Finishing The Hat by Stephen Sondheim
  • 1. Finishing The Hat is a seminal work by the legendary composer and lyricist Stephen Sondheim, encapsulating his profound ability to weave intricate narratives with musical sophistication. The song is featured in the iconic musical 'Sunday in the Park with George,' which draws inspiration from the life and struggles of the French painter Georges Seurat. 'Finishing The Hat' serves as a poignant reflection on the artist's dedication to his craft, as it explores themes of obsession, sacrifice, and the relentless pursuit of artistic perfection. Sondheim's lyrics delve into the complex emotions experienced by an artist who grapples with the balance between his creative ambitions and the sacrifices required in his personal life. With its haunting melody and introspective lyrics, the song captures the essence of what it means to be an artist; the joy of creation juxtaposed with the isolating nature of artistic endeavor. Sondheim's masterful use of musical motifs and clever wordplay not only highlights the beauty of art but also poignantly underscores the loneliness that often accompanies it, making 'Finishing The Hat' a profound commentary on the nature of creativity itself.

    What is the primary subject of Stephen Sondheim's book 'Finishing The Hat'?
A) His autobiography focusing on his childhood.
B) A technical guide to composing music.
C) A history of Broadway musical theater.
D) His lyrics and creative process for his musicals up to 1981.
  • 2. What is the meaning behind the book's title, 'Finishing The Hat'?
A) It is the title of a song from Sunday in the Park with George.
B) It describes his hobby of collecting hats.
C) It refers to the final, meticulous act of completing a creative work.
D) It is a metaphor for retiring from the theater.
  • 3. Which collaborator is a central figure throughout the discussions of his early work?
A) Leonard Bernstein
B) Oscar Hammerstein II
C) Andrew Lloyd Webber
D) Harold Prince
  • 4. What fundamental principle of lyric writing did Sondheim learn from Oscar Hammerstein II?
A) Lyrics should be ambiguous and open to interpretation.
B) Content dictates form.
C) Rhyme is more important than reason.
D) Always write the music first.
  • 5. For which musical did Sondheim write both music and lyrics for the first time?
A) Gypsy
B) Anyone Can Whistle
C) A Funny Thing Happened on the Way to the Forum
D) West Side Story
  • 6. What visual material is included alongside the text in 'Finishing The Hat'?
A) Handwritten drafts of his lyrics.
B) Photographs from all his productions.
C) Sheet music for all his songs.
D) Cartoons he drew as a child.
  • 7. What is the title of the second volume, which continues his work from 1981 onward?
A) Putting It Together
B) The Last of the Giants
C) Sondheim & Co.
D) Look, I Made A Hat
  • 8. For which musical does Sondheim express particular pride in the intricate lyric for the song 'Someone in a Tree'?
A) Follies
B) Anyone Can Whistle
C) Pacific Overtures
D) A Little Night Music
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