A) 1892 B) 1878 C) 1889 D) 1885
A) Saint-Paul-de-Mausole asylum B) His parents' home in Nuenen C) The Yellow House in Arles D) With his brother Theo in Paris
A) Winter B) Summer C) Spring D) Autumn
A) Willow trees B) Palm trees C) Cypress trees D) Oak trees
A) Through repetition of shapes B) Through diagonal composition C) Through swirling, energetic brushstrokes D) Through blurred figures
A) He was traveling extensively B) He was voluntarily in an asylum C) He was completely healthy D) He was teaching art students
A) Close-up view B) Elevated, looking across the landscape C) Ground-level view D) Bird's eye view
A) The Starry Night B) Sunflowers C) The Potato Eaters D) The Night Café
A) Wheat fields B) Olive groves C) Lavender fields D) Vineyards
A) Through intense, expressive color and brushwork B) Through precise, controlled technique C) Through dark, somber tones D) Through humorous elements
A) Through textural variation B) Through linear perspective only C) Through overlapping planes and atmospheric perspective D) Through color blocking
A) A hospital for war veterans B) A monastery and asylum C) A university D) A royal palace
A) Larger scale figures B) Brighter, more varied colors C) More expressive and emotional brushwork D) More realistic and detailed
A) Rainstorm approaching B) Solar eclipse C) Wind and atmospheric movement D) Northern lights
A) As a vibrant, almost tangible element B) As artificial lighting C) As harsh, direct sunlight D) As subtle, diffused illumination
A) Sfumato (soft blending) B) Impasto (thick paint application) C) Pointillism (dots of color) D) Glazing (thin transparent layers)
A) Burgundy B) Normandy C) Provence D) Brittany
A) Baroque B) Cubism C) Renaissance D) Post-Impressionism
A) Watercolor on paper B) Tempera on wood C) Charcoal on canvas D) Oil on canvas |