A) Cody, Wyoming B) London, England C) Paris, France D) New York City, New York
A) Surrealism B) Impressionism C) Abstract Expressionism D) Cubism
A) 2000s B) 1940s C) 1960s D) 1980s
A) Peggy Guggenheim B) Andy Warhol C) Frida Kahlo D) Vincent van Gogh
A) Fauvism B) Action painting C) Pointillism D) Realism
A) Marilyn Monroe B) Lee Krasner C) Grace Kelly D) Audrey Hepburn
A) Starry Night B) Number 1A, 1948 C) Guernica D) The Persistence of Memory
A) The Museum of Modern Art (MoMA) B) The National Gallery of Art C) The Louvre D) The Guggenheim Museum
A) Cubism B) "Drip technique" C) Fauvism D) Pointillism
A) McCoy B) Smith C) Jackson D) Polk
A) José Clemente Orozco B) Frida Kahlo C) David Alfaro Siqueiros D) Diego Rivera
A) Georgia O'Keeffe B) Thomas Hart Benton C) Frida Kahlo D) Pablo Picasso
A) Made and sold dresses B) Worked in a factory C) Taught school D) Was an artist
A) 1945 B) 1956 C) 1928 D) 1930
A) Marcel Duchamp B) The Mexican muralist David Alfaro Siqueiros C) Peggy Guggenheim D) Dr. Joseph L. Henderson
A) 1942 B) 1943 C) 1938 D) 1936
A) Dr. Joseph L. Henderson B) Violet Staub de Laszlo C) Marcel Duchamp D) Peggy Guggenheim
A) Freudian analysis B) Jungian psychotherapy C) Cognitive-behavioral therapy D) Art therapy
A) Marcel Duchamp B) Clement Greenberg C) Dr. Joseph L. Henderson D) Peggy Guggenheim
A) 10-by-30-foot B) 5-by-15-foot C) 8-by-20-foot D) 6-by-12-foot
A) Marcel Duchamp B) Clement Greenberg C) Dr. Joseph L. Henderson D) Peggy Guggenheim
A) Janet Sobel B) Michel Tapié C) The Navajo sand artist D) David Alfaro Siqueiros
A) 'Drip period' paintings B) 'Black pourings' C) Navajo-inspired sand art D) Figurative elements with vibrant colors
A) Betty Parsons Gallery B) Alfonso Ossorio's private collection C) Studio Paul Facchetti in Paris D) Sidney Janis Gallery
A) His alcoholism deepened. B) He developed a severe anxiety disorder. C) He faced financial bankruptcy. D) He became reclusive and stopped painting.
A) 1942 B) 1945 C) 1950 D) 1948
A) John Bernard Myers B) Peggy Guggenheim C) Fritz Bultman D) Herbert Matter
A) "Krasner's creation, her Frankenstein" B) "An artist who didn't need guidance" C) "A genius independent of Lee" D) "Uninfluenced by his wife"
A) 1955 B) 1954 C) 1957 D) 1956
A) Lee Krasner B) Edith Metzger C) Tony Smith D) Ruth Kligman
A) Cemetery of the Holy Cross, Sedona B) Forest Lawn Memorial Park C) Green River Cemetery in Springs D) Woodlawn Cemetery, New York
A) Pablo Picasso B) Janet Sobel C) David Alfaro Siqueiros D) Wolfgang Paalen
A) 'Abstract expressionism'. B) 'Action painting'. C) 'Drip technique'. D) 'Color field painting'.
A) The Museum of Modern Art. B) The National Endowment for the Arts. C) The Guggenheim Foundation. D) The Congress for Cultural Freedom, backed by the CIA.
A) Frank Stella. B) Morris Louis. C) Helen Frankenthaler. D) Jackson Pollock.
A) First. B) Not ranked. C) Fiftieth. D) Eighth-most influential.
A) Ruth Kligman B) Barbra Streisand C) Leelee Sobieski D) Marcia Gay Harden
A) Ed Harris B) Al Pacino C) Robert De Niro D) Ben Affleck
A) Love Affair (1974) B) To a Violent Grave C) Jackson Pollock: A Biography D) An American Saga
A) Ed Harris B) Harold Becker C) Barbra Streisand D) Robert De Niro
A) Paramount Pictures B) The Pollock-Krasner Foundation C) TriBeCa Productions D) Barwood Films
A) The New Yorker B) Artforum C) Time D) Smithsonian magazine
A) $140 million B) $200 million C) $50 million D) $100 million
A) Ed Harris B) Robert De Niro C) Scott Raecker D) Henry Adams
A) Ex Machina B) Pollock C) Love Affair D) The Accountant (2016)
A) Harold Becker's character B) Robert De Niro's character C) Ben Affleck's character D) Ed Harris's character
A) Ex Machina B) Pollock C) The Accountant D) Love Affair
A) Ben Affleck B) Ed Harris C) Harold Becker D) Nathan Bateman
A) American government B) French government C) Australian Gough Whitlam government D) British government
A) No. 5, 1948 B) Number 19 (1948) C) Blue Poles D) Number 28, 1951
A) 'No. 5, 1948' B) 'Number 11, 1952' C) 'Number 19 (1948)' D) 'Number 28, 1951'
A) 2023 B) 1998 C) 2012 D) 2006
A) Gough Whitlam B) David Geffen C) Kenneth C. Griffin D) Christie's
A) Museum of Modern Art B) Kasmin C) Christie's D) Australian National Gallery
A) 1978 B) 1985 C) 2003 D) 1990
A) Pigment chromatography B) Infrared spectroscopy C) X-ray fluorescence D) Fractal analysis
A) No yellow pigments at all B) Pigments only used in the 1940s C) Only natural earth pigments D) Yellow paint pigments not commercially available until about 1970
A) 2015 B) 1983 C) 1999 D) 2005
A) 99% B) 93% C) 85% D) 75%
A) 1999 B) 2015 C) 2024 D) 2003
A) Excitement B) Increased anxiety C) Stress-reduction D) Confusion
A) International Foundation for Art Research B) Archives of American Art C) Artists Rights Society D) Stony Brook University
A) From May through October B) Only in winter C) All year round D) Only during summer |