Organology - Quiz
A) Ethnomusicology B) Sociology C) Organology D) Harmonics
A) Woodwind B) Percussion C) Brass D) String
A) Percussion B) Woodwind C) Brass D) String
A) Keyboard B) Woodwind C) Percussion D) Brass
A) Harmonica B) Flute C) Trumpet D) Piano
A) Violin B) Trombone C) Guitar D) Harmonica
A) French horn B) Trumpet C) Trombone D) Clarinet
A) Maracas B) Banjo C) Tuning fork D) Triangle
A) It comes from Ancient Greek words meaning 'instrument' and 'the study of'. B) It originates from Latin terms related to musical theory. C) The term was derived from early English musicology. D) It was coined in the 19th century by Curt Sachs.
A) A number of ancient cultures left such documents. B) Only Greek and Roman cultures provided detailed documents. C) Documents were exclusively from the Middle East. D) No ancient cultures documented their musical instruments.
A) Curt Sachs B) Martin Agricola C) Sebastian Virdung D) Michael Praetorius
A) It focused on modern Western instruments. B) It was the first to classify African instruments in Europe. C) It introduced the Hornbostel-Sachs classification system. D) It is a major source of knowledge about Renaissance musical instruments.
A) They invented new classification systems for instruments. B) They returned with instruments from different cultures, expanding collections. C) They focused solely on European instrument development. D) They wrote extensive treatises on musical theory.
A) 1990 B) 1985 C) 1975 D) 2000
A) The irrelevance of cultural perspectives. B) The simplicity and universality of classification. C) The complexity due to socially influenced or structured ideas or belief systems. D) The accuracy of European classifications.
A) Leon Theremin B) Bob Moog C) Mykola Lysenko D) Igor Matsiyevsky
A) Erich von Hornbostel B) Victor-Charles Mahillon C) Bart Hopkin D) Harry Partch
A) Four chronological periods: early instruments, antiquity, the middle ages, and the modern occident. B) Five categories based on state-of-matter. C) Three main types of sound production. D) Two categories: traditional and modern.
A) Oxford B) London C) New York D) Melbourne
A) Volodymyr Kushpet B) Adolf Chybinski C) Filaret Kolessa D) Hnat Khotkevych
A) Ivor Darreg B) Harry Partch C) Erich von Hornbostel D) Leo Fender
A) Victor-Charles Mahillon B) Harry Partch C) Curt Sachs D) Bob Moog
A) Andre Schaeffner and Curt Sachs B) Michael Praetorius and Sebastian Virdung C) Curt Sachs and Erich von Hornbostel D) Sebastian Virdung and Martin Agricola
A) Electrophones B) Chordophones C) Percussion D) Aerophones
A) On the state-of-matter of the sound-producing mechanism. B) On the cultural origin of instruments. C) On the size and shape of instruments. D) On historical periods and regions.
A) Ivor Darreg B) Leo Fender C) Curt Sachs D) Andre Schaeffner
A) None of the above B) The Gesellschaft der Freunde alter Musikinstrumente C) The Galpin Society D) The American Musical Instrument Society
A) William Waterhouse B) Victor-Charles Mahillon C) Anthony Baines D) Curt Sachs
A) Filaret Kolessa B) Volodymyr Kushpet C) Klyment Kvitka D) Adolf Chybinski
A) Strings, percussion, woodwind, and brass. B) Early instruments, antiquity, middle ages, modern occident. C) Solid, liquid, gas, and electrophones. D) Idiophones, membranophones, chordophones, and aerophones.
A) Adolf Chybinski B) Hnat Khotkevych C) Volodymyr Kushpet D) Igor Matsiyevsky
A) Klyment Kvitka B) Volodymyr Kushpet C) Filaret Kolessa D) Mykola Lysenko
A) Harry Partch B) Bart Hopkin C) Igor Matsiyevsky D) William Waterhouse
A) Leo Fender B) Erich von Hornbostel C) Ivor Darreg D) Bart Hopkin |
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