A) To outline the plot of a novel. B) To be a finished literary work in itself. C) To provide a blueprint for filming a movie. D) To be a character study.
A) Scene Heading B) Dialogue Tag C) Character Cue D) Action Line
A) INT. COFFEE SHOP - DAY B) INT/EXT. Coffee Shop - Day C) Int. Coffee Shop. Day. D) Coffee Shop. Inside. Day.
A) Video Only B) Visual Overlay C) Verbal Observation D) Voice Over
A) The climax of the film. B) The event that sets the plot in motion. C) The resolution of the conflict. D) A minor plot point.
A) A brief summary of the story. B) A camera angle instruction. C) A list of characters. D) A detailed script analysis.
A) A type of scene transition. B) A musical cue. C) A unit of dialogue length. D) A pause or moment of silence.
A) The final scene of the film. B) A complex action sequence. C) Background information about the story. D) A character's emotional breakdown.
A) Making characters static. B) Creating a peaceful atmosphere. C) Driving the plot forward. D) Boring the audience.
A) A series of short scenes depicting a process or passage of time. B) A single, extended action sequence. C) A flashback to a character's past. D) A dream sequence.
A) Courier 12pt B) Helvetica 14pt C) Times New Roman 12pt D) Arial 11pt
A) To make characters believable and relatable. B) To have flat and uninteresting characters. C) To make characters predictable. D) To confuse the audience.
A) The color scheme of the film. B) A character's catchphrase. C) A specific type of music used in the film. D) The underlying message or idea of the story.
A) To avoid writing any dialogue. B) To structure the story and plan the scenes. C) To ensure the script is exactly like another film. D) To eliminate all creativity.
A) Original Sound B) Out of Sight C) Off Screen D) On Stage
A) Camera angles (unless crucial) B) Character actions C) Dialogue D) Scene descriptions
A) A short promotional clip for the film. B) A revised draft of the screenplay. C) A legal document granting rights to the screenplay. D) A detailed summary of the screenplay.
A) The location of the film set. B) The director's personal style. C) The speed at which the story unfolds. D) The rhythm of the dialogue.
A) A phone call from the director. B) When an actor forgets their lines. C) A type of camera shot. D) Referring back to an earlier event or line.
A) To introduce new characters. B) To complicate the plot further. C) To leave the audience confused. D) To resolve the central conflict.
A) A scene that is cut from the final film. B) An object or goal that drives the plot but is ultimately unimportant. C) A type of special effect. D) The main character's name.
A) A conflict between two studios. B) A disagreement over payment. C) A physical fight between characters. D) A struggle within a character's mind.
A) The main character. B) A minor character. C) The director of photography. D) The villain.
A) Executive Creative Unit B) End Credits Up C) Exterior Cutaway Unit D) Extreme Close Up
A) The length of the screenplay. B) The perspective from which the story is told. C) The setting of the story. D) The moral of the story.
A) A type of special effect involving smoke. B) A misleading clue or distraction. C) A minor character who has a red wig. D) A flashback sequence.
A) To make the script worse. B) To make the script longer. C) To improve the script. D) To simply retype the script.
A) The character who opposes the protagonist. B) The protagonist's best friend. C) The writer of the screenplay. D) A neutral character.
A) A type of camera lens. B) The arrangement of elements within a scene. C) A method of improvising dialogue. D) A screenplay formatting software.
A) Composing visually appealing shots. B) Outlining a screenplay. C) Casting actors. D) Writing dialogue. |