Die Forelle - Quiz
A) 1820 B) 1819 C) 1817 D) 1818
A) Six B) Four C) Seven D) Five
A) A lack of focus on the original score B) A natural command of the language of music C) A desire to improve the composition D) An interest in changing the melody
A) Instrumentation and vocal range B) Rhythm and lyrics C) Harmony and key signature D) Tempo indication and the prelude-postlude
A) Nicht zu geschwind B) Allegro C) Mässig D) Andante
A) Stadler, Ebner and Schindler collection in Lund B) Library of Congress C) The Schubert Institute D) Vienna National Archives
A) Josef Hüttenbrenner B) Sylvester Baumgartner C) Anselm Hüttenbrenner D) Franz Sales Kandler
A) Moderato B) Mässig C) Presto D) Nicht zu geschwind
A) Coffee B) Austrian beer C) Hungarian wine D) Schnapps
A) It was a stylistic choice B) He was sleepy and clumsy C) He was angry at Josef D) He wanted to destroy the work
A) It was lost B) It is in the Library of Congress C) It is in the Stadler collection D) It was destroyed by the Hüttenbrenners
A) 1819 B) 1820 C) 1818 D) 1821
A) The Hüttenbrenner family archive B) Gertrude Clarke Whittall Foundation Collection C) The Lund collection D) The Vienna State Library
A) Franz Sales Kandler B) Sylvester Baumgartner C) Franz Liszt D) Anselm Hüttenbrenner
A) Third movement B) First movement C) Second movement D) Fourth movement
A) Four B) Two C) One D) Three
A) Its meteoric rise on the charts B) Its lack of contemporary appeal C) Its complex musical structure D) Its failure in Vienna
A) Ending tune of Samsung washing machines B) A popular ringtone C) An alarm clock tone D) Background music in films
A) The brevity of the piece B) The complexity of the piano part C) The famous composers who transcribed it D) Vivid imagery and exuberance of melody
A) 1820 B) 1816 C) 1815 D) 1817
A) D 550 B) D 229 C) D 454 D) D 518
A) Ludwig Gotthard Kosegarten B) Johann Leopold Ebner C) John Reed D) Schubart
A) Kosegarten B) Schubart C) Schubert D) Beethoven
A) D 550 B) D 518 C) D 229 D) D 454
A) An die Musik B) An den Tod C) Die Erscheinung D) Grablied auf einen Soldaten
A) Coriolan Overture B) An mein Klavier C) Die Erscheinung D) Der Tod und das Mädchen
A) Schubart B) Schubert C) Kosegarten D) Beethoven
A) Early 1817 B) 9 December 1817 C) July 1815 D) 9 December 1820
A) A manuscript copy B) Monetary payment C) Free publicity D) Critical acclaim
A) The Fisherman B) The River C) The Trout D) The Warning
A) Die Forelle Journal B) Schubert's Almanach C) The Musical Times D) Schwäbischer Musenalmanach
A) D major B) C major C) D-flat major D) A minor
A) Through-composed form B) Binary form C) Varied strophic form D) Sonata form
A) Hohenasperg fortress B) A monastery C) A private residence D) Vienna
A) Five B) Three C) Two D) Four
A) Young men with rods B) Marrying fishermen C) Fishing in forbidden waters D) Losing their innocence
A) Franz Schubert B) John Reed C) Thomas Kramer D) Marjorie Wing Hirsch
A) Andante con moto B) Allegro moderato C) Vivace D) Etwas lebhaft
A) The first verse B) The final verse C) The third verse D) The second verse
A) Gesamtkunstwerk B) Streichquartett C) Durchführung D) Abgesang
A) By rewriting the lyrics B) By adding a piano coda C) By changing the melody D) By removing the stanza
A) Deep melancholy B) Military precision C) Religious fervor D) Folklike naïveté
A) They are broken by startled rests B) They double in length C) They fade into a pianissimo D) They transition into a solo cadenza |
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