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A) Baumgarten B) Hanslick C) Kant D) Wagner
A) Jerrold Levinson B) Peter Kivy C) Roger Scruton D) Immanuel Kant
A) It lacks emotional depth. B) It cannot be combined with words. C) It is too complex for general appreciation. D) It does not engage the understanding sufficiently.
A) Instrumental music should be combined with opera. B) Instrumental music can communicate emotions and images. C) Instrumental music has a direct effect on the soul. D) Instrumental music is simply patterns of sound that do not communicate any emotions or images.
A) Eduard Hanslick B) Richard Wagner C) Peter Kivy D) Roger Scruton
A) Music should be banned from society. B) Music is only for entertainment purposes. C) Music lacks any significant impact. D) Music has a direct effect on the soul.
A) It is only important in dance. B) It can affect our emotions, intellect, and psychology. C) It should be regulated by the state. D) It lacks structural importance.
A) Music should focus on compositional structure. B) Music must be combined with words, as in song and opera. C) Music should emphasize harmony. D) Music should be purely instrumental.
A) He argued that music could stand alone without any accompaniment. B) He believed music should be regulated by the state. C) He thought music was the most beautiful art form. D) He considered dance beautiful but treated music important only as accompaniment for dancers.
A) Whether it should be combined with dance. B) Whether it lacked compositional structure. C) Whether it could communicate emotions to the listener. D) Whether it was more important than visual arts.
A) Peter Kivy B) Jerrold Levinson C) Roger Scruton D) Eduard Hanslick
A) It dismissed the importance of musical structure. B) It focused solely on the beauty of dance. C) It supported Wagner's views on music. D) It was written in response to Wagner's polemic grandstanding and overblown theorizing.
A) Music would be closely regulated by the state. B) Music should only be used for entertainment. C) Music should be free from any regulation. D) Music should focus on instrumental tone poems.
A) To disregard it entirely. B) To combine it with dance. C) To focus solely on lyricism. D) To emphasize its paramount importance.
A) The ability to accompany dance. B) Only the moral purpose of music. C) The regulation by the state. D) Lyricism, harmony, hypnotism, emotiveness, temporal dynamics, resonance, playfulness, and color.
A) E. T. A. Hoffmann B) Robert Schumann C) Richard Wagner D) Arthur Schopenhauer
A) Hanslick B) E. T. A. Hoffmann C) Kant D) Arthur Schopenhauer
A) Arthur Schopenhauer B) Robert Schumann C) Richard Wagner D) E. T. A. Hoffmann
A) Metaphysicians B) Romantics C) Formalists D) Anti-formalists
A) Theodor Adorno B) Albert Schweitzer C) Igor Stravinsky D) Ezra Pound
A) Igor Stravinsky B) Albert Schweitzer C) Ezra Pound D) Theodor Adorno
A) Autonomous character B) Authentic performances C) Musical beauty D) Emotional expressiveness
A) Theodor Adorno B) Eugene W. Holland C) Peter Kivy D) Edward W. Sarath
A) Authentic music B) 'Bad music' C) 'Good music' D) Classical music
A) The Worst Records Ever Made type B) 'Genre confusion tracks' C) 'Sound gimmick tracks' D) 'Rock critical lists'
A) Edward W. Sarath B) Bernard Gendron C) Theodor Adorno D) Craig Schuftan
A) Eugene W. Holland B) Theodore Gracyk C) Simon Frith D) Craig Schuftan
A) Inauthentic B) Timeless C) Complex D) Innovative |