A) Literature B) Medicine C) Photography D) Physics
A) 1787 B) 1700 C) 1826 D) 1850
A) Pixelation B) Daguerreotype C) X-Ray D) Solarization
A) Tokyo B) Paris C) London D) New York
A) Banned it B) Abandoned it C) Revolutionized it D) Minimized it
A) Sharpness B) Monochrome C) Distortion D) Soft focus
A) 1839 B) 1954 C) 1900 D) 1776
A) Gold B) Copper C) Plastic D) Silver
A) London, UK B) Paris, France C) Rome, Italy D) New York, USA
A) Lyon, France B) Bry-sur-Marne, France C) Paris, France D) Cormeilles-en-Parisis, Val-d'Oise
A) Henry Fox Talbot B) François Arago C) Samuel Morse D) Nicéphore Niépce
A) Daguerreotype B) Ambrotype C) Calotype D) Heliograph
A) Sodium thiosulfate B) Salt water C) Mercury vapour D) Iodine crystals
A) Ten minutes or more B) Half an hour C) A few seconds D) One minute
A) Still life photography B) Abstract art C) Landscape views D) Portraits
A) An early film projector B) A painting technique C) A form of theatrical illusion D) A type of camera
A) Mathematics and physics B) Architecture, theatre design, and panoramic painting C) Literature and history D) Photography and chemistry
A) Fifteen B) Ten C) Thirty D) Twenty-one
A) Palais Garnier B) Place du Château d'Eau (now Place de la République) C) Boulevard des Capucines D) Place Vendôme
A) 1841 B) 1824 C) 1839 D) 1822
A) Mercury vapour B) Bitumen of Judea C) Sodium thiosulfate D) Silver iodide
A) Antoine Claudet B) Miles Berry C) William Henry Fox Talbot D) Charles Marie Bouton
A) The calotype process B) The ambrotype process C) The wet collodion process D) The bitumen process
A) 50 °C B) 25 °C C) 100 °C D) 75 °C
A) Daguerreotypes were only for portraits B) Long exposure times made moving objects invisible C) The camera was broken D) People avoided being photographed
A) Daguerreotype process B) Tintype process C) Ambrotype process D) Calotype process
A) The United Kingdom B) Italy C) Germany D) France
A) 10 July 1851 B) 18 November 1787 C) 19 August 1839 D) 7 January 1839
A) Roslin Chapel B) Holyroodhouse Chapel C) Chartres Cathedral D) Trinity Chapel in Canterbury Cathedral
A) Louis B) Nicéphore Jr. C) Isidore D) François
A) Niépce B) Antoine Claudet C) William Henry Fox Talbot D) Charles Marie Bouton
A) Thinking they were digital prints B) Believing all were made by Daguerre C) Assuming they were color photographs D) Describing any image as 'a daguerreotype'
A) 'This is a simple trick.' B) 'It will revolutionize photography.' C) 'I have seized the light – I have arrested its flight!' D) 'We need more time to perfect it.'
A) 200,000 francs B) 150,000 francs C) 300,000 francs D) 100,000 francs
A) From multiple angles around the room. B) Using special glasses. C) By walking through the scene. D) Through a single opening in the cylindrical auditorium, similar to a proscenium arch.
A) Appearing as a faint negative when viewed with reflected light B) Having no reflective surface C) Showing vibrant colors D) Being easily duplicated |