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A) Ashlar masonry B) Mudéjar patterning C) Manueline vaulting D) Diamond rustication
A) Palazzo dei Diamanti B) Černín Palace C) Palacio de Jabalquinto D) Casa dos Bicos
A) 1523 B) 1503 C) 1585 D) 1492
A) Ferrara B) Milan C) Moscow D) Catania
A) Renaissance B) Classical C) Baroque D) Late Gothic
A) Isabelline B) Ashlar C) Mudéjar D) Bossage
A) Spain B) Portugal C) Italy D) Scotland
A) Černín Palace B) Palazzo dei Diamanti C) Crichton Castle D) Castello Sforzesco
A) They were sharpened B) They were smoothed over C) They were gilded D) They were removed entirely
A) Flat and concave B) Circles and squares C) Pyramids and ridges D) Ashlar and bossage
A) Moscow B) Central Europe C) Sicily D) Andalucia
A) Mudéjar B) Baroque C) Isabelline Gothic D) Classical
A) Western Scotland B) Northern Russia C) Sicily and southern Italy D) Northern Portugal
A) 1490s B) 1500s C) 1580s D) 1660s
A) Classical Roman styles B) Mudéjar styles C) Egyptian pyramid styles D) Byzantine mosaic styles
A) Prismatic B) Cyclopian C) Vermiculated D) Smooth-faced
A) Diagonal joints B) Mitered joints C) Vertical joints D) Horizontal joints
A) The Greek word for rough stone B) The Latin word for little worm C) A Roman architectural term for mud D) The name of a famous mason
A) The blocks are arranged in a circular formation B) The stones are polished until they shine C) The shapes join up to form a network D) The patterns are carved in straight lines
A) Around the roofline B) On the lowest levels C) On the interior columns D) Only on the upper floors
A) Icicles or hanging pond-weed B) The texture of animal fur C) Jagged mountain peaks D) Worm tracks in mud
A) Blocks are painted in vibrant colors B) Blocks are left completely raw and un-cut C) Blocks are embedded with small gemstones D) Blocks are dressed at an angle near each edge
A) Serlio B) Palladio C) Vitruvius D) James Gibbs
A) The cutting in at the joints B) The weight of the individual blocks C) The type of stone used D) The texture of the stone face
A) Bands that dip diagonally around arches B) Bands that are left un-smoothed C) Bands that run strictly horizontally D) Bands that form a circular pattern
A) The process of stacking rocks without mortar B) The use of metal tools to inlay patterns C) A technique for polishing the edges D) Indented patterns on the central area of stones
A) The Parliament House B) The Palace of Versailles C) The Turner Mausoleum D) The Foreign Office building
A) Different carvers interpreted patterns differently B) The stones were sourced from different quarries C) Weathering affected some stones more than others D) The stones were carved over several centuries
A) Voussoir B) Quoin C) Cornice D) Ashlar
A) Terracotta B) Concrete C) Stucco D) Marble
A) Brutalist B) Mannerist C) Gothic D) Neoclassical
A) It is exclusively applied to interior walls B) It uses much larger and heavier stones C) It is highly regular with flat faces D) It is significantly more uneven and rugged
A) International Style B) Richardsonian Romanesque C) Federal Style D) Art Deco
A) Military power B) Structural incompatibility with stained glass C) High construction costs D) Religious modesty requirements
A) Aedicules B) Pilasters C) Voussoirs D) Quoins
A) Ashlar B) Voussoirs C) Quoins D) Mullions
A) Granite B) Polished limestone C) Cast iron D) Wood
A) 19th century B) 17th century C) 16th century D) 18th century
A) Palladian architecture B) Gothic architecture C) Baroque architecture D) Modernist architecture
A) Gunston Hall B) Shirley Plantation C) Monticello D) Mount Vernon
A) Mosaic B) Gilding C) Sgraffito D) Fresco
A) Italy B) France C) Czech Republic D) Germany
A) The White House B) Fallingwater C) The Alamo D) Monticello |