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A) Full orchestra B) Violin solo C) Piano solo D) Cello and piano
A) 12 B) 24 C) 27 D) 48
A) Only major keys B) All major and minor keys C) Natural keys only D) Only minor keys
A) Two B) Four C) Five D) Three
A) C major B) C♯ minor C) A♭ major D) E♭ minor
A) 1838 B) 1839 C) 1834 D) 1835
A) A♭ major B) C♯ minor C) E♭ minor D) C major
A) No. 27 B) No. 24 C) No. 26 D) No. 25
A) No. 26 B) No. 25 C) No. 27 D) No. 28
A) 1839 B) 1845 C) 1838 D) 1835
A) 1825 and 1828 B) 1830 and 1832 C) 1835 and 1839 D) 1840 and 1842
A) Vienna B) Mallorca C) Paris D) Warsaw
A) Valldemossa, Mallorca B) Berlin, Germany C) Rome, Italy D) Paris, France
A) To meet Johann Sebastian Bach B) To open a piano factory C) To escape the damp Paris weather D) To attend a music festival
A) Mozart B) Schumann C) Beethoven D) Bach
A) The Well-Tempered Clavier B) The Art of Fugue C) The Goldberg Variations D) The Brandenburg Concertos
A) Busoni B) Sand C) Pleyel D) Kessler
A) Camille Pleyel B) Alfred Cortot C) Ferruccio Busoni D) Joseph Christoph Kessler
A) Anna Yesipova B) Camille Pleyel C) Joseph Christoph Kessler D) George Sand
A) Composer and violinist B) Piano-maker and publisher C) Music critic D) Concert promoter
A) 2,000 francs B) 500 francs C) 1,000 francs D) 5,000 francs
A) The Spanish edition B) The French edition C) The German edition D) The English edition
A) Fifteen years B) Five years C) Ten years D) Twenty years
A) Op. 45 B) Op. 31 C) Op. 10 D) Op. 28
A) As a standalone symphony B) As a grand finale C) As a vocal accompaniment D) To describe an introductory piece
A) As self-contained units B) As improvisatory warm-ups C) As orchestral arrangements D) As unfinished sketches
A) The standard sonata form B) The traditional fugue structure C) A genre title often associated with improvisatory 'preluding' D) The rules of classical harmony
A) According to keys separated by rising semitones B) By major keys only C) Using a circle of fifths D) In random order
A) Descending chromatic scale B) Rising semitones C) Random key ordering D) A circle of fifths
A) Its relative minor B) The dominant key C) The subdominant key D) Its parallel major
A) Twelve B) Twenty-four C) Four D) Two
A) 10 years B) 25 years C) 50 years D) 100 years
A) Joseph Christoph Kessler B) Anna Yesipova C) Ferruccio Busoni D) Alfred Cortot
A) 1926 B) 1876 C) 1839 D) 1915
A) Ferruccio Busoni B) Alfred Cortot C) Anna Yesipova D) Camille Pleyel
A) 1926 B) 1876 C) 1839 D) 1915
A) Digital compact discs B) Magnetic audio tape C) Piano rolls for the Duo-Art label D) Vinyl LP records
A) George Sand B) Anna Yesipova C) Alfred Cortot D) Joseph Christoph Kessler
A) 1926 B) 1915 C) 1939 D) 1876
A) No B) Yes, to half of them C) Yes, to all of them D) Only to the minor keys
A) Johannes Brahms and Felix Mendelssohn B) Wolfgang Amadeus Mozart and Joseph Haydn C) Robert Schumann and Franz Liszt D) Johann Sebastian Bach and Ludwig van Beethoven
A) 90 bars B) 45 bars C) 24 bars D) 12 bars
A) Number 28 B) Number 17 C) Number 7 D) Number 9
A) 45 seconds B) 12 seconds C) 1 minute 25 seconds D) 90 seconds
A) Jeffrey Kresky B) Henry Finck C) Jeremy Nicholas D) Anatole Leikin
A) Opus 28 B) Eagle pinions C) Dies irae D) Golden dreams
A) Wedding mass B) Christmas mass C) Easter mass D) Requiem mass
A) As a single uninterrupted 90-bar piece B) As twenty-four completely random pieces C) As individual eagle pinions D) Conceived in pairs
A) Joy B) Romance C) Nature D) Death
A) Pairs of preludes B) Formal thematic structure C) Connected motifs D) Hidden quotes
A) Ascending chromatic order B) Circle of fifths C) Descending diatonic scale D) Random key sequence
A) Mozart B) Schubert C) Hummel D) Beethoven
A) 2002 B) 1815 C) 1834 D) 1841
A) Allegro maestoso B) Devil's Trill C) Andante spianato D) Presto con leggierezza
A) 1834 B) 1918 C) 2002 D) 1841
A) Jeffrey Kallberg B) Alain Jacquon C) Pierre Wolff D) Joseph Christoph Kessler
A) Alain Jacquon B) Harold C. Schonberg C) Pierre Wolff D) Jeffrey Kallberg
A) Giuseppe Tartini B) Johann Sebastian Bach C) Joseph Christoph Kessler D) Hummel
A) Paris B) Geneva C) Newport D) Majorca
A) Completely missing B) Written in gold ink C) Hastily scrawled D) Neat and precise
A) 1918 B) July 2002 C) 1841 D) 1834
A) Alain Jacquon B) Jeffrey Kallberg C) Pierre Wolff D) Harold C. Schonberg |