitchcock
A) Das Cabinet des Dr. Caligari B) Der Schrankenschreck von Dr. Caligari C) Der Schrank des Dr. Caligari D) Die Schublade des Dr. Caligari
A) Red B) Blue C) Yellow D) Green
A) Rudolf B) Kurt C) Ludwig D) Cesare
A) Hans Janowitz B) Werner Krauss C) Carl Mayer D) Conrad Veidt
A) Criminal B) Hypnotist C) Doctor D) Police Officer
A) Fantastic, graphic style B) Naturalistic style C) Realistic style D) Minimalist style
A) A representation of artistic creativity B) An embodiment of justice C) The common man conditioned to kill D) A symbol of freedom and independence
A) Classic Cinema Awards B) Brussels 12 list C) Top 10 Horror Films D) Best Silent Films
A) Danny Peary B) Hans Janowitz C) Roger Ebert D) Carl Mayer
A) A linear, straightforward plot B) A documentary-style narration C) A frame story with a twist ending D) An open-ended conclusion
A) Franzis's fiancée who suffers a great ordeal B) An unrelated bystander C) Dr. Caligari's assistant D) A police officer investigating the murders
A) Jane marries Franzis and they leave the asylum. B) Cesare returns as a ghost. C) Franzis is revealed to be an asylum inmate. D) Dr. Caligari escapes from the asylum.
A) Ernst Deutsch, their mutual friend. B) Gilda Langer C) Erich Pommer, head of Decla-Film studio. D) Hermann Warm, set designer.
A) German spelling 'Kabinett' B) French spelling 'Cabinet' C) Italian spelling 'Cassettino' D) English spelling 'Cabinet'
A) 50 scenes B) 100 scenes C) 141 scenes D) 200 scenes
A) Fritz Lang B) Hermann Warm C) Julius Sternheim D) Erich Pommer
A) Caligaro B) Cagliostro C) Callisto D) Calligaris
A) 3,500 marks B) 15,000 marks C) 5,000 marks D) 10,000 marks
A) Ernst Deutsch B) Hermann Warm C) Erich Pommer D) Gilda Langer
A) Writer B) Actress C) Director D) Fortune teller
A) A military psychiatrist. B) A circus sideshow performer. C) Portraits of Arthur Schopenhauer. D) Stendhal's letters.
A) By fleeing to another country B) By joining the film industry C) By serving as a pacifist officer D) By feigning madness
A) 'The Enigma Show' B) 'The Hypnotist's Dream' C) 'The Great Illusion' D) 'Man or Machine?'
A) Stephen Sayadian B) Peter Sellars C) Tom Palazzolo D) Robert Lippert
A) Peter Michael Hamel B) Jeff Beal C) Brian Satterwhite D) Timothy Brock
A) Willy Hameister B) Karl Freund C) Gustav Ucicky D) Fritz Arno Wagner
A) Jeff Beal B) Karl Bartos C) Brian Satterwhite D) Timothy Brock
A) Peter Michael Hamel B) Geoff Smith C) Timothy Brock D) Brian Satterwhite
A) Lixie-Film studio in Weißensee, Berlin B) Murnau Studios, Munich C) UFA Film Studio, Neubabelsberg D) Babelsberg Studios, Potsdam
A) Peter Michael Hamel B) Brian Satterwhite C) Timothy Brock D) Geoff Smith
A) Support for bureaucratic efficiency B) An endorsement of military service C) A call for democratic reform D) A subconscious need for a tyrant
A) Timothy Brock B) Jeff Beal C) Karl Bartos D) Brian Satterwhite
A) Jeff Beal B) Peter Michael Hamel C) Brian Satterwhite D) Timothy Brock
A) Three months B) One month C) Two weeks D) Seven consecutive years
A) Friedrich Feger B) Lil Dagover C) Conrad Veidt D) Werner Krauss
A) Universal Studios B) Metro-Goldwyn-Mayer C) Paramount Pictures D) Goldwyn Distributing Company
A) Robert Wiene B) Hans Janowitz C) Carl Mayer D) Fritz Lang
A) About two weeks B) One month C) A few days D) Three months
A) 1918 B) 1921 C) 1919 D) 1920
A) Erich Pommer B) Louis Delluc C) Samuel Roxy Rothafel D) Ernö Rapée
A) Luke Treadaway B) Rob Zombie C) John de Lancie D) Doug Jones
A) Brussels Philharmonic B) Dallas Chamber Symphony C) Scottish Opera D) The Club Foot Orchestra
A) Monomyth B) Toundra C) Club Foot Orchestra D) Edison Studio
A) It included a detailed epilogue. B) It was missing from the script. C) It ended with Caligari becoming institutionalised. D) It confirmed Kracauer's theory.
A) World War II era B) Post-World War I Germany C) Cold War tensions D) Pre-World War I Europe
A) Paramount Pictures B) Cosmograph company C) Goldwyn Distributing Company D) Universal Studios
A) It was a significant financial saving. B) To follow Alfred Kubin's style. C) Due to lack of skilled set builders. D) To achieve a realistic look.
A) Jane B) Cesare C) Alan D) Franzis
A) Fritz Lang B) Robert Lippert C) Stephen Sayadian D) Tom Palazzolo
A) Werner Krauss B) Lil Dagover C) Conrad Veidt D) Friedrich Feger
A) Costumes were the most important element. B) Acting was considered the key factor. C) Sets held more importance than anything else. D) Scripts were prioritized over visual style.
A) Rob Zombie B) Tom Palazzolo C) Fritz Lang D) Jean Cocteau
A) Dawn B) : Midnight C) : Afternoon D) : Noon
A) Screenwriter B) Producer C) Director D) Set designer
A) Jeff Beal B) Timothy Brock C) John Moran D) Peter Michael Hamel
A) Artistic experimentation B) An adherence to traditional storytelling C) A focus on commercial success D) A realistic portrayal of events
A) Peter Michael Hamel B) Deepan Sivaraman C) Jeff Beal D) Timothy Brock
A) Erich Pommer B) Louis Delluc C) Samuel Roxy Rothafel D) A character called 'Cranford'
A) Hans-Heinz von Twardowski B) Lil Dagover C) Friedrich Feger D) Gilda Langer
A) : Economists B) : Political leaders C) : Artists D) Surviving soldiers
A) Expressionist B) Cubist C) Romantic D) Realistic
A) Sergei Rachmaninoff B) Claude Debussy C) Johann Strauss III D) Arnold Schoenberg
A) German Expressionists. B) Weimar Republic. C) Cali Gari. D) Silent Horror.
A) Naturalistic dialogue and settings B) Minimalist stage design C) Realist characters in stylised settings D) Historical accuracy
A) New York City B) Los Angeles C) Paris D) London |