Horror film - Quiz
A) It creates a sense of comfort and safety. B) It draws the viewers' eyes to specific areas like walls or shadows. C) It prevents the viewer from seeing the protagonist. D) It highlights the primary monster in the scene.
A) They stop the audience from being startled. B) They reveal all hidden details in the scene. C) They provoke unease by obscuring details. D) They help the viewer feel completely safe.
A) It can trick viewers into feeling safe. B) It makes the monster immediately visible. C) It guarantees that no jump scare will happen. D) It ensures the scene is not scary.
A) High-speed panning and bright colors. B) Extreme close-ups and silence. C) Static wide shots and monotone audio. D) Tilted camera angles, slow-motion, and reverse shots.
A) Safety and neutrality. B) Humor and lightheartedness. C) Blood, passion, or disease. D) Coldness and winter.
A) To explain the back-story of the antagonist. B) To provide a comedic break in the tension. C) To surprise the viewer with an abrupt image change and loud sound. D) To soothe the audience during intense moments.
A) By making the jump scare occur in bright daylight. B) By ensuring the jump scare happens at the very end of the film. C) By removing all sound during the jump scare. D) By making audiences feel unease in anticipation of the scare.
A) To allow the protagonist to see behind themselves easily. B) To provide a clear view of the entire room. C) To act as a portal for the protagonist to escape. D) To create visual depth and build tension.
A) Because they reflect the viewer's own fears. B) Because mirrors are physically dangerous to actors. C) Because mirrors are naturally associated with ghosts. D) Because they have been conditioned by repeated use in the genre.
A) They make the scene appear more realistic. B) They induce anxiety by limiting the viewer's field of vision. C) They provide the viewer with more information. D) They create a sense of vastness and space.
A) As a safe space to confront and process fears. B) As an educational resource for survival skills. C) As a way to avoid all real-world anxieties. D) As a tool to desensitize viewers to violence.
A) Catharsis, relief, and a sense of empowerment. B) Complete loss of ability to process trauma. C) A desire to avoid social interaction. D) Increased paranoia and long-term fear.
A) To make viewers feel threatened and uncomfortable. B) To provide a relaxing break from the imagery. C) To distract viewers from the scary visual elements. D) To provide clues about the mystery.
A) Standard pop rhythms and acoustic guitar. B) Dissonance, atonality, and experiments with timbre. C) Classical piano concertos and opera. D) Cheerful melodies and major keys.
A) Musical dance numbers B) Romantic comedy subplots C) Documentary-style narration D) Monsters
A) Jane Austen B) Mary Shelley C) Mark Twain D) Charles Dickens
A) The Lost Weekend (1945) B) Gaslight (1944) C) Dracula (1931) D) Alien (1979)
A) Gary D. Rhodes B) Robin Wood C) Andrew Tudor D) Noël Carroll
A) Western B) Comedy C) Science fiction D) Mystery
A) Alien B) The Lost Weekend C) Dracula D) A Nightmare on Elm Street
A) Collective belief has remained unchanged B) Critics have defined it perfectly C) Fans are in total agreement D) There is no simple collective belief
A) Three B) Two C) Four D) Five
A) The Omen B) White Zombie C) Psycho D) The Exorcist
A) Large-scale destruction B) Satanic rituals C) Psychological breakdown D) Individual mutilation
A) The Birds B) Night of the Living Dead C) White Zombie D) Frankenstein
A) Satanic rites B) Alien invasions C) Serial killers D) Zombie uprisings
A) The Birds B) The Exorcist C) Psycho D) White Zombie
A) The Vietnam War B) The Renaissance C) The Great Depression D) The Industrial Revolution
A) Slasher films B) Gothic romance C) Zombie apocalypse D) Psychological thrillers
A) Night of the Living Dead B) The Omen C) Psycho D) White Zombie
A) Charles Derry B) Duane Jones C) Alfred Hitchcock D) Jeanne Hall
A) The History of Fear B) Horror and Society C) Dark Dreams D) Visual Horror
A) Adam Rockoff B) H. P. Lovecraft C) Mark Jancovich D) Isabel Pinedo
A) The Texas Chainsaw Massacre B) A Nightmare on Elm Street C) Henry: Portrait of a Serial Killer D) Halloween
A) Serial killers in holiday settings B) Bodily transformation C) The collapse of the government D) Cosmic dread
A) The 1950s B) The 1980s C) The 1970s D) The 1990s
A) H. P. Lovecraft B) David Cronenberg C) Charles Dickens D) E. T. A. Hoffmann
A) Silent Night, Bloody Night B) April Fool's Day C) The Fly D) Black Christmas
A) April Fool's Day B) Whoever Slew Auntie Roo? C) My Bloody Valentine D) Black Christmas
A) Lovecraftian ghost stories B) Holiday-themed slasher films C) Documentary-style horror D) Science fiction films
A) The Thing B) Shivers C) Henry: Portrait of a Serial Killer D) A Christmas Carol
A) The scientific thriller B) The monster movie C) The body horror narrative D) The Christmas ghost story
A) Shivers B) The Thing C) Henry: Portrait of a Serial Killer D) Halloween
A) Historical documentation B) Social commentary C) Sexual arousal D) Artistic satire
A) Wes Craven B) H. R. Giger C) Clive Barker D) Jean Rollin
A) Candyman B) Hostel C) I Spit on Your Grave D) Saw
A) United States B) Britain C) Germany D) France
A) H. R. Giger B) Clive Barker C) Wes Craven D) Jean Rollin
A) Théâtre du Grand-Guignol B) Broadway Theater C) The Paris Opera House D) The Globe Theatre
A) New York B) London C) Rome D) Paris
A) Alien B) Last House on the Left C) Le Viol du Vampire D) Fascination
A) Fascination B) Alien C) Hellraiser D) I Spit on Your Grave
A) Ice Nine Kills B) Metallica C) Slipknot D) Slayer
A) Futuristic space stations B) Cyberpunk digital landscapes C) Rural settings D) Dense urban metropolises
A) Scream B) Halloween C) The Shining D) The Wicker Man
A) Northern Europe B) South America C) Southeast Asia D) North America
A) Third person omniscient view B) The perspective of a silent narrator C) Animated perspective D) First person view
A) Vimeo B) MySpace C) YouTube D) Facebook
A) Paranormal Activity B) Rec C) Cloverfield D) The Blair Witch Project
A) The Exorcist B) Jaws C) The Haunted Castle D) Psycho
A) Stanley Kubrick B) John Carpenter C) Park Chan-wook D) Alfred Hitchcock
A) Get Out B) Candyman C) Us D) Nope
A) DreamWorks B) Hammer C) Disney D) Pixar
A) Eco-horror B) Cosmic horror C) Slasher horror D) Gothic horror
A) James Marriott B) Stanley Kubrick C) John Carpenter D) Alfred Hitchcock
A) Rats B) Sharks C) Frogs D) Birds
A) Willard B) The Birds C) Jaws D) Bug
A) 1981 B) 1963 C) 1972 D) 1975
A) Urban expansion B) Industrialization movements C) Environmental movements D) Technological advancement
A) Sharks B) Grizzlies C) Frogs D) Rats
A) Stanley B) John Muir C) James Marriott D) Alfred Hitchcock
A) Ben B) The Birds C) Grizzly D) Willard
A) A focus on mutated beasts B) A move towards space horror C) An increase in giant monster tropes D) A less-fantastic route
A) Stanley B) Bug C) Ben D) Frogs
A) Greenpeace B) The Red Cross C) The Audubon Society D) The World Wildlife Fund
A) Nature running amok B) Supernatural ghosts C) Alien invaders D) Demonic possession
A) Zombies B) Demons C) Serial killers D) Aliens
A) The rosary B) A bladed tool C) A flickering light D) A machete
A) Psychological manipulation B) Bladed tools C) Poison D) Supernatural curses
A) Scream B) Friday the 13th C) Paranormal Activity D) The Conjuring
A) A crime from the past B) Psychological disquiet C) A focus on heaven and hell D) The use of holy water
A) Nightmare B) Bloody Beach C) Scream D) The Record
A) Churches B) Cinematic dark rides C) The afterlife D) Campgrounds
A) PopMatters B) Ebert C) Bill Gibron D) Adam Rockoff
A) Bladed tools B) Religious rituals C) Splatter gore D) Non-physical beings
A) Alexandra West B) Andy Richards C) Herman Cohen D) John Kenneth Muir
A) Cautionary conservative tales B) Innovative artistic masterpieces C) Low-budget comedies D) Historical documentaries
A) Social ostracization B) Loss of status C) Financial ruin D) Death
A) The Faculty B) Frankenstein's Daughter C) Crazy/Beautiful D) The Stepford Wives
A) Paramount Pictures B) American International Pictures C) Universal Studios D) Hammer Film Productions
A) A Nightmare on Elm Street B) The Stepford Wives C) Frankenstein's Daughter D) Halloween |
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