A) There is no difference; they are the same. B) Rock paintings use more modern tools. C) Petroglyphs are carved, while paintings are applied. D) Petroglyphs are only found indoors.
A) Rock with a dark outer layer and a lighter inner layer. B) Soft, sedimentary rock. C) Any smooth rock will work. D) Igneous rock with lots of crystals.
A) Metal chisels and hammers. B) Acid etching tools. C) Sandpaper and files. D) Hammerstone and chisel-like stone.
A) Metamorphosis. B) Polishing. C) Sedimentation. D) Pecking or abrading.
A) Plant sap. B) Modern acrylic paint. C) Synthetic dyes. D) Iron oxides (ochre).
A) Petroleum-based solvents. B) Animal fat or plant resins. C) Water-based glue. D) Super glue.
A) To adhere the pigment to the rock surface. B) To dissolve the rock. C) To change the color of the pigment. D) To make the pigment easier to find.
A) Fibers from plants or animal hair. B) Spray cans. C) Nylon brushes. D) Sponge applicators.
A) Clean the surface to remove loose dirt and debris. B) Apply a layer of primer. C) Sandblast the surface. D) Soak the rock in water.
A) Human figures. B) Animals. C) Geometric shapes. D) Detailed portraits of historical figures.
A) A type of sedimentary rock. B) A rock painting. C) A type of petroglyph. D) A written language.
A) The use of advanced cleaning methods. B) Overpopulation of rabbits. C) Acid rain and weathering. D) Excessive sunlight.
A) To encourage graffiti artists. B) To sell the documentation for profit. C) Documentation isn't important. D) To preserve a record of the art before it deteriorates.
A) Cutting out sections of the rock. B) Taking rubbings with charcoal. C) Photography and digital scanning. D) Applying varnish to the surface.
A) A type of paint used in rock paintings. B) A tool used for carving petroglyphs. C) A specific style of rock art. D) The natural weathering or coating on the rock surface.
A) Both petroglyphs and rock paintings equally. B) Neither. C) Rock paintings. D) Petroglyphs.
A) Cultural significance and availability of appropriate rock. B) How much foot traffic the area receives. C) Proximity to a shopping mall. D) How easy it is to access with a car.
A) Running out of pigments. B) None, art is always good. C) Not having enough rocks. D) Disrespecting existing cultural heritage sites.
A) Use power tools for faster results. B) Clear a large area around the art. C) Use natural, locally sourced materials. D) Import materials from around the world.
A) Having animal-like characteristics. B) Having human-like characteristics. C) Relating to the study of rocks. D) Being geometric in design.
A) Having animal-like characteristics. B) Relating to the study of rocks. C) Having human-like characteristics. D) Being geometric in design.
A) Whenever it's most convenient. B) Midday when the sun is directly overhead. C) At night with a flash. D) Early morning or late afternoon for softer light.
A) Oils from skin can damage the surface and promote growth of organisms. B) Touching it is bad luck. C) It might be booby trapped. D) The rock will crumble immediately.
A) Images of skyscrapers. B) Photorealistic portraits. C) Comic book characters. D) Spirals and geometric patterns.
A) Modern industrial paints with heavy metals. B) Charcoal. C) Clay. D) Crushed minerals.
A) Build a glass case around it. B) Leave it exposed to the elements to 'age' faster. C) Choose a sheltered location and use durable materials. D) Apply a layer of plastic sealant.
A) A tool used to polish petroglyphs. B) A large, flat rock used as a canvas. C) A small, circular depression pecked into a rock surface. D) A type of paint made from berries.
A) Ignore the regulations and hope for the best. B) Ask a random stranger on the street. C) Assume there are no regulations. D) Contact local cultural heritage authorities or land managers.
A) It will attract unwanted attention from aliens. B) There is no danger, it adds to the history. C) It can be considered vandalism and damage the original art. D) The rock will become cursed.
A) So you can copy someone else's art. B) To avoid misrepresentation or cultural appropriation. C) Symbols have no real meaning. D) It's not important, just make whatever you like. |