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How to make petroglyphs and rock paintings
Contributed by: Bryan
  • 1. What is the primary difference between petroglyphs and rock paintings?
A) There is no difference; they are the same.
B) Petroglyphs are only found indoors.
C) Rock paintings use more modern tools.
D) Petroglyphs are carved, while paintings are applied.
  • 2. What type of rock is best suited for creating petroglyphs?
A) Soft, sedimentary rock.
B) Igneous rock with lots of crystals.
C) Any smooth rock will work.
D) Rock with a dark outer layer and a lighter inner layer.
  • 3. Which tool is traditionally used to create petroglyphs?
A) Metal chisels and hammers.
B) Hammerstone and chisel-like stone.
C) Acid etching tools.
D) Sandpaper and files.
  • 4. What is the process of removing the outer layer of rock called when making petroglyphs?
A) Metamorphosis.
B) Sedimentation.
C) Pecking or abrading.
D) Polishing.
  • 5. What is the most common pigment used in rock paintings?
A) Synthetic dyes.
B) Modern acrylic paint.
C) Iron oxides (ochre).
D) Plant sap.
  • 6. Which binder is traditionally used to mix pigments for rock paintings?
A) Super glue.
B) Water-based glue.
C) Petroleum-based solvents.
D) Animal fat or plant resins.
  • 7. What is the purpose of a binder in rock painting?
A) To change the color of the pigment.
B) To adhere the pigment to the rock surface.
C) To make the pigment easier to find.
D) To dissolve the rock.
  • 8. What type of brush was commonly used for rock painting?
A) Nylon brushes.
B) Sponge applicators.
C) Fibers from plants or animal hair.
D) Spray cans.
  • 9. What is the best way to prepare a rock surface for painting?
A) Apply a layer of primer.
B) Soak the rock in water.
C) Sandblast the surface.
D) Clean the surface to remove loose dirt and debris.
  • 10. Which of these is NOT a common subject in petroglyphs and rock paintings?
A) Animals.
B) Human figures.
C) Geometric shapes.
D) Detailed portraits of historical figures.
  • 11. What is a pictograph?
A) A written language.
B) A type of sedimentary rock.
C) A type of petroglyph.
D) A rock painting.
  • 12. What is a common environmental threat to petroglyphs and rock paintings?
A) Acid rain and weathering.
B) Excessive sunlight.
C) Overpopulation of rabbits.
D) The use of advanced cleaning methods.
  • 13. Why is documentation important when studying petroglyphs and rock paintings?
A) To preserve a record of the art before it deteriorates.
B) Documentation isn't important.
C) To encourage graffiti artists.
D) To sell the documentation for profit.
  • 14. Which of these is a non-destructive way to document rock art?
A) Cutting out sections of the rock.
B) Photography and digital scanning.
C) Taking rubbings with charcoal.
D) Applying varnish to the surface.
  • 15. What is the meaning of the term 'patina' in relation to rock art?
A) A specific style of rock art.
B) The natural weathering or coating on the rock surface.
C) A tool used for carving petroglyphs.
D) A type of paint used in rock paintings.
  • 16. What type of rock art can sometimes be found submerged underwater?
A) Petroglyphs.
B) Rock paintings.
C) Both petroglyphs and rock paintings equally.
D) Neither.
  • 17. Which factor is important to consider when choosing a site to create rock art?
A) Proximity to a shopping mall.
B) How much foot traffic the area receives.
C) Cultural significance and availability of appropriate rock.
D) How easy it is to access with a car.
  • 18. What is a potential ethical concern when creating new rock art?
A) Disrespecting existing cultural heritage sites.
B) Running out of pigments.
C) None, art is always good.
D) Not having enough rocks.
  • 19. What should you do to minimize environmental impact when creating rock art?
A) Use natural, locally sourced materials.
B) Clear a large area around the art.
C) Import materials from around the world.
D) Use power tools for faster results.
  • 20. What does the term 'anthropomorphic' mean in the context of rock art?
A) Being geometric in design.
B) Relating to the study of rocks.
C) Having human-like characteristics.
D) Having animal-like characteristics.
  • 21. What does the term 'zoomorphic' mean in the context of rock art?
A) Relating to the study of rocks.
B) Being geometric in design.
C) Having human-like characteristics.
D) Having animal-like characteristics.
  • 22. What is the best time of day to photograph rock art for documentation?
A) Whenever it's most convenient.
B) At night with a flash.
C) Midday when the sun is directly overhead.
D) Early morning or late afternoon for softer light.
  • 23. Why is it important to avoid touching rock art as much as possible?
A) It might be booby trapped.
B) Touching it is bad luck.
C) The rock will crumble immediately.
D) Oils from skin can damage the surface and promote growth of organisms.
  • 24. What is a common element found in rock art across different cultures?
A) Images of skyscrapers.
B) Spirals and geometric patterns.
C) Photorealistic portraits.
D) Comic book characters.
  • 25. Which of these is NOT a suitable pigment for rock painting?
A) Modern industrial paints with heavy metals.
B) Charcoal.
C) Crushed minerals.
D) Clay.
  • 26. How can you protect newly created rock art from the elements?
A) Choose a sheltered location and use durable materials.
B) Leave it exposed to the elements to 'age' faster.
C) Build a glass case around it.
D) Apply a layer of plastic sealant.
  • 27. What is a 'cupule' in the context of rock art?
A) A large, flat rock used as a canvas.
B) A tool used to polish petroglyphs.
C) A small, circular depression pecked into a rock surface.
D) A type of paint made from berries.
  • 28. What is the best way to learn about local regulations regarding rock art creation?
A) Assume there are no regulations.
B) Contact local cultural heritage authorities or land managers.
C) Ask a random stranger on the street.
D) Ignore the regulations and hope for the best.
  • 29. What is the danger of creating rock art on protected historical sites?
A) It can be considered vandalism and damage the original art.
B) The rock will become cursed.
C) There is no danger, it adds to the history.
D) It will attract unwanted attention from aliens.
  • 30. Why is it important to research the meaning of symbols before using them in rock art?
A) To avoid misrepresentation or cultural appropriation.
B) Symbols have no real meaning.
C) It's not important, just make whatever you like.
D) So you can copy someone else's art.
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