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A) G major B) A minor C) D major D) C major
A) They are extensively detailed B) There are no dynamic indications C) They are only present in the first movement D) They are marked only in the second movement
A) I. Allegro ma non troppo B) Neither movement C) II. Tempo di Menuetto D) Both movements
A) Theme and variations B) Sonata form C) Binary form D) Rondo
A) C major B) G major C) D major D) A minor
A) C major, F major, and B flat major B) D minor, A minor, and E minor C) G minor, C minor, and F minor D) A major, E major, and B major
A) Symphony No. 9 B) Op. 20 Septet C) String Quartet No. 14 D) Symphony No. 5
A) A fugue B) A scherzo C) A minuet D) A sonata form
A) Most critical B) Not important C) Easy to manage D) Slightly challenging
A) He disliked the key of G major B) He reused one of its themes in a later piece C) He lost the manuscript D) He found it too complex
A) Sonata No. 20 B) Sonata No. 19 C) Sonata No. 14 D) Sonata No. 8
A) Binary form B) Theme and variations C) Simplified sonata form D) Rondo form
A) Homotonal B) Heterotonal C) Polytonal D) Monotonal
A) 1805 B) 1810 C) 1820 D) 1797
A) Three B) Four C) One D) Two
A) Leichte Sonaten B) Kleine Sonaten C) Facile Sonaten D) Simplice Sonaten
A) Ludwig van Beethoven B) Nikolaus Zmeskall C) Joseph Haydn D) Kaspar van Beethoven
A) Theme and variations B) Minuet and trio C) Rondo D) Sonata-allegro
A) Five B) Two C) Three D) Four
A) Frédéric Chopin B) Franz Liszt C) Sviatoslav Richter D) Wolfgang Amadeus Mozart
A) Sonata-rondo B) Sonata-allegro C) Rondo D) Theme and variations
A) Diminished seventh B) Picardy third C) Augmented sixth D) Minor third
A) Fifteen minutes B) Five minutes C) Eight minutes D) Ten minutes
A) First movement B) Development C) Slow movement D) Finale
A) Glenn Gould B) Arthur Rubinstein C) Daniel Barenboim D) Maurizio Pollini |