A) Leonardo da Vinci B) Raphael C) Titian D) Michelangelo
A) Goddess of love B) Born of foam C) Golden haired D) Rising from the sea
A) 1600 B) 1520 C) 1450 D) 1480
A) Wringing water from her hair B) Holding a mirror C) Reaching for a shell D) Covering her breasts
A) Louvre Museum B) National Gallery of Scotland C) Prado Museum D) Uffizi Gallery
A) Other mythological figures B) Ocean with dolphins C) Classical architecture D) Landscape with trees and sky
A) Dark, shadowy forms B) Hard, linear definition C) Pale, chalky appearance D) Soft, luminous modeling
A) Tiziano Raphael B) Tiziano Bellini C) Tiziano Vecellio D) Tiziano da Vinci
A) Florence B) Rome C) Milan D) Venice
A) Aphrodite of Knidos B) Venus de Milo C) Discobolus D) Laocoön
A) Donatello B) Botticelli C) Perugino D) Giorgione
A) Soft blending (sfumato) B) Color blocking C) Pointillism D) Hard edges
A) Guild hall B) Church commission C) Private aristocratic collector D) Public government building
A) Biblical subject matter B) Focus on linear drawing C) Use of geometric perspective D) Emphasis on color and light
A) Bacchus and Ariadne B) Venus of Urbino C) Pietà D) Assumption of the Virgin
A) Celebration of human beauty B) Political commentary C) Scientific accuracy D) Religious devotion
A) Pastel shades B) Dark dramatic colors C) Cool blue tones D) Warm golden tones
A) Florentine Renaissance B) Baroque C) Venetian Renaissance D) Mannerism
A) Pointillism B) Fresco painting C) Gold leaf application D) Loose brushwork |