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3RD PERIODICAL TEST IN 21ST CENTURY LITERATURE
Contributed by: Dizon
  • 1. The word 'Literature' is derived from the Latin word 'littera.' Based on its etymology, what was the original focus of the term?
A) A letter of the alphabet
B) Oral storytelling traditions
C) The art of rhythmic speech
D) Philosophical exploration
  • 2. A student is reading a text written in complete sentences and paragraphs that follows a natural flow of speech. Which major form of literature is this student reading?
A) Poetry
B) Narrative Poetry
C) Prose
D) Lyric
  • 3. If a writer produces a story based on their 'wild imagination' where characters react to fictional conflicts, how should this work be classified?
A) Non-fiction
B) Lyric Poetry
C) Fiction
D) Creative Non-fiction
  • 4. A character is standing alone on a stage, speaking their private thoughts and emotions directly to the audience. This is an example of:
A) A soliloquy
B) A standard monologue
C) A ballad
D) A haiku
  • 5. Which poetic form is characterized by exactly fourteen lines and often uses iambic pentameter?
A) Ode
B) Sonnet
C) Elegy
D) Haiku
  • 6. In the riddle, 'Naligo ang kapitan, hindi nabasa ang tiyan' (The captain took a bath, but his belly did not get wet) has the answer 'Bangka' (Boat). This is an example of what literary tradition?
A) American Colonial Literature
B) Post-colonial Literature
C) Spanish Colonial Literature
D) Pre-colonial Philippine Literature
  • 7. How does a 'Metrical Tale' differ from a 'Short Story' even though both tell a straightforward story about ordinary people?
A) The Metrical Tale is always about heroic legends, unlike short stories.
B) There is no difference; they are two names for the same thing.
C) The Metrical Tale is written in verse, while the Short Story is written in prose.
D) The Short Story must have a rhyme scheme, while the Metrical Tale does not.
  • 8. A poem that is written to lament the loss of a person or reflect on death is known as:
A) A Ballad
B) A Song
C) An Elegy
D) An Ode
  • 9. What are the three types of Fiction?
A) Essay, Journal, and Diary
B) Epic, Tragedy, and Comedy
C) Short story, Novel, and Novella
D) Narrative, Lyric, and Dramatic
  • 10. A student finds a poem with exactly 17 syllables arranged in a 5-7-5 count. What is the focus of this type of poetry?
A) Providing a serious reflection on death
B) Images from nature and simplicity
C) Telling a tragic story with a repeating chorus
D) Celebrating a heroic figure's history
  • 11. During the Pre-Colonial period, Philippine literature was primarily preserved through oral traditions. Which of the following best describes the function of oral literature such as chants and songs during this era?
A) To replace the use of native dialects like Tagalog and Cebuano.
B) To provide a platform for political campaigns against colonizers.
C) To serve as a written record for future historians.
D) To express emotions, thoughts, and reflect religious observances during rites and ceremonies.
  • 12. A "Sawikain" or idiom is a phrase with a figurative meaning. If a person is described as "Bukas ang Palad," what does this suggest about their character?
A) They are starting a new conversation.
B) They are very hardworking.
C) They are slow in their actions.
D) They are helpful or generous.
  • 13. Read the following text: "Habang maikli ang kumot, matutong mamaluktot." This traditional saying is an example of a:
A) Bugtong (Riddle)
B) Salawikain (Proverb)
C) Sawikain (Idiom)
D) Bulong (Chant)
  • 14. In Pre-Colonial literature, how do "Myths" differ from "Legends"?
A) Myths deal with the origin of a thing, while legends are anonymous tales.
B) There is no difference; both terms are used interchangeably for folk tales.
C) Myths feature characters with supernatural powers to explain existence, whereas legends have more realistic human characters.
D) Myths are long narrative poems about heroes, while legends are short riddles.
  • 15. Which literary form is characterized as a long narrative poem focusing on the heroic achievements and deeds of a main character?
A) Legend
B) Epic
C) Folk Song
D) Myth
  • 16. The introduction of the "Xylographic Press" during the Spanish Colonial Period was significant because it led to:
A) The widespread use of the English language in schools.
B) The end of religious influence on Philippine literature.
C) The publication of the first book in the Philippines, Doctrina Cristiana.
D) The immediate banning of all Tagalog literature.
  • 17. Which of the following was the mouthpiece of the Reform Movement during the later part of the Spanish Period?
A) Sampaguitas
B) Kalayaan
C) Diaryong Tagalog
D) La Solidaridad
  • 18. Pedro Paterno is a notable figure in Philippine literature for writing Ninay. What is the historical significance of this work?
A) It won the Pulitzer Prize during the Japanese occupation.
B) It is the first poem written in Tagalog.
C) It was the official newspaper of the Katipunan.
D) It is considered the first novel written by a Filipino author.
  • 19. During the American Colonial Period, many Filipino writers initially struggled with English. What was the general characteristic of early Philippine literature in English during the "Period of Apprenticeship"?
A) It used only the vernacular to express nationalism.
B) It was considered imitative of American styles and conventions.
C) It was written exclusively in the form of Haikus.
D) It was mostly focused on supernatural myths.
  • 20. "Dead Stars" by Paz Marquez Benitez is a landmark in Philippine literature. Why is it significant?
A) It is the first short story written in English by a Filipino.
B) It is a play performed during the Japanese era.
C) It is the first novel that portrayed Spanish corruption.
D) It is a collection of poems exhibited in Europe.
  • 21. During the Japanese occupation (1942-1945), what major change occurred regarding the language used in publications?
A) English was strictly prohibited, and only Tagalog and vernaculars were permitted.
B) Spanish became the primary language for all newspapers.
C) All literature was written in Japanese characters only.
D) American teachers encouraged the use of English.
  • 22. The "Haiku" emerged as a popular poetic form during the Japanese Period. What are the structural requirements of a Haiku?
A) Three lines with a 5-7-5 syllable count (17 total).
B) A long narrative poem about heroic deeds.
C) A whispered chant used for healing.
D) Four lines with a rhyming AABB pattern.
  • 23. Which writer won the Pulitzer Prize for notable works like "I Saw the Fall of the Philippines" and "I See the Philippines Rise"?
A) Francisco Baltazar
B) Carlos P. Romulo
C) Narciso Reyes
D) Juan C. Laya
  • 24. What common theme emerged in Philippine novels and short stories after the Japanese period, as seen in the works of Stevan Javellana and Edilberto Tiempo?
A) War experiences and the struggle under occupation.
B) Pre-colonial religious rituals.
C) The beauty of nature and food hunting.
D) The introduction of the printing press.
  • 25. If you were to classify "Florante at Laura" by Francisco Baltazar based on the Spanish Period categories, it would be a:
A) Folk Tale
B) Haiku
C) Metrical Romance (Traditional Tagalog Poetry)
D) Short Story
  • 26. Which statement best explains the difference between literary elements and literary techniques?
A) Techniques are mandatory for every text, while elements are only used by famous authors.
B) Elements are for artistic appreciation, while techniques are the basic parts of a story.
C) There is no difference; both terms refer to the same set of writing tools.
D) Elements are required fundamental parts, while techniques are supplementary artistic choices.
  • 27. A writer wants to convey a message using "typical structures." What broad term describes these structures?
A) Artistic Aspects
B) Imagery Types
C) Literary Devices
D) Figures of Speech
  • 28. If a poet uses language that appeals specifically to the sense of touch, such as "texture, movement, and temperature," which type of imagery is being utilized?
A) Tactile Imagery
B) Olfactory Imagery
C) Visual Imagery
D) Gustatory Imagery
  • 29. Read the sentence: "The fire station burning down."
    Which figure of speech is being used?
A) Hyperbole
B) Simile
C) Personification
D) Irony
  • 30. "The flowers are dancing beside the lake."
    Why is this considered personification?
A) It exaggerates the number of flowers in the field.
B) It mimics the sound that flowers make when they move.
C) It compares flowers to a lake using "like" or "as."
D) It gives human-like characteristics (dancing) to an inanimate object.
  • 31. Identify the figure of speech in the phrase:
    "Better butter always makes a batter better."
A) Simile
B) Metaphor
C) Onomatopoeia
D) Alliteration
  • 32. In the line "He is an old fox, very cunning," why is this a metaphor rather than a simile?
A) It is an exaggerated statement that is not true.
B) It uses the word "fox" to represent a human trait.
C) It uses "is" to make a direct comparison without word clues like "like" or "as."
D) It describes the physical appearance of a fox.
  • 33. "The river was roaring in the mountains."
    This sentence is an example of imagery because it:
A) Directly compares a river to a lion.
B) Uses literal language to describe a mountain.
C) Only uses consonant sounds to create a rhythm.
D) Creates a visual or sensory representation of an idea in the mind.
  • 34. Which of the following phrases is an example of Olfactory Imagery?
A) "Zigzag and whirling"
B) "Salty feeling of being left behind"
C) "Splashing ocean waves"
D) "Stinky slum area"
  • 35. Onomatopoeia is most frequently paired with which type of imagery?
A) Gustatory
B) Tactile
C) Auditory
D) Visual
  • 36. A student writes a poem about "rotting trash" and "fresh baths." What sense is the student trying to engage?
A) Taste
B) Sight
C) Touch
D) Smell
  • 37. In the poem snippet: "May it be as large and high as skyscrapers..." What figure of speech is dominant?
A) Personification
B) Irony
C) Simile
D) Metaphor
  • 38. Analyze the phrase:
    "The sun stretching its muscles."
    This is an example of:
A) Hyperbole
B) Personification
C) Gustatory Imagery
D) Alliteration
  • 39. Consider the words: Sweetest, bitter, salty, and spice. These are primary clues for:
A) Gustatory Imagery
B) Visual Imagery
C) Auditory Imagery
D) Tactile Imagery
  • 40. If a character says, "Your bag weighs a ton!" they are using:
A) Irony because the bag is actually empty.
B) Onomatopoeia to mimic the sound of the bag dropping.
C) Metaphor to describe the bag's color.
D) Hyperbole to emphasize that the bag is very heavy.
  • 41. A student is reading a novel where the characters frequently use 'Spanglish' (a mix of Spanish and English) to communicate. This specific choice of language by the author is best analyzed through which context?
A) Geographical Context
B) Biographical Context
C) Linguistic Context
D) Sociocultural Context
  • 42. If you are researching the author's personal experiences with poverty and how these events influenced the themes of their poetry, which context are you applying?
A) Historical Context
B) Biographical Context
C) Sociocultural Context
D) Linguistic Context
  • 43. An author writes a story set during the 2020 global pandemic, highlighting the digital divide and social isolation. Analyzing this story by looking at the prevailing values and issues of that time is an example of using:
A) Formalist Context
B) Biographical Context
C) Sociocultural Context
D) Linguistic Context
  • 44. In a 21st-century poem, the author uses text-speak (e.g., 'LOL', 'BRB') to reflect modern communication. Why is this considered a 'Linguistic Context' analysis?
A) Because it proves the poem was written in the 21st century.
B) Because it examines how the 'language of the time' is integrated into the text.
C) Because it critiques the lack of proper grammar in modern society.
D) Because it discusses the author's age and hobbies.
  • 45. When a reader analyzes 'The Hunger Games' by looking at how it mirrors modern-day obsession with reality TV and political inequality, they are primarily using:
A) Linguistic Context
B) Biographical Context
C) Sociocultural Context
D) Psychological Context
  • 46. “THE IRON PULSE”
    Background Note: The author, Elias Thorne (1885–1940), spent his youth working twelve-hour shifts in the textile mills of industrial London before becoming a novelist. This story was published in 1912, a time of massive labor strikes and growing tension between social classes.

    "The loom did not speak; it thrummed. A heavy, hollow clack-thrum, clack-thrum that swallowed the breath of the room. Young Arthur stood before the iron beast, his fingers dancing a frantic, jagged rhythm against the threads.
    'Faster, boy!' the foreman barked, his voice a sharp blade cutting through the humid air.
    In this corner of the world, time was not measured by the sun or the seasons, but by the relentless revolving of the steel teeth. Arthur looked at his calloused palms—stained with grease and ink—and remembered his father’s warning: 'The machine has no heart to break, only a belly to fill.' Outside the soot-stained windows, the city of London groaned under the weight of a thousand chimneys, a kingdom built on coal and the quiet exhaustion of a thousand boys just like him."


    Direction: Use the passage and the background note above to answer the questions.

    The text uses "jagged rhythm" and "sharp blade" to describe the atmosphere. Analyzing these specific word choices to find meaning is an example of:
A) Historical Context
B) Linguistic Context
C) Biographical Context
D) Sociocultural Context
  • 47. “THE IRON PULSE”
    Background Note: The author, Elias Thorne (1885–1940), spent his youth working twelve-hour shifts in the textile mills of industrial London before becoming a novelist. This story was published in 1912, a time of massive labor strikes and growing tension between social classes.

    "The loom did not speak; it thrummed. A heavy, hollow clack-thrum, clack-thrum that swallowed the breath of the room. Young Arthur stood before the iron beast, his fingers dancing a frantic, jagged rhythm against the threads.
    'Faster, boy!' the foreman barked, his voice a sharp blade cutting through the humid air.
    In this corner of the world, time was not measured by the sun or the seasons, but by the relentless revolving of the steel teeth. Arthur looked at his calloused palms—stained with grease and ink—and remembered his father’s warning: 'The machine has no heart to break, only a belly to fill.' Outside the soot-stained windows, the city of London groaned under the weight of a thousand chimneys, a kingdom built on coal and the quiet exhaustion of a thousand boys just like him."


    Direction: Use the passage and the background note above to answer the questions.

    According to the passage's background, Elias Thorne is "reporting what he has witnessed." This aligns with which definition?
A) Biographical context is when the author writes from their own life experiences.
B) Sociocultural context is about the surroundings.
C) Context means the dictionary definition of the narrative.
D) Linguistic context focuses on the language used.
  • 48. “THE IRON PULSE”
    Background Note: The author, Elias Thorne (1885–1940), spent his youth working twelve-hour shifts in the textile mills of industrial London before becoming a novelist. This story was published in 1912, a time of massive labor strikes and growing tension between social classes.

    "The loom did not speak; it thrummed. A heavy, hollow clack-thrum, clack-thrum that swallowed the breath of the room. Young Arthur stood before the iron beast, his fingers dancing a frantic, jagged rhythm against the threads.
    'Faster, boy!' the foreman barked, his voice a sharp blade cutting through the humid air.
    In this corner of the world, time was not measured by the sun or the seasons, but by the relentless revolving of the steel teeth. Arthur looked at his calloused palms—stained with grease and ink—and remembered his father’s warning: 'The machine has no heart to break, only a belly to fill.' Outside the soot-stained windows, the city of London groaned under the weight of a thousand chimneys, a kingdom built on coal and the quiet exhaustion of a thousand boys just like him."


    Direction: Use the passage and the background note above to answer the questions.

    The background note mentions the story was published during a time of "massive labor strikes." How does this sociocultural context help the reader?
A) It explains the dictionary meaning of "loom."
B) It describes the phonemic pattern of the foreman's voice.
C) It helps the reader understand the "political and cultural forces" affecting the work.
D) It tells us the author's exact birth date.
  • 49. “THE IRON PULSE”
    Background Note: The author, Elias Thorne (1885–1940), spent his youth working twelve-hour shifts in the textile mills of industrial London before becoming a novelist. This story was published in 1912, a time of massive labor strikes and growing tension between social classes.

    "The loom did not speak; it thrummed. A heavy, hollow clack-thrum, clack-thrum that swallowed the breath of the room. Young Arthur stood before the iron beast, his fingers dancing a frantic, jagged rhythm against the threads.
    'Faster, boy!' the foreman barked, his voice a sharp blade cutting through the humid air.
    In this corner of the world, time was not measured by the sun or the seasons, but by the relentless revolving of the steel teeth. Arthur looked at his calloused palms—stained with grease and ink—and remembered his father’s warning: 'The machine has no heart to break, only a belly to fill.' Outside the soot-stained windows, the city of London groaned under the weight of a thousand chimneys, a kingdom built on coal and the quiet exhaustion of a thousand boys just like him."


    Direction: Use the passage and the background note above to answer the questions.

    The foreman's "bark" and the description of the boy as "exhausted" reflect the relationship between different social classes. This is a focus of:
A) Sociocultural Context
B) Biographical Context
C) Linguistic Context
D) Personal Context
  • 50. “THE IRON PULSE”
    Background Note: The author, Elias Thorne (1885–1940), spent his youth working twelve-hour shifts in the textile mills of industrial London before becoming a novelist. This story was published in 1912, a time of massive labor strikes and growing tension between social classes.

    "The loom did not speak; it thrummed. A heavy, hollow clack-thrum, clack-thrum that swallowed the breath of the room. Young Arthur stood before the iron beast, his fingers dancing a frantic, jagged rhythm against the threads.
    'Faster, boy!' the foreman barked, his voice a sharp blade cutting through the humid air.
    In this corner of the world, time was not measured by the sun or the seasons, but by the relentless revolving of the steel teeth. Arthur looked at his calloused palms—stained with grease and ink—and remembered his father’s warning: 'The machine has no heart to break, only a belly to fill.' Outside the soot-stained windows, the city of London groaned under the weight of a thousand chimneys, a kingdom built on coal and the quiet exhaustion of a thousand boys just like him."


    Direction: Use the passage and the background note above to answer the questions.

    If you were to analyze only the "grammar and syntax" of Arthur’s father's quote ("The machine has no heart..."), which lens are you using?
A) Biographical Context
B) Sociocultural Context
C) Historical Context
D) Linguistic Context
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