- 1. Broad field including fine arts (painting, sculpture, architecture), performing arts (music, dance, drama, opera), and literary arts (prose, poetry).
A) Humanities
B) Arts
C) Ars
- 2. Human ingenuity in adapting natural things to man's use.
A) Human
B) Ars
C) Art
- 3. From Latin ars = skill. Synonymous with skill, cunning, artifice, craft.
A) Humanities
B) Humanus
C) Art
A) Skill
B) Power
C) Radiation
- 6. ingenuity and subtlety
A) Artificial
B) Cunning
C) Art
- 7. mechanical imitation of nature
A) Artifice
B) Art
C) Humanus
- 8. expertness in workmanship or trickery
A) Craft
B) Cunning
C) Artifice
- 9. Express love, inspire works, passion for art (e.g., Browning poems, Van Gogh's Starry Night, Gary Valenciano concerts).
A) Economic
B) Political
C) Personal/Individual
- 10. Art as livelihood (Rowling, Elvis, Michael Jackson, Da Vinci paintings
A) Social
B) Political
C) Economic
- 11. Records figures/events (pyramids, Taj Mahal, Rizal monuments, EDSA shrine).
A) Economic
B) Historical
C) Political
- 12. Embodies material (buildings, clothes) and non-material culture (music, dance, literature
A) Political
B) Aesthetic
C) Cultural
- 13. Practical purposes (protection, exercise, therapy, catharsis).
A) Religious
B) Physical
C) Aesthetic
- 14. Beautification and decoration (paintings, sculptures, set designs, costumes).
A) Political
B) Aesthetic
C) Social
- 15. All parts of a work belong together, forming a coherent whole
A) Rhythm
B) Emphasis
C) Harmony
- 16. Stability through even distribution of weight
A) Emphasis
B) Balance (Equilibrium)
C) Proportion
- 17. Repetition of motifs/patterns to create motion.
A) Proportion (Comparative Relationship)
B) Rhythm (Movement & Flow
C) Emphasis (Importance)
- 18. repetition from/toward center
A) Radiation
B) Alternation
C) Parallelism
- 19. motifs vary in size (small large)
A) Alternation
B) Progression
C) Radiation
- 20. equal spacing of patterns
A) Alternation
B) Parallelism
C) Radiation
- 21. Examples: Polyclitus' canon (human body = 8 head parts); Da Vinci's Vitruvian Man.
A) Proportion
B) Rhythm
C) Emphasis
- 22. Highlighting one or more parts using size, color, shape, position, or uniqueness.
A) Harmony
B) Emphasis
C) Rhythm
- 23. painting, printing, drawing, sketching, photography.
A) Visual arts
B) Graphic arts
C) Plastic arts
- 24. sculpture, architecture, landscape design, costume/set design, crafts
A) Plastic arts
B) Graphic arts
C) Visual arts
- 25. short stories, novels, essays, plays (paragraph form)
A) Poetry
B) Prose
- 26. narrative, lyric, dramatic poems (stanza form).
A) Poetry
B) Prose
- 27. foundation of all visual art.
A) Color
B) Visual
C) Line
- 28. most noticeable element, dependent on light
A) Line
B) Color
C) Visual
- 29. tactile quality (smooth, rough, glossy, dull).
A) Color
B) Texture
C) Shape
- 30. external appearance (circles, polygons, natural, non-objective).
Example: Christmas lantern composed of multiple shapes
A) Shape
B) Texture
C) Color
- 31. area occupied by artwork (painting = flat surface; sculpture = 3D space).
A) Space
B) Line
C) Volume
- 32. solidity/thickness; perceived via contour lines, light, shadows
A) Color
B) Line
C) Volume
- 33. point of view, spatial relationships
A) Perspective
B) Line
C) Texture
- 34. Subjects as they appear in real life.
Exa Example: Amorsolo's Countryside Scene.
A) Fauvism
B) Abstractionism
C) Realism (Naturalism)
- 35. Departure from reality
A) Abstractionism
B) Dadaism
C) Expressionism
- 36. Dreamlike, fantasy-based
A) Dadaism
B) Surrealism
C) Futurism
- 37. Subject represents something else.
Example: Luna's Spoliarium, Tolentino's Oblation.
A) Expressionism
B) Fauvism
C) Symbolism
- 38. Optimistic realism; bright colors for joy and comfort.
A) Abstractionism
B) Realism
C) Fauvism
- 39. Shocking realism; exposes societal evils
A) Expressionism
B) Fauvism
C) Dadaism
- 40. Emotional realism; chaos, fear, tragedy.
Example: Dumol's Ang Paglilitis ni Mang Serapio.
A) Expressionism
B) Futurism
C) Fauvism
- 41. Dynamic movement, speed, technology
A) Futurism
B) Abstractionism
C) Surrealism
- 42. Realism based on artist's impression; light effects, broken
color
A) Surrealism
B) Dadaism
C) Impressionism
- 43. dry pigments in crayon form; applied directly
A) Acrylic
B) Tempera
C) Pastel
- 44. earliest subjects; still popular
A) Cityscape
B) Animals & Plants
C) Portraiture
- 45. various shapes/sizes for strokes and textures
A) Brushes
B) Palette
C) Easel
- 46. flat surface for mixing colors
A) Palette knife
B) Palette
C) Easel
- 47. mixing and applying thick pigment layers (impasto).
A) Easel
B) Palette knife
C) Brushes
- 48. supportive frame holding canvas upright.
A) Palette
B) Palette knife
C) Easel
- 49. Cave paintings (Chauvet, Altamira).
Subjects: animals (horses, lions, mammoths, antelopes).
A) Prehistoric Period
B) Medieval Period
C) Greek Period
- 50. Paintings on pottery and wooden panels.
Famous painters: Zeuxis, Parrhasius, Apelles.
A) Medieval Period
B) Prehistoric Period
C) Greek Period
- 51. Influenced by Greek art.
Surviving works: wall paintings in Campania villas
A) Renaissance
B) Baroque
C) Roman Period
- 52. Rise of Christianity Byzantine icons.
Hieratic style, symbolic, abstracted forms.
A) Prehistoric Period
B) Medieval Period
C) Baroque
- 53. Golden age of painting.
Masters: Leonardo da Vinci, Michelangelo Buonarroti, Raphael Sanzio, Titian.
A) Roman Period
B) Renaissance
C) Baroque
- 54. Dramatic light/shade, emotion, violent composition.
Artists: Caravaggio, Rembrandt, Rubens, Velázquez.
A) Baroque
B) Renaissance
C) Medieval
- 55. Revival of Greek/Roman art traditions.
A) Classical
B) Prehistoric
C) Medieval
- 56. Lighter, playful, erotic themes.
A) Rococo
B) Prehistoric
C) Medieval
- 57. Focus on nature, landscapes, human figure.
Artists: Jacques-Louis David, Jean-Auguste-Dominique Ingres
A) Renaissance
B) Medieval
C) Romantic
- 58. Rejection of Impressionism
A) Realist & Naturalist (late 1800s)
B) Rococo
C) Romantic
- 59. Captured light effects, small strokes of color.
A) Rococo
B) Modern
C) Impressionist
- 60. Avant-garde movements.
Cubism: Pablo Picasso (Guernica)
A) Modern
B) Medieval
C) Rococo
- 61. Christian Virgins Exposed to the Populace.
A) Felix Resurreccion Hidalgo
B) François Boucher
C) Tam Austria
- 62. Countryside Scene, Harvesting Rice.
A) Vincent Van Gogh
B) Fernando Amorsolo
C) Jean-Honoré Fragonard
A) Vicente Manansala
B) Titian
C) Caravaggio
A) Pablo Picasso
B) Tam Austria
C) Camille Pissarro
A) Michelangelo Buonarroti
B) Diego Velázquez
C) Raphael Sanzio
- 66. Renaissance painter and sculptor (Pieta).
A) Rembrandt van Rijn
B) Jean-Auguste-Dominique Ingres
C) Michelangelo Buonarroti
A) Titian
B) Peter Paul Rubens
C) Vincent van Gogh
A) Caravaggio
B) Victorio Edades
C) Vincente Manansala
A) Edwin Markham
B) Rembrandt van, Rijn Peter Paul Rubens, Diego Velázquez
C) Pablo Picasso
- 70. Rococo painter (Toilette of Venus).
A) Camille Pissarro
B) François Boucher
C) Pablo Picasso
- 71. Neoclassical/Romantic painter
A) Jacques-Louis David
B) Raphael Sanzio
C) Titian
A) Caravaggio
B) Vicente Manansala
C) Jean-Auguste-Dominique Ingres
- 73. Expressionist painter
A) Raphael Sanzio
B) Juan Luna
C) Vincent van Gogh
- 74. Impressionist painter
A) Raphael Sanzio
B) Camille Pissarro
C) Tam Austria
- 75. Modern Cubism (Guernica).
A) Pablo Picasso
B) Titian
C) Caravaggio
- 76. art of carving or forming three-dimensional works.
A) Arts
B) Humanities
C) Sculpture
A) Assembling
B) Carving
C) Casting
A) Modeling
B) Casting
C) Carving
A) Modeling
B) Carving
C) Casting
- 80. collage → assemblage coined by Jean DuBuffet)
A) Assembling
B) Construction
C) Casting
- 81. Attached to a surface
A) Round Sculpture
B) Static
C) Relief Sculpture
- 82. materials added to build figure.
A) Substractive Sculpture
B) Additive Sculpture
- 83. excess material removed to reveal form.
A) Additive Sculpture
B) Substractive Sculpture
- 84. historical/biblical/geological (e.g., MacArthur's landing, Cry of Pugad
Lawin, Ayala Museum dioramas
A) Events
B) Religious Item
C) Other
- 85. martyrs, saints, sacred figures (e.g., Ifugao bulol, Michelangelo's Pieta, Malate Church Pieta
A) Religious Item
B) Others
C) Event
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