Gestalt psychology - Quiz
A) Gestalt therapy is the foundation of Gestalt psychology. B) Gestalt psychology is a sub-branch of Gestalt therapy. C) They are only peripherally linked. D) They are identical fields of study.
A) Fritz and Laura Perls B) Max Wertheimer and Kurt Koffka C) Kurt Goldstein and Mary Henle D) Wolfgang Köhler and Fritz Perls
A) Kurt Goldstein B) Max Wertheimer C) Wolfgang Köhler D) Kurt Koffka
A) She was a traditional lab researcher. B) She was solely a neurologist. C) She was a Gestalt psychologist and a psychoanalyst. D) She was a physicist.
A) She disliked the name for aesthetic reasons. B) It was legally trademarked by another institution. C) She wanted to emphasize its existential roots. D) She thought Gestalt psychologists would object to it.
A) She praised it as a perfect evolution of the field. B) She believed it had no substantive relation to scientific Gestalt psychology. C) She thought it was identical to the principles of Koffka. D) She considered it the only valid application of the theory.
A) Existential therapy B) Gestalt theoretical psychotherapy C) Gestalt therapy D) Psychoanalytic therapy
A) To study consciousness as a complete, indivisible whole. B) To focus exclusively on natural situations. C) To divide the object of study into separately analyzable elements. D) To ignore cerebral activity.
A) Conscious experience must be considered globally. B) Experimental lab conditions are superior to natural ones. C) The mind is composed of separate, static parts. D) Cerebral activity is unrelated to consciousness.
A) As an independent element with its own properties. B) As a sensory quality unrelated to the system. C) As the sum of its chemical components. D) Its nature depends on the whole in which it is embedded.
A) The whole is less than the sum of its parts. B) The whole is irrelevant to the parts. C) The whole is exactly equal to the sum of its parts. D) The whole is something else than the sum of its parts.
A) The independence of the mind from physical matter. B) A correlation between conscious experience and cerebral activity. C) That movement is an illusion. D) That psychology should not be a science.
A) Focusing solely on sensory qualities. B) Reducing complexity through division. C) Rejecting laboratory experiments entirely. D) Taking phenomena as the starting point for research.
A) The need to conduct experiments in natural situations. B) The removal of the subject from real conditions. C) The need for highly controlled, sterile laboratory conditions. D) The focus on theoretical rather than practical research.
A) The existence of the soul B) Biological evolution C) Perceptual constancy D) The effectiveness of psychoanalysis
A) An experiment about psychophysical isomorphism. B) A theory about memory formation. C) A critique of existentialism. D) A discovery regarding the perception of movement.
A) Form B) Mind C) Structure D) Whole
A) Physical motion of objects B) The movement of light in a vacuum C) The mechanical rotation of bars D) Pure phenomenal motion
A) Kurt Koffka B) Max Wertheimer C) Christian von Ehrenfels D) Wolfgang Köhler
A) Structuralism B) Behaviorism C) Functionalism D) Psychoanalysis
A) Configurationism B) Associationism C) Atomism D) Sensationalism
A) Animals learn by sudden insight B) Animals only learn via association C) Animals learn through incremental reinforcement D) Animals are incapable of complex problem solving
A) Structure or form B) Experimental observation C) Significance, value, or meaning D) Sensory impression
A) Emergence B) Deduction C) Isolation D) Abstraction
A) Emergence B) Invariance C) Multistability D) Reification
A) Multistability B) Reification C) Prägnanz D) Emergence
A) Reification B) Invariance C) Multistability D) Prägnanz
A) Ambiguity B) Pithiness C) Perception D) Complexity
A) Symmetry B) Illusory contours C) Necker cube D) Elastic deformation
A) Invisible contours B) Physical contours C) Geometric contours D) Illusory contours
A) Simplicity B) Randomness C) Chaos D) Complexity
A) Rubin B) Escher C) Marr D) Wertheimer
A) Lack of visual stimulus B) Total darkness C) Increased brightness D) Elastic deformations
A) Escher B) Wertheimer C) David Marr D) Rubin
A) Distortion B) Fragmentation C) Complexity D) Orderliness
A) 72 B) 18 C) 12 D) 36
A) Architectural drafting B) Sound engineering C) Advertising logos D) Mathematical modeling
A) 72 B) 6 C) 36 D) 18
A) Six horizontal lines B) Three vertical columns C) A large circle D) Two diagonal lines
A) Microsoft B) Apple C) IBM D) Google
A) A series of dots B) Curved geometric shapes C) Vertical red lines D) Horizontal blue lines |
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