Organology - Exam
A) Sociology B) Ethnomusicology C) Harmonics D) Organology
A) Woodwind B) Brass C) Percussion D) String
A) Brass B) Percussion C) Woodwind D) String
A) Percussion B) Keyboard C) Woodwind D) Brass
A) Trumpet B) Harmonica C) Piano D) Flute
A) Guitar B) Violin C) Harmonica D) Trombone
A) Trombone B) Trumpet C) French horn D) Clarinet
A) Triangle B) Banjo C) Maracas D) Tuning fork
A) It comes from Ancient Greek words meaning 'instrument' and 'the study of'. B) It was coined in the 19th century by Curt Sachs. C) The term was derived from early English musicology. D) It originates from Latin terms related to musical theory.
A) No ancient cultures documented their musical instruments. B) A number of ancient cultures left such documents. C) Only Greek and Roman cultures provided detailed documents. D) Documents were exclusively from the Middle East.
A) Sebastian Virdung B) Michael Praetorius C) Martin Agricola D) Curt Sachs
A) It introduced the Hornbostel-Sachs classification system. B) It was the first to classify African instruments in Europe. C) It is a major source of knowledge about Renaissance musical instruments. D) It focused on modern Western instruments.
A) They focused solely on European instrument development. B) They invented new classification systems for instruments. C) They returned with instruments from different cultures, expanding collections. D) They wrote extensive treatises on musical theory.
A) 1990 B) 1975 C) 1985 D) 2000
A) The simplicity and universality of classification. B) The complexity due to socially influenced or structured ideas or belief systems. C) The irrelevance of cultural perspectives. D) The accuracy of European classifications.
A) Igor Matsiyevsky B) Mykola Lysenko C) Leon Theremin D) Bob Moog
A) Erich von Hornbostel B) Victor-Charles Mahillon C) Harry Partch D) Bart Hopkin
A) Three main types of sound production. B) Two categories: traditional and modern. C) Five categories based on state-of-matter. D) Four chronological periods: early instruments, antiquity, the middle ages, and the modern occident.
A) London B) New York C) Oxford D) Melbourne
A) Filaret Kolessa B) Volodymyr Kushpet C) Adolf Chybinski D) Hnat Khotkevych
A) Ivor Darreg B) Erich von Hornbostel C) Harry Partch D) Leo Fender
A) Bob Moog B) Harry Partch C) Victor-Charles Mahillon D) Curt Sachs
A) Sebastian Virdung and Martin Agricola B) Michael Praetorius and Sebastian Virdung C) Curt Sachs and Erich von Hornbostel D) Andre Schaeffner and Curt Sachs
A) Percussion B) Aerophones C) Chordophones D) Electrophones
A) On the size and shape of instruments. B) On historical periods and regions. C) On the state-of-matter of the sound-producing mechanism. D) On the cultural origin of instruments.
A) Curt Sachs B) Ivor Darreg C) Leo Fender D) Andre Schaeffner
A) The Gesellschaft der Freunde alter Musikinstrumente B) None of the above C) The American Musical Instrument Society D) The Galpin Society
A) Curt Sachs B) Victor-Charles Mahillon C) Anthony Baines D) William Waterhouse
A) Adolf Chybinski B) Filaret Kolessa C) Volodymyr Kushpet D) Klyment Kvitka
A) Solid, liquid, gas, and electrophones. B) Strings, percussion, woodwind, and brass. C) Early instruments, antiquity, middle ages, modern occident. D) Idiophones, membranophones, chordophones, and aerophones.
A) Hnat Khotkevych B) Igor Matsiyevsky C) Volodymyr Kushpet D) Adolf Chybinski
A) Volodymyr Kushpet B) Klyment Kvitka C) Filaret Kolessa D) Mykola Lysenko
A) Igor Matsiyevsky B) Bart Hopkin C) Harry Partch D) William Waterhouse
A) Bart Hopkin B) Erich von Hornbostel C) Leo Fender D) Ivor Darreg |
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