A) 1889 B) 1878 C) 1885 D) 1892
A) Saint-Paul-de-Mausole asylum B) His parents' home in Nuenen C) The Yellow House in Arles D) With his brother Theo in Paris
A) Spring B) Winter C) Autumn D) Summer
A) Willow trees B) Cypress trees C) Oak trees D) Palm trees
A) Through blurred figures B) Through diagonal composition C) Through repetition of shapes D) Through swirling, energetic brushstrokes
A) He was teaching art students B) He was completely healthy C) He was voluntarily in an asylum D) He was traveling extensively
A) Ground-level view B) Close-up view C) Bird's eye view D) Elevated, looking across the landscape
A) Sunflowers B) The Potato Eaters C) The Starry Night D) The Night Café
A) Wheat fields B) Olive groves C) Lavender fields D) Vineyards
A) Through dark, somber tones B) Through humorous elements C) Through precise, controlled technique D) Through intense, expressive color and brushwork
A) Through color blocking B) Through overlapping planes and atmospheric perspective C) Through textural variation D) Through linear perspective only
A) A university B) A monastery and asylum C) A hospital for war veterans D) A royal palace
A) Brighter, more varied colors B) Larger scale figures C) More expressive and emotional brushwork D) More realistic and detailed
A) Northern lights B) Solar eclipse C) Wind and atmospheric movement D) Rainstorm approaching
A) As artificial lighting B) As subtle, diffused illumination C) As a vibrant, almost tangible element D) As harsh, direct sunlight
A) Glazing (thin transparent layers) B) Pointillism (dots of color) C) Impasto (thick paint application) D) Sfumato (soft blending)
A) Provence B) Burgundy C) Normandy D) Brittany
A) Cubism B) Post-Impressionism C) Baroque D) Renaissance
A) Tempera on wood B) Watercolor on paper C) Charcoal on canvas D) Oil on canvas |