A) To be a character study. B) To be a finished literary work in itself. C) To provide a blueprint for filming a movie. D) To outline the plot of a novel.
A) Dialogue Tag B) Character Cue C) Action Line D) Scene Heading
A) INT/EXT. Coffee Shop - Day B) Coffee Shop. Inside. Day. C) INT. COFFEE SHOP - DAY D) Int. Coffee Shop. Day.
A) Video Only B) Visual Overlay C) Verbal Observation D) Voice Over
A) The event that sets the plot in motion. B) The resolution of the conflict. C) A minor plot point. D) The climax of the film.
A) A detailed script analysis. B) A brief summary of the story. C) A list of characters. D) A camera angle instruction.
A) A unit of dialogue length. B) A pause or moment of silence. C) A type of scene transition. D) A musical cue.
A) Background information about the story. B) The final scene of the film. C) A character's emotional breakdown. D) A complex action sequence.
A) Boring the audience. B) Driving the plot forward. C) Making characters static. D) Creating a peaceful atmosphere.
A) A single, extended action sequence. B) A flashback to a character's past. C) A series of short scenes depicting a process or passage of time. D) A dream sequence.
A) Courier 12pt B) Times New Roman 12pt C) Arial 11pt D) Helvetica 14pt
A) To have flat and uninteresting characters. B) To confuse the audience. C) To make characters believable and relatable. D) To make characters predictable.
A) A character's catchphrase. B) A specific type of music used in the film. C) The color scheme of the film. D) The underlying message or idea of the story.
A) To structure the story and plan the scenes. B) To avoid writing any dialogue. C) To eliminate all creativity. D) To ensure the script is exactly like another film.
A) On Stage B) Original Sound C) Out of Sight D) Off Screen
A) Character actions B) Camera angles (unless crucial) C) Dialogue D) Scene descriptions
A) A legal document granting rights to the screenplay. B) A detailed summary of the screenplay. C) A short promotional clip for the film. D) A revised draft of the screenplay.
A) The speed at which the story unfolds. B) The director's personal style. C) The location of the film set. D) The rhythm of the dialogue.
A) When an actor forgets their lines. B) Referring back to an earlier event or line. C) A type of camera shot. D) A phone call from the director.
A) To complicate the plot further. B) To introduce new characters. C) To leave the audience confused. D) To resolve the central conflict.
A) A scene that is cut from the final film. B) An object or goal that drives the plot but is ultimately unimportant. C) The main character's name. D) A type of special effect.
A) A struggle within a character's mind. B) A physical fight between characters. C) A disagreement over payment. D) A conflict between two studios.
A) The director of photography. B) The villain. C) The main character. D) A minor character.
A) Executive Creative Unit B) Exterior Cutaway Unit C) Extreme Close Up D) End Credits Up
A) The perspective from which the story is told. B) The length of the screenplay. C) The setting of the story. D) The moral of the story.
A) A flashback sequence. B) A type of special effect involving smoke. C) A misleading clue or distraction. D) A minor character who has a red wig.
A) To improve the script. B) To make the script worse. C) To make the script longer. D) To simply retype the script.
A) The character who opposes the protagonist. B) A neutral character. C) The protagonist's best friend. D) The writer of the screenplay.
A) The arrangement of elements within a scene. B) A method of improvising dialogue. C) A screenplay formatting software. D) A type of camera lens.
A) Composing visually appealing shots. B) Outlining a screenplay. C) Casting actors. D) Writing dialogue. |