Organology - Exam
A) Sociology B) Harmonics C) Ethnomusicology D) Organology
A) String B) Woodwind C) Percussion D) Brass
A) Woodwind B) Brass C) Percussion D) String
A) Percussion B) Keyboard C) Woodwind D) Brass
A) Trumpet B) Harmonica C) Flute D) Piano
A) Violin B) Trombone C) Harmonica D) Guitar
A) Trombone B) French horn C) Trumpet D) Clarinet
A) Triangle B) Banjo C) Maracas D) Tuning fork
A) It originates from Latin terms related to musical theory. B) It was coined in the 19th century by Curt Sachs. C) The term was derived from early English musicology. D) It comes from Ancient Greek words meaning 'instrument' and 'the study of'.
A) Only Greek and Roman cultures provided detailed documents. B) A number of ancient cultures left such documents. C) No ancient cultures documented their musical instruments. D) Documents were exclusively from the Middle East.
A) Martin Agricola B) Michael Praetorius C) Curt Sachs D) Sebastian Virdung
A) It focused on modern Western instruments. B) It introduced the Hornbostel-Sachs classification system. C) It was the first to classify African instruments in Europe. D) It is a major source of knowledge about Renaissance musical instruments.
A) They returned with instruments from different cultures, expanding collections. B) They focused solely on European instrument development. C) They invented new classification systems for instruments. D) They wrote extensive treatises on musical theory.
A) 1985 B) 2000 C) 1990 D) 1975
A) The simplicity and universality of classification. B) The accuracy of European classifications. C) The complexity due to socially influenced or structured ideas or belief systems. D) The irrelevance of cultural perspectives.
A) Igor Matsiyevsky B) Mykola Lysenko C) Leon Theremin D) Bob Moog
A) Harry Partch B) Erich von Hornbostel C) Victor-Charles Mahillon D) Bart Hopkin
A) Four chronological periods: early instruments, antiquity, the middle ages, and the modern occident. B) Three main types of sound production. C) Five categories based on state-of-matter. D) Two categories: traditional and modern.
A) New York B) London C) Oxford D) Melbourne
A) Adolf Chybinski B) Volodymyr Kushpet C) Filaret Kolessa D) Hnat Khotkevych
A) Harry Partch B) Erich von Hornbostel C) Ivor Darreg D) Leo Fender
A) Bob Moog B) Curt Sachs C) Victor-Charles Mahillon D) Harry Partch
A) Curt Sachs and Erich von Hornbostel B) Sebastian Virdung and Martin Agricola C) Andre Schaeffner and Curt Sachs D) Michael Praetorius and Sebastian Virdung
A) Electrophones B) Percussion C) Chordophones D) Aerophones
A) On the size and shape of instruments. B) On the cultural origin of instruments. C) On the state-of-matter of the sound-producing mechanism. D) On historical periods and regions.
A) Curt Sachs B) Ivor Darreg C) Leo Fender D) Andre Schaeffner
A) The American Musical Instrument Society B) The Gesellschaft der Freunde alter Musikinstrumente C) The Galpin Society D) None of the above
A) Curt Sachs B) Victor-Charles Mahillon C) William Waterhouse D) Anthony Baines
A) Adolf Chybinski B) Volodymyr Kushpet C) Filaret Kolessa D) Klyment Kvitka
A) Solid, liquid, gas, and electrophones. B) Early instruments, antiquity, middle ages, modern occident. C) Strings, percussion, woodwind, and brass. D) Idiophones, membranophones, chordophones, and aerophones.
A) Adolf Chybinski B) Hnat Khotkevych C) Volodymyr Kushpet D) Igor Matsiyevsky
A) Filaret Kolessa B) Mykola Lysenko C) Volodymyr Kushpet D) Klyment Kvitka
A) Harry Partch B) William Waterhouse C) Igor Matsiyevsky D) Bart Hopkin
A) Bart Hopkin B) Ivor Darreg C) Leo Fender D) Erich von Hornbostel |
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