Raphael - Quiz
A) By laying out many stock drawings on the floor B) By hiring professional models to pose C) By sketching directly onto the wall D) By painting small miniatures
A) Over four hundred B) Exactly ten C) Fewer than five D) Over forty
A) A focus on speed and intuition over planning B) A shift of resources away from production to research and development C) A reliance on apprentices for all major decisions D) A rejection of traditional drafting techniques
A) A pin and a bag of soot B) A stencil and charcoal C) A blind stylus D) A brush and ink
A) Transferring color to tapestry designs B) Creating dark outlines on plaster C) Scratching lines that leave an indentation without a mark D) Applying highlights in white
A) Lucretia B) The School of Athens C) The Disputa D) Galatea
A) Oil paint B) Fresco C) Glue distemper D) Metalpoint
A) Often painfully more attractive B) Inferior to the paintings C) Identical in quality to the paintings D) Less precise than the paintings
A) They show superior anatomical knowledge B) They lack the same freedom and energy C) They are more chaotic and rough D) They are far more abstract
A) Wax crayon B) Oil on wood C) Watercolour D) Metalpoint
A) He stopped using human models entirely B) He was one of the first to use female models C) He exclusively used royalty as models D) He stopped using his male pupils as models
A) Titian B) Vasari C) Baviero Carocci D) Marcantonio Raimondi
A) Exactly twelve B) Over five hundred C) About fifty D) Over two hundred
A) The Sistine Madonna B) The Last Supper C) The Judgement of Paris D) The Mona Lisa
A) Titian B) Baviero Carocci C) Marcantonio Raimondi D) The Vatican
A) Michelangelo B) Bernini C) Antonio da Sangallo the Younger D) Raphael
A) Cardinal Giulio de' Medici B) Giovanni Battista Branconio C) Pope Julius II D) Agostino Chigi
A) Stained glass B) Frescoes C) Oil paintings D) Mosaics
A) Villa Madama B) Palazzo Branconio dell'Aquila C) Villa Farnesina D) Palazzo Jacopo da Brescia
A) Bramante B) Bernini C) Antonio da Sangallo the Younger D) Marco Fabio Calvo
A) Michelangelo B) Bernini C) Bramante D) Palladio
A) Via Giulia B) Near St Peter's C) Inside the Vatican D) On a hill
A) Agostino Chigi B) Giovanni Battista Branconio C) Marco Fabio Calvo D) Antonio da Sangallo the Younger
A) Uffizi Gallery B) British Museum C) Vatican Library D) Library in Munich
A) Cardinal B) Papal Chamberlain C) Doctor D) Papal Treasurer
A) 1491 B) 1500 C) 1494 D) 1498
A) Pietro Perugino B) Timoteo Viti C) Bartolomeo D) Evangelista da Pian di Meleto
A) Bartolomeo B) Pinturicchio C) Wölfflin D) Vasari
A) Luca Signorelli B) Pietro Perugino C) Paolo Uccello D) Timoteo Viti
A) 1504 B) December 1500 C) 1501 D) 1498
A) Mond Crucifixion B) The Marriage of the Virgin C) Baronci Altarpiece D) Oddi Altarpiece
A) Perugia Cathedral B) Church of Saint Nicholas of Tolentino C) Urbino court D) Siena Cathedral
A) 1503 B) 1500 C) 1502 D) 1504
A) Eight B) Eleven C) Sixteen D) Fourteen
A) Urbino B) Rome C) Mantua D) Florence
A) Sculptor B) Architect C) Duke D) Court painter
A) Pope Julius II B) Pope Sixtus IV C) Federico da Montefeltro D) Guidobaldo da Montefeltro
A) Merchant trade B) Scientific research C) Military strategy D) Literary culture
A) Elisabetta Gonzaga B) Cecilia Gallerani C) Isabella d'Este D) Lucrezia Borgia
A) Giovanni Santi B) Pietro Bibbiena C) Giorgio Vasari D) Baldassare Castiglione
A) 1528 B) 1483 C) 1520 D) 1504
A) Federico Santi B) Pietro Santi C) Giovanni Santi D) Guidobaldo Santi
A) He was a reclusive artist B) He was only interested in politics C) His career appeared effortless D) He lacked artistic talent
A) Tuscany B) Marche C) Lombardy D) Umbria
A) 1500 B) 1508 C) 1520 D) 1483
A) Late Gothic B) High Renaissance C) Early Baroque D) Neoclassical
A) Umbria B) Urbino C) Rome D) Florence
A) 31 B) 28 C) 42 D) 37
A) The Florentine School B) Pre-Raphaelite Brotherhood C) The Neoclassicists D) The Roman Architects
A) Leonardo da Vinci B) Michelangelo C) Johann Joachim Winckelmann D) Pietro Perugino
A) Vatican Palace B) Urbino Cathedral C) St. Peter's Basilica D) Florence Academy
A) Giorgio Vasari B) Johann Joachim Winckelmann C) Giovanni Santi D) Pietro Perugino
A) Sedentary B) Isolated C) Nomadic D) Urban
A) 1500–1504 B) 1504–1508 C) 1498–1502 D) 1508–1512
A) Three-quarter length pyramidal composition B) Full-body frontal stance C) Extreme foreshortening D) Linear perspective shading
A) Fra Bartolomeo B) Perugino C) Michelangelo D) Leonardo da Vinci
A) Five years B) Twenty years C) Thirty years D) Eight years
A) Conspiring against him B) Copying his frescoes C) Ignoring his classical influences D) Stealing his designs
A) Classical sarcophagi B) Leonardo's sketches C) Michelangelo's Doni Tondo D) Medieval tapestries
A) Leda and the Swan B) The Last Supper C) Doni Tondo D) Mona Lisa
A) Impasto B) Sfumato C) Chiaroscuro D) Linear perspective
A) Fighting nude men B) Landscape backgrounds C) Botanical illustrations D) Architectural ruins
A) Alexander VI B) Julius II C) Donato Bramante D) Leo X
A) Michelangelo B) Cardinal Bibbiena C) Donato Bramante D) Vasari
A) Alexander VI B) Pius III C) Paul III D) Leo X
A) Sistine Chapel ceiling B) St. Peter's Basilica C) The School of Athens D) Stanza della Segnatura
A) The Parnassus B) Stanza della Segnatura C) The Grand Manner Room D) The Vatican Palace
A) Leo X B) Clement VII C) Alexander VI D) Paul II
A) 1511 B) 1508 C) 1520 D) 1513
A) Heraclitus B) Plato C) Aristotle D) Socrates
A) Blasphemy B) Plagiarism C) Incompetence D) Treason
A) Religious confusion B) Dark idealism C) Chaotic motion D) Euclidian certainties
A) High Renaissance B) Grand manner C) Classical grace D) Sprezzatura
A) Pope B) Curator C) Architect D) Prefect
A) One week B) Three days C) Twenty-four hours D) One month
A) 10,000 ducats B) 90,000 ducats C) 100,000 ducats D) 50,000 ducats
A) Four B) One C) Twenty D) Ten
A) Charles VIII B) Francis I C) Louis XII D) Henry II
A) Paris B) Venice C) Brussels D) Rome
A) Ten B) Seven C) Five D) Three
A) Baroque B) Gothic C) Grottesche D) Mannerist
A) Ecstasy of St. Cecilia B) Transfiguration C) Triumph of Galatea D) Sistine Madonna
A) Canvas B) Stone C) Copper D) Wood
A) Copper B) Bismuth C) Silver D) Zinc
A) Linseed or walnut oils B) Sunflower or palm oils C) Coconut or almond oils D) Olive or sesame oils
A) Impressionist B) Renaissance C) Proto-Baroque D) Pure Mannerist
A) Giulio Romano B) Gianfrancesco Penni C) Perino del Vaga D) Giovanni da Udine
A) Lorenzetto B) Gianfrancesco Penni C) Timoteo Viti D) Luca Penni
A) Bernard van Orley B) Vincenzo Tamagni C) Andrea Sabbatini D) Battista Dossi
A) Their historical accuracy B) Their use of oil paint C) Their brushwork D) Their design
A) The daughter of a baker from Siena B) Maria Bibbiena C) A Roman noblewoman D) Margherita Luti
A) Margherita Luti B) Maria Bibbiena C) Baviera D) Pietro Bembo
A) Baviera B) Giulio Romano C) Pietro Bembo D) Penni
A) The Palazzo Caprini B) St. Peter's Basilica C) The Loggia D) The Pantheon
A) Paris de Grassis B) Vasari C) Pietro Bembo D) Joshua Reynolds
A) Renaissance Humanism B) Baroque C) Mannerism D) Pre-Raphaelitism
A) Form B) Beauty C) Execution D) Thought
A) Portraiture B) History painting C) Panel painting D) Religious art
A) It vanished in the 20th century B) It is the most continuous C) It was purely academic D) It was less than Michelangelo's |
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