A) Alfred Hitchcock B) F.W. Murnau C) Robert Wiene D) Fritz Lang
A) 1925 B) 1915 C) 1920 D) 1930
A) Impressionism B) Cubism C) Surrealism D) German Expressionism
A) Dr. Caligari B) Francis C) Alan D) Cesare
A) Hans Janowitz and Carl Mayer B) Robert Wiene C) Fritz Lang D) Alfred Hitchcock
A) Das Cabinet des Dr. Caligari B) Der Schrank des Dr. Caligari C) Die Schublade des Dr. Caligari D) Der Schrankenschreck von Dr. Caligari
A) Blue B) Yellow C) Green D) Red
A) Kurt B) Cesare C) Rudolf D) Ludwig
A) Carl Mayer B) Hans Janowitz C) Conrad Veidt D) Werner Krauss
A) Hypnotist B) Criminal C) Doctor D) Police Officer
A) Realistic style B) Fantastic, graphic style C) Naturalistic style D) Minimalist style
A) A symbol of freedom and independence B) A representation of artistic creativity C) The common man conditioned to kill D) An embodiment of justice
A) Brussels 12 list B) Best Silent Films C) Classic Cinema Awards D) Top 10 Horror Films
A) Carl Mayer B) Danny Peary C) Hans Janowitz D) Roger Ebert
A) A documentary-style narration B) A frame story with a twist ending C) A linear, straightforward plot D) An open-ended conclusion
A) Franzis's fiancée who suffers a great ordeal B) An unrelated bystander C) Dr. Caligari's assistant D) A police officer investigating the murders
A) Franzis is revealed to be an asylum inmate. B) Cesare returns as a ghost. C) Jane marries Franzis and they leave the asylum. D) Dr. Caligari escapes from the asylum.
A) Erich Pommer, head of Decla-Film studio. B) Hermann Warm, set designer. C) Ernst Deutsch, their mutual friend. D) Gilda Langer
A) German spelling 'Kabinett' B) Italian spelling 'Cassettino' C) English spelling 'Cabinet' D) French spelling 'Cabinet'
A) 100 scenes B) 50 scenes C) 141 scenes D) 200 scenes
A) Erich Pommer B) Fritz Lang C) Julius Sternheim D) Hermann Warm
A) Caligaro B) Calligaris C) Callisto D) Cagliostro
A) 15,000 marks B) 10,000 marks C) 3,500 marks D) 5,000 marks
A) Erich Pommer B) Gilda Langer C) Hermann Warm D) Ernst Deutsch
A) Fortune teller B) Writer C) Actress D) Director
A) Portraits of Arthur Schopenhauer. B) A circus sideshow performer. C) Stendhal's letters. D) A military psychiatrist.
A) By joining the film industry B) By feigning madness C) By fleeing to another country D) By serving as a pacifist officer
A) 'The Hypnotist's Dream' B) 'The Great Illusion' C) 'The Enigma Show' D) 'Man or Machine?'
A) Robert Lippert B) Tom Palazzolo C) Peter Sellars D) Stephen Sayadian
A) Timothy Brock B) Peter Michael Hamel C) Brian Satterwhite D) Jeff Beal
A) Willy Hameister B) Gustav Ucicky C) Karl Freund D) Fritz Arno Wagner
A) Jeff Beal B) Brian Satterwhite C) Karl Bartos D) Timothy Brock
A) Peter Michael Hamel B) Brian Satterwhite C) Timothy Brock D) Geoff Smith
A) Lixie-Film studio in Weißensee, Berlin B) UFA Film Studio, Neubabelsberg C) Murnau Studios, Munich D) Babelsberg Studios, Potsdam
A) Peter Michael Hamel B) Geoff Smith C) Brian Satterwhite D) Timothy Brock
A) A subconscious need for a tyrant B) An endorsement of military service C) A call for democratic reform D) Support for bureaucratic efficiency
A) Timothy Brock B) Brian Satterwhite C) Jeff Beal D) Karl Bartos
A) Jeff Beal B) Peter Michael Hamel C) Timothy Brock D) Brian Satterwhite
A) Three months B) Seven consecutive years C) Two weeks D) One month
A) Lil Dagover B) Friedrich Feger C) Werner Krauss D) Conrad Veidt
A) Paramount Pictures B) Metro-Goldwyn-Mayer C) Goldwyn Distributing Company D) Universal Studios
A) Fritz Lang B) Robert Wiene C) Carl Mayer D) Hans Janowitz
A) One month B) About two weeks C) Three months D) A few days
A) 1920 B) 1921 C) 1918 D) 1919
A) Louis Delluc B) Erich Pommer C) Ernö Rapée D) Samuel Roxy Rothafel
A) Rob Zombie B) Luke Treadaway C) Doug Jones D) John de Lancie
A) Brussels Philharmonic B) The Club Foot Orchestra C) Scottish Opera D) Dallas Chamber Symphony
A) Toundra B) Club Foot Orchestra C) Edison Studio D) Monomyth
A) It included a detailed epilogue. B) It confirmed Kracauer's theory. C) It ended with Caligari becoming institutionalised. D) It was missing from the script.
A) World War II era B) Post-World War I Germany C) Pre-World War I Europe D) Cold War tensions
A) Cosmograph company B) Paramount Pictures C) Universal Studios D) Goldwyn Distributing Company
A) To follow Alfred Kubin's style. B) To achieve a realistic look. C) Due to lack of skilled set builders. D) It was a significant financial saving.
A) Cesare B) Alan C) Franzis D) Jane
A) Stephen Sayadian B) Robert Lippert C) Fritz Lang D) Tom Palazzolo
A) Lil Dagover B) Friedrich Feger C) Werner Krauss D) Conrad Veidt
A) Scripts were prioritized over visual style. B) Acting was considered the key factor. C) Sets held more importance than anything else. D) Costumes were the most important element.
A) Jean Cocteau B) Rob Zombie C) Tom Palazzolo D) Fritz Lang
A) Dawn B) : Afternoon C) : Noon D) : Midnight
A) Producer B) Screenwriter C) Set designer D) Director
A) John Moran B) Peter Michael Hamel C) Jeff Beal D) Timothy Brock
A) Artistic experimentation B) A focus on commercial success C) A realistic portrayal of events D) An adherence to traditional storytelling
A) Timothy Brock B) Peter Michael Hamel C) Jeff Beal D) Deepan Sivaraman
A) Louis Delluc B) Erich Pommer C) A character called 'Cranford' D) Samuel Roxy Rothafel
A) Hans-Heinz von Twardowski B) Lil Dagover C) Friedrich Feger D) Gilda Langer
A) : Political leaders B) Surviving soldiers C) : Economists D) : Artists
A) Cubist B) Realistic C) Romantic D) Expressionist
A) Claude Debussy B) Sergei Rachmaninoff C) Johann Strauss III D) Arnold Schoenberg
A) German Expressionists. B) Weimar Republic. C) Silent Horror. D) Cali Gari.
A) Naturalistic dialogue and settings B) Minimalist stage design C) Realist characters in stylised settings D) Historical accuracy
A) New York City B) Los Angeles C) London D) Paris |