A) To be a character study. B) To provide a blueprint for filming a movie. C) To be a finished literary work in itself. D) To outline the plot of a novel.
A) Action Line B) Dialogue Tag C) Scene Heading D) Character Cue
A) Int. Coffee Shop. Day. B) Coffee Shop. Inside. Day. C) INT. COFFEE SHOP - DAY D) INT/EXT. Coffee Shop - Day
A) Visual Overlay B) Voice Over C) Video Only D) Verbal Observation
A) The resolution of the conflict. B) The event that sets the plot in motion. C) A minor plot point. D) The climax of the film.
A) A list of characters. B) A brief summary of the story. C) A detailed script analysis. D) A camera angle instruction.
A) A musical cue. B) A unit of dialogue length. C) A pause or moment of silence. D) A type of scene transition.
A) The final scene of the film. B) Background information about the story. C) A character's emotional breakdown. D) A complex action sequence.
A) Making characters static. B) Boring the audience. C) Creating a peaceful atmosphere. D) Driving the plot forward.
A) A single, extended action sequence. B) A flashback to a character's past. C) A series of short scenes depicting a process or passage of time. D) A dream sequence.
A) Times New Roman 12pt B) Helvetica 14pt C) Courier 12pt D) Arial 11pt
A) To make characters believable and relatable. B) To have flat and uninteresting characters. C) To confuse the audience. D) To make characters predictable.
A) The color scheme of the film. B) The underlying message or idea of the story. C) A specific type of music used in the film. D) A character's catchphrase.
A) To ensure the script is exactly like another film. B) To avoid writing any dialogue. C) To eliminate all creativity. D) To structure the story and plan the scenes.
A) On Stage B) Off Screen C) Out of Sight D) Original Sound
A) Scene descriptions B) Camera angles (unless crucial) C) Dialogue D) Character actions
A) A legal document granting rights to the screenplay. B) A revised draft of the screenplay. C) A short promotional clip for the film. D) A detailed summary of the screenplay.
A) The rhythm of the dialogue. B) The location of the film set. C) The speed at which the story unfolds. D) The director's personal style.
A) A type of camera shot. B) A phone call from the director. C) When an actor forgets their lines. D) Referring back to an earlier event or line.
A) To introduce new characters. B) To resolve the central conflict. C) To leave the audience confused. D) To complicate the plot further.
A) A scene that is cut from the final film. B) An object or goal that drives the plot but is ultimately unimportant. C) A type of special effect. D) The main character's name.
A) A physical fight between characters. B) A disagreement over payment. C) A conflict between two studios. D) A struggle within a character's mind.
A) The main character. B) A minor character. C) The director of photography. D) The villain.
A) Executive Creative Unit B) End Credits Up C) Exterior Cutaway Unit D) Extreme Close Up
A) The length of the screenplay. B) The moral of the story. C) The perspective from which the story is told. D) The setting of the story.
A) A flashback sequence. B) A type of special effect involving smoke. C) A misleading clue or distraction. D) A minor character who has a red wig.
A) To make the script longer. B) To improve the script. C) To make the script worse. D) To simply retype the script.
A) The protagonist's best friend. B) The writer of the screenplay. C) A neutral character. D) The character who opposes the protagonist.
A) The arrangement of elements within a scene. B) A type of camera lens. C) A method of improvising dialogue. D) A screenplay formatting software.
A) Casting actors. B) Composing visually appealing shots. C) Writing dialogue. D) Outlining a screenplay. |