A) Photography B) Physics C) Literature D) Medicine
A) 1850 B) 1700 C) 1787 D) 1826
A) Solarization B) Pixelation C) X-Ray D) Daguerreotype
A) London B) New York C) Paris D) Tokyo
A) Minimized it B) Banned it C) Abandoned it D) Revolutionized it
A) Sharpness B) Distortion C) Soft focus D) Monochrome
A) 1776 B) 1839 C) 1954 D) 1900
A) Copper B) Silver C) Plastic D) Gold
A) Paris, France B) New York, USA C) Rome, Italy D) London, UK
A) Bry-sur-Marne, France B) Paris, France C) Lyon, France D) Cormeilles-en-Parisis, Val-d'Oise
A) François Arago B) Henry Fox Talbot C) Samuel Morse D) Nicéphore Niépce
A) Calotype B) Heliograph C) Daguerreotype D) Ambrotype
A) Iodine crystals B) Salt water C) Sodium thiosulfate D) Mercury vapour
A) One minute B) Half an hour C) Ten minutes or more D) A few seconds
A) Daguerreotypes were only for portraits B) The camera was broken C) Long exposure times made moving objects invisible D) People avoided being photographed
A) Calotype process B) Ambrotype process C) Tintype process D) Daguerreotype process
A) Describing any image as 'a daguerreotype' B) Assuming they were color photographs C) Believing all were made by Daguerre D) Thinking they were digital prints
A) Showing vibrant colors B) Having no reflective surface C) Being easily duplicated D) Appearing as a faint negative when viewed with reflected light
A) A form of theatrical illusion B) A type of camera C) A painting technique D) An early film projector
A) 18 November 1787 B) 10 July 1851 C) 7 January 1839 D) 19 August 1839
A) François B) Nicéphore Jr. C) Isidore D) Louis
A) 'We need more time to perfect it.' B) 'This is a simple trick.' C) 'I have seized the light – I have arrested its flight!' D) 'It will revolutionize photography.'
A) Silver iodide B) Sodium thiosulfate C) Bitumen of Judea D) Mercury vapour
A) Architecture, theatre design, and panoramic painting B) Literature and history C) Photography and chemistry D) Mathematics and physics
A) 75 °C B) 100 °C C) 25 °C D) 50 °C
A) The calotype process B) The wet collodion process C) The bitumen process D) The ambrotype process
A) Portraits B) Still life photography C) Landscape views D) Abstract art
A) Antoine Claudet B) Charles Marie Bouton C) Niépce D) William Henry Fox Talbot
A) 1824 B) 1822 C) 1841 D) 1839
A) Place du Château d'Eau (now Place de la République) B) Place Vendôme C) Palais Garnier D) Boulevard des Capucines
A) Ten B) Fifteen C) Twenty-one D) Thirty
A) Chartres Cathedral B) Roslin Chapel C) Holyroodhouse Chapel D) Trinity Chapel in Canterbury Cathedral
A) 300,000 francs B) 100,000 francs C) 150,000 francs D) 200,000 francs
A) Charles Marie Bouton B) Antoine Claudet C) Miles Berry D) William Henry Fox Talbot
A) Italy B) The United Kingdom C) France D) Germany
A) Using special glasses. B) From multiple angles around the room. C) Through a single opening in the cylindrical auditorium, similar to a proscenium arch. D) By walking through the scene. |