A) Cubism B) Surrealism C) Impressionism D) Expressionism
A) 1912 B) 1905 C) 1920 D) 1935
A) Tempera on wood B) Oil on canvas C) Watercolor on paper D) Charcoal on paper
A) A dancer performing B) A musician playing violin C) A couple conversing D) A waiter serving coffee
A) Pointillism B) Sfumato C) Geometric fragmentation D) Impasto
A) To express raw emotion B) To depict dreamlike imagery C) To show multiple viewpoints simultaneously D) To capture a fleeting moment
A) As a dark expressionist space B) As a realistic interior C) As a hazy impression D) As fragmented geometric shapes
A) Rural landscapes B) Historical events C) Religious themes D) Urban entertainment
A) John Ruskin B) Clement Greenberg C) Guillaume Apollinaire D) Harold Rosenberg
A) Breaking it into geometric forms B) Making it completely abstract C) Using photographic realism D) Creating elongated proportions
A) Armory Show B) Salon des Indépendants C) First Impressionist Exhibition D) Documenta
A) Theorist and practitioner B) Opposing critic C) Sole founder D) Late follower
A) It illustrates his theoretical ideas B) It has no relation to his writings C) It predates his theoretical work D) It contradicts his published views
A) Henri Matisse B) Georges Braque C) Pablo Picasso D) Jean Metzinger
A) In a studio B) In a café C) In a theater D) In a park
A) Atmospheric perspective B) Isometric projection C) Linear perspective D) Flattened perspective
A) Guitar B) Violin C) Flute D) Piano
A) Radial composition B) Random placement C) Interlocking planes D) Symmetrical arrangement
A) German B) French C) Spanish D) Italian
A) Speed lines B) Blurred edges C) The dancer's pose D) Flying objects
A) Linear perspective B) Size diminution C) Atmospheric perspective D) Overlapping planes |