A) Raphael B) Titian C) Leonardo da Vinci D) Michelangelo
A) Golden haired B) Goddess of love C) Rising from the sea D) Born of foam
A) 1520 B) 1600 C) 1450 D) 1480
A) Wringing water from her hair B) Covering her breasts C) Holding a mirror D) Reaching for a shell
A) Prado Museum B) National Gallery of Scotland C) Louvre Museum D) Uffizi Gallery
A) Ocean with dolphins B) Classical architecture C) Landscape with trees and sky D) Other mythological figures
A) Hard, linear definition B) Pale, chalky appearance C) Dark, shadowy forms D) Soft, luminous modeling
A) Tiziano Bellini B) Tiziano da Vinci C) Tiziano Vecellio D) Tiziano Raphael
A) Florence B) Rome C) Venice D) Milan
A) Discobolus B) Venus de Milo C) Laocoön D) Aphrodite of Knidos
A) Perugino B) Giorgione C) Donatello D) Botticelli
A) Soft blending (sfumato) B) Color blocking C) Hard edges D) Pointillism
A) Private aristocratic collector B) Public government building C) Church commission D) Guild hall
A) Biblical subject matter B) Focus on linear drawing C) Use of geometric perspective D) Emphasis on color and light
A) Assumption of the Virgin B) Bacchus and Ariadne C) Venus of Urbino D) Pietà
A) Scientific accuracy B) Political commentary C) Celebration of human beauty D) Religious devotion
A) Pastel shades B) Dark dramatic colors C) Warm golden tones D) Cool blue tones
A) Venetian Renaissance B) Mannerism C) Baroque D) Florentine Renaissance
A) Pointillism B) Gold leaf application C) Loose brushwork D) Fresco painting |