A) Photography B) Literature C) Medicine D) Physics
A) 1700 B) 1850 C) 1826 D) 1787
A) X-Ray B) Pixelation C) Solarization D) Daguerreotype
A) Tokyo B) London C) Paris D) New York
A) Abandoned it B) Banned it C) Minimized it D) Revolutionized it
A) Soft focus B) Distortion C) Monochrome D) Sharpness
A) 1954 B) 1839 C) 1900 D) 1776
A) Gold B) Silver C) Plastic D) Copper
A) New York, USA B) London, UK C) Paris, France D) Rome, Italy
A) Cormeilles-en-Parisis, Val-d'Oise B) Paris, France C) Lyon, France D) Bry-sur-Marne, France
A) Nicéphore Niépce B) Henry Fox Talbot C) François Arago D) Samuel Morse
A) Daguerreotype B) Ambrotype C) Heliograph D) Calotype
A) Iodine crystals B) Sodium thiosulfate C) Salt water D) Mercury vapour
A) Ten minutes or more B) One minute C) Half an hour D) A few seconds
A) Landscape views B) Still life photography C) Portraits D) Abstract art
A) A type of camera B) A form of theatrical illusion C) An early film projector D) A painting technique
A) Architecture, theatre design, and panoramic painting B) Mathematics and physics C) Photography and chemistry D) Literature and history
A) Twenty-one B) Thirty C) Ten D) Fifteen
A) Boulevard des Capucines B) Place du Château d'Eau (now Place de la République) C) Palais Garnier D) Place Vendôme
A) 1841 B) 1824 C) 1822 D) 1839
A) Mercury vapour B) Bitumen of Judea C) Sodium thiosulfate D) Silver iodide
A) Miles Berry B) Charles Marie Bouton C) Antoine Claudet D) William Henry Fox Talbot
A) The bitumen process B) The calotype process C) The wet collodion process D) The ambrotype process
A) 25 °C B) 100 °C C) 75 °C D) 50 °C
A) Long exposure times made moving objects invisible B) The camera was broken C) Daguerreotypes were only for portraits D) People avoided being photographed
A) Calotype process B) Daguerreotype process C) Ambrotype process D) Tintype process
A) The United Kingdom B) Germany C) France D) Italy
A) 19 August 1839 B) 7 January 1839 C) 18 November 1787 D) 10 July 1851
A) Roslin Chapel B) Trinity Chapel in Canterbury Cathedral C) Chartres Cathedral D) Holyroodhouse Chapel
A) Louis B) Isidore C) Nicéphore Jr. D) François
A) Charles Marie Bouton B) Niépce C) William Henry Fox Talbot D) Antoine Claudet
A) Assuming they were color photographs B) Thinking they were digital prints C) Believing all were made by Daguerre D) Describing any image as 'a daguerreotype'
A) 'This is a simple trick.' B) 'We need more time to perfect it.' C) 'I have seized the light – I have arrested its flight!' D) 'It will revolutionize photography.'
A) 150,000 francs B) 200,000 francs C) 100,000 francs D) 300,000 francs
A) From multiple angles around the room. B) Through a single opening in the cylindrical auditorium, similar to a proscenium arch. C) Using special glasses. D) By walking through the scene.
A) Having no reflective surface B) Being easily duplicated C) Appearing as a faint negative when viewed with reflected light D) Showing vibrant colors |