A) Surrealism B) Cubism C) Impressionism D) Expressionism
A) 1912 B) 1920 C) 1935 D) 1905
A) Watercolor on paper B) Tempera on wood C) Oil on canvas D) Charcoal on paper
A) A musician playing violin B) A couple conversing C) A waiter serving coffee D) A dancer performing
A) Sfumato B) Geometric fragmentation C) Pointillism D) Impasto
A) To depict dreamlike imagery B) To show multiple viewpoints simultaneously C) To express raw emotion D) To capture a fleeting moment
A) As a realistic interior B) As a dark expressionist space C) As a hazy impression D) As fragmented geometric shapes
A) Urban entertainment B) Historical events C) Rural landscapes D) Religious themes
A) Harold Rosenberg B) Clement Greenberg C) John Ruskin D) Guillaume Apollinaire
A) Using photographic realism B) Making it completely abstract C) Breaking it into geometric forms D) Creating elongated proportions
A) Armory Show B) First Impressionist Exhibition C) Documenta D) Salon des Indépendants
A) Sole founder B) Late follower C) Opposing critic D) Theorist and practitioner
A) It illustrates his theoretical ideas B) It predates his theoretical work C) It has no relation to his writings D) It contradicts his published views
A) Georges Braque B) Jean Metzinger C) Pablo Picasso D) Henri Matisse
A) In a park B) In a café C) In a studio D) In a theater
A) Linear perspective B) Atmospheric perspective C) Flattened perspective D) Isometric projection
A) Flute B) Violin C) Guitar D) Piano
A) Symmetrical arrangement B) Interlocking planes C) Radial composition D) Random placement
A) Spanish B) French C) German D) Italian
A) Blurred edges B) Speed lines C) Flying objects D) The dancer's pose
A) Atmospheric perspective B) Size diminution C) Linear perspective D) Overlapping planes |