A) Photography B) Medicine C) Literature D) Physics
A) 1787 B) 1700 C) 1826 D) 1850
A) X-Ray B) Solarization C) Daguerreotype D) Pixelation
A) Paris B) Tokyo C) New York D) London
A) Banned it B) Abandoned it C) Minimized it D) Revolutionized it
A) Monochrome B) Sharpness C) Soft focus D) Distortion
A) 1839 B) 1776 C) 1900 D) 1954
A) Plastic B) Copper C) Silver D) Gold
A) Rome, Italy B) London, UK C) Paris, France D) New York, USA
A) Lyon, France B) Bry-sur-Marne, France C) Paris, France D) Cormeilles-en-Parisis, Val-d'Oise
A) François Arago B) Nicéphore Niépce C) Henry Fox Talbot D) Samuel Morse
A) Heliograph B) Daguerreotype C) Calotype D) Ambrotype
A) Salt water B) Mercury vapour C) Sodium thiosulfate D) Iodine crystals
A) A few seconds B) Ten minutes or more C) Half an hour D) One minute
A) Landscape views B) Still life photography C) Portraits D) Abstract art
A) An early film projector B) A type of camera C) A form of theatrical illusion D) A painting technique
A) Mathematics and physics B) Photography and chemistry C) Architecture, theatre design, and panoramic painting D) Literature and history
A) Ten B) Twenty-one C) Thirty D) Fifteen
A) Palais Garnier B) Boulevard des Capucines C) Place Vendôme D) Place du Château d'Eau (now Place de la République)
A) 1839 B) 1841 C) 1822 D) 1824
A) Mercury vapour B) Bitumen of Judea C) Silver iodide D) Sodium thiosulfate
A) Antoine Claudet B) William Henry Fox Talbot C) Charles Marie Bouton D) Miles Berry
A) The calotype process B) The ambrotype process C) The wet collodion process D) The bitumen process
A) 25 °C B) 75 °C C) 50 °C D) 100 °C
A) Daguerreotypes were only for portraits B) People avoided being photographed C) Long exposure times made moving objects invisible D) The camera was broken
A) Ambrotype process B) Tintype process C) Daguerreotype process D) Calotype process
A) France B) Italy C) The United Kingdom D) Germany
A) 7 January 1839 B) 19 August 1839 C) 18 November 1787 D) 10 July 1851
A) Holyroodhouse Chapel B) Chartres Cathedral C) Roslin Chapel D) Trinity Chapel in Canterbury Cathedral
A) Nicéphore Jr. B) François C) Louis D) Isidore
A) Antoine Claudet B) William Henry Fox Talbot C) Charles Marie Bouton D) Niépce
A) Thinking they were digital prints B) Describing any image as 'a daguerreotype' C) Assuming they were color photographs D) Believing all were made by Daguerre
A) 'It will revolutionize photography.' B) 'We need more time to perfect it.' C) 'This is a simple trick.' D) 'I have seized the light – I have arrested its flight!'
A) 200,000 francs B) 100,000 francs C) 150,000 francs D) 300,000 francs
A) Through a single opening in the cylindrical auditorium, similar to a proscenium arch. B) Using special glasses. C) By walking through the scene. D) From multiple angles around the room.
A) Having no reflective surface B) Appearing as a faint negative when viewed with reflected light C) Being easily duplicated D) Showing vibrant colors |