Organology - Exam
A) Sociology B) Harmonics C) Ethnomusicology D) Organology
A) String B) Woodwind C) Brass D) Percussion
A) Brass B) String C) Percussion D) Woodwind
A) Brass B) Woodwind C) Percussion D) Keyboard
A) Harmonica B) Flute C) Piano D) Trumpet
A) Violin B) Trombone C) Guitar D) Harmonica
A) French horn B) Trumpet C) Trombone D) Clarinet
A) Maracas B) Banjo C) Triangle D) Tuning fork
A) It was coined in the 19th century by Curt Sachs. B) It comes from Ancient Greek words meaning 'instrument' and 'the study of'. C) It originates from Latin terms related to musical theory. D) The term was derived from early English musicology.
A) No ancient cultures documented their musical instruments. B) A number of ancient cultures left such documents. C) Only Greek and Roman cultures provided detailed documents. D) Documents were exclusively from the Middle East.
A) Curt Sachs B) Michael Praetorius C) Sebastian Virdung D) Martin Agricola
A) It is a major source of knowledge about Renaissance musical instruments. B) It was the first to classify African instruments in Europe. C) It introduced the Hornbostel-Sachs classification system. D) It focused on modern Western instruments.
A) They focused solely on European instrument development. B) They invented new classification systems for instruments. C) They returned with instruments from different cultures, expanding collections. D) They wrote extensive treatises on musical theory.
A) 2000 B) 1990 C) 1975 D) 1985
A) The accuracy of European classifications. B) The irrelevance of cultural perspectives. C) The simplicity and universality of classification. D) The complexity due to socially influenced or structured ideas or belief systems.
A) Igor Matsiyevsky B) Mykola Lysenko C) Leon Theremin D) Bob Moog
A) Bart Hopkin B) Victor-Charles Mahillon C) Erich von Hornbostel D) Harry Partch
A) Two categories: traditional and modern. B) Four chronological periods: early instruments, antiquity, the middle ages, and the modern occident. C) Five categories based on state-of-matter. D) Three main types of sound production.
A) Melbourne B) New York C) Oxford D) London
A) Adolf Chybinski B) Hnat Khotkevych C) Filaret Kolessa D) Volodymyr Kushpet
A) Erich von Hornbostel B) Ivor Darreg C) Leo Fender D) Harry Partch
A) Victor-Charles Mahillon B) Harry Partch C) Bob Moog D) Curt Sachs
A) Curt Sachs and Erich von Hornbostel B) Sebastian Virdung and Martin Agricola C) Andre Schaeffner and Curt Sachs D) Michael Praetorius and Sebastian Virdung
A) Aerophones B) Electrophones C) Chordophones D) Percussion
A) On historical periods and regions. B) On the size and shape of instruments. C) On the cultural origin of instruments. D) On the state-of-matter of the sound-producing mechanism.
A) Ivor Darreg B) Andre Schaeffner C) Curt Sachs D) Leo Fender
A) The Gesellschaft der Freunde alter Musikinstrumente B) The Galpin Society C) The American Musical Instrument Society D) None of the above
A) Victor-Charles Mahillon B) William Waterhouse C) Curt Sachs D) Anthony Baines
A) Filaret Kolessa B) Adolf Chybinski C) Volodymyr Kushpet D) Klyment Kvitka
A) Early instruments, antiquity, middle ages, modern occident. B) Strings, percussion, woodwind, and brass. C) Idiophones, membranophones, chordophones, and aerophones. D) Solid, liquid, gas, and electrophones.
A) Volodymyr Kushpet B) Hnat Khotkevych C) Igor Matsiyevsky D) Adolf Chybinski
A) Mykola Lysenko B) Volodymyr Kushpet C) Klyment Kvitka D) Filaret Kolessa
A) Bart Hopkin B) Harry Partch C) Igor Matsiyevsky D) William Waterhouse
A) Bart Hopkin B) Ivor Darreg C) Leo Fender D) Erich von Hornbostel |
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