Venus de Milo - Quiz
A) Artemis of Milos B) Aphrodite of Melos C) Athena of Melos D) Hera of Melos
A) Parian marble B) Limestone C) Bronze D) Pentelic marble
A) Hellenistic period B) Roman period C) Archaic period D) Classical period
A) 2nd century BC B) 4th century BC C) 5th century BC D) 1st century AD
A) 1850 B) 1890 C) 1800 D) 1820
A) Lesbos B) Milos C) Crete D) Rhodes
A) The Louvre in Paris B) The British Museum in London C) The Metropolitan Museum of Art in New York D) The Vatican Museums in Rome
A) Hera B) Athena C) Demeter D) Aphrodite
A) Minerva B) Diana C) Venus D) Juno
A) Under 1.5 metres B) Over 3 metres C) Over 2 metres D) Exactly 1.5 metres
A) Both arms B) The entire torso C) The head and arms D) Both legs
A) A bronze mirror B) A golden shield C) A stone helmet D) A marble hand holding an apple
A) Praxiteles from Athens B) Polykleitos from Argos C) Phidias from Athens D) Alexandros from Antioch on the Maeander
A) The Impressionist movement B) The Baroque movement C) The Cubist movement D) The Surrealist movement
A) Around 50 B) Under 10 C) Over 70 D) Exactly 20
A) Early fourth century BC B) Third century BC C) Sixth century BC D) First century BC
A) Right leg B) Left leg C) Neither leg D) Both legs equally
A) To the left B) To the right C) Downward D) Upward
A) Eyes B) Earlobes C) Nose tip D) Lower lip
A) A carved flower B) A filled hole C) An inscription D) A bronze buckle
A) Roughly chiseled B) Polished smooth C) Covered in plaster D) Painted red
A) The back B) Left-hand side C) Right-hand side D) It is equal on both sides
A) In an abstract style B) In a realistic style C) In a strictly geometric style D) In a cartoonish style
A) More realistic B) More caricatured C) More idealised D) More abstract
A) Teeth B) Nothing inside C) A tongue D) Gold leaf
A) Both earlobes B) The left foot C) The entire left arm D) Tip of the nose
A) Classical and Hellenistic art B) Archaic and Baroque art C) Gothic and Classical art D) Roman and Renaissance art
A) Goethe B) John Ruskin C) Winckelmann D) Kenneth Clark
A) A baroque composition with classic effect B) A classical composition with archaic effect C) A minimalist composition with rustic effect D) A gothic composition with modern effect
A) A Greek farmer B) A French sailor C) A naval officer D) A French ambassador
A) British Empire B) French Empire C) Ottoman Empire D) Russian Empire
A) Dumont D'Urville B) Olivier Voutier C) Auguste Debay D) Quatremère de Quincy
A) Dumont D'Urville B) Olivier Voutier C) Salomon Reinach D) Auguste Debay
A) Naval officer B) Farmer C) Assistant gymnasiarch D) French ambassador
A) Louis XVIII B) Auguste Debay C) Olivier Voutier D) Dumont D'Urville
A) They are in a private collection B) They are now lost C) They are displayed in the Louvre D) They are kept in Constantinople
A) A lime kiln B) A quadrangular niche C) A royal palace D) A circular temple
A) Quatremère de Quincy B) Comte de Marcellus C) Salomon Reinach D) Christofilis Maggidis
A) Christofilis Maggidis B) Dumont D'Urville C) Olivier Voutier D) Auguste Debay
A) Rome B) Constantinople C) Paris D) Athens
A) Comte de Marcellus B) Charles François de Riffardeau C) Louis XVIII D) Quatremère de Quincy
A) Dumont D'Urville B) Olivier Voutier C) Charles François de Riffardeau, marquis de Rivière D) Bakchios son of Satios
A) Voutier B) Reinach C) Debay D) Marcellus
A) Napoleon Bonaparte B) Louis XVI C) Charles X D) Louis XVIII
A) Olivier Voutier B) Christofilis Maggidis C) Quatremère de Quincy D) Salomon Reinach
A) Apollo B) Mars C) Hercules D) Hermes
A) Because the entire Mars was missing B) Because the sculptor's signature was missing C) Because the original arms were completely lost D) Because the marble was too fragile
A) 1848 B) 1870 C) 1821 D) 1893
A) 1870 B) 1821 C) 1936 D) 1848
A) Toussaint-Bernard Éméric-David B) Paul Jamot C) Quatremère de Quincy D) Adolf Furtwängler
A) 1972 B) 2010 C) 1936 D) 1964
A) A plaster replica B) A statue of a Muse C) A painting by Leonardo da Vinci D) The Poseidon of Melos
A) 1964 B) 1914 C) 1936 D) 1870
A) 1999 B) 1972 C) 1980 D) 2010
A) Sappho B) A Muse C) Nemesis D) Amphitrite
A) Zeus B) Poseidon C) Apollo D) Hermes
A) Nemesis B) A Muse C) Athena D) Sappho
A) Comte de Clarac B) Quatremère de Quincy C) Adolf Furtwängler D) Toussaint-Bernard Éméric-David
A) Quatremère de Quincy B) Marianne Hamiaux C) Jean-Luc Martinez D) Adolf Furtwängler
A) Quatremere B) Kousser C) De Clarac D) Martinez
A) Kenneth Clark B) Christine Mitchell Havelock C) Martin Robertson D) Wilhelm Fröhner
A) Kenneth Clark B) Kousser C) Martin Robertson D) Elizabeth Prettejohn
A) Hamiaux B) Martinez C) Quatremere D) De Clarac
A) Acropolis B) Sparta C) Perge D) Knidos
A) Knidos B) Acropolis C) Acrocorinth D) Perge
A) A window B) A shield C) A mirror D) Water
A) Martin Robertson B) Christine Mitchell Havelock C) Kenneth Clark D) Elizabeth Prettejohn
A) No B) Yes C) Only Roman sources D) Only Greek sources
A) Following the Napoleonic Wars B) Through a trade with Berlin C) Because of financial bankruptcy D) Due to a devastating fire
A) 1876 B) 1822 C) 2010 D) 1820
A) Surrealist poets B) Romantic poets C) Victorian poets D) Parnassian poets
A) Historical discovery B) Erotic appeal C) Political meaning D) Technique of carving
A) Honoré Daumier B) Eugène Delacroix C) Max Ernst D) Max Klinger
A) Erwin Blumenfeld B) Salvador Dalì C) Max Klinger D) René Magritte
A) Eugène Delacroix B) Yves Klein C) Salvador Dalì D) Max Ernst
A) Arman B) Max Ernst C) René Magritte D) Salvador Dalì
A) Liberty Leading the People B) The Hallucinogenic Toreador C) The Judgement of Paris D) The Connoisseur
A) Jim Dine B) Yves Klein C) Clive Barker D) Arman
A) Clara Bow B) Marlene Dietrich C) Joan Crawford D) Jean Harlow
A) 1932 B) 1949 C) 1928 D) 2003
A) Joan Crawford B) Clara Bow C) Marlene Dietrich D) Jean Harlow
A) Mercedes-Benz B) Levi's C) Kellogg's D) General Telephone & Electronics
A) Martin Robertson B) Elizabeth Prettejohn C) Kenneth Clark D) Fürtwangler
A) Martin Robertson B) Kenneth Clark C) De Clarac D) Fürtwangler |
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