A) Kublai Khan B) Araniko C) Emperor Gaozong D) Yang Qian
A) On the walls of the city gate B) In a forest near the capital C) In the Emperor's private palace D) On a stone tablet at the Imperial University
A) To highlight the wealth of the dynasty B) To document fashion trends C) To educate students as a moral code D) To celebrate the Mongol conquest
A) To claim his policies were supported by Confucianism B) To establish a new religion C) To increase tax revenues D) To improve relations with foreign empires
A) Yang Qian B) Emperor Gaozong C) Confucius D) Araniko
A) Moral rightness B) Reclusion from nature C) Loyalty to the Mongol government D) Financial wealth
A) The standard interior of a scholar's study B) The potential choice between reclusion and political service C) A specific historical battle site D) The absolute rejection of the Mongol government
A) Pure ink wash without coloring B) Outlining with ink and reinforcing with color C) Charcoal sketching and water wash D) Oil layering and brush strokes
A) Himalayan B) European C) Japanese D) Song Chinese
A) They avoid the use of color B) They focus heavily on emotional spirit C) They are highly symmetrical and rigid D) They are more fluid and narrative
A) The use of bright, contrasting landscapes B) Full frontal orientation and centered pupils C) The blurred facial expressions of the sitters D) The inclusion of handwritten inscriptions
A) Yuan portraits lack the emphasis on the sitter's spirit B) Yuan portraits emphasize spirit more than Song portraits C) Song portraits lacked spirit compared to Yuan D) Both emphasize the capture of spirit equally
A) Choosing between landscape and portrait painting B) Choosing between Buddhism and Confucianism C) Choosing between moving to the Himalayas or staying in China D) Choosing between reclusion or new political careers
A) Pablo Picasso B) Henri Matisse C) Gustav Klimt D) Otto Dix
A) Max Beckmann B) Gustav Klimt C) Oskar Kokoschka D) Amedeo Modigliani
A) Otto Dix B) Oskar Kokoschka C) Max Ernst D) Francis Picabia
A) Highly simplified B) Hyper-realistic C) Traditionalist D) Grossly distorted
A) Dadaism B) French impressionism C) Vorticism D) Cubism
A) Self-portraits B) Landscapes C) Sculptural reliefs D) Abstract murals
A) Max Ernst B) George Bellows C) Tamara de Lempicka D) Olga Boznańska
A) Robert Henri B) Max Ernst C) Andy Warhol D) George Bellows
A) Lucian Freud B) Chuck Close C) Jamie Wyeth D) Andrew Wyeth
A) 100 B) 27 C) 247 D) 500
A) Francis Bacon B) Chuck Close C) Lucian Freud D) Andy Warhol
A) Byzantine motifs B) Streamlined Art Deco style C) Nightmarish quality D) Hyper-realistic detail
A) Andy Warhol B) Chuck Close C) Jamie Wyeth D) Alex Katz
A) Orange Shot Marilyn B) Benefits Supervisor Sleeping C) Orange Prince D) All Friends Together
A) Robert Henri B) Jamie Wyeth C) George Bellows D) Andrew Wyeth
A) Expressionists B) Dadaists C) Impressionists D) Vorticists
A) Photography B) Digital art C) Lithography D) Sculpture carving
A) Three-quarter view B) Bust C) Half-length D) Full-length
A) The chin B) The eyes C) The mouth D) The ears
A) Mme. Charpentier and her children B) Portrait of George Washington C) Portrait of Madame X D) Christina's World
A) Fifty B) About four C) One hundred D) One
A) A second painter B) A mirror C) A photograph D) A professional model
A) Cézanne B) Goya C) Raphael D) Gilbert Stuart
A) Full-length B) Bust C) Profile D) Three-quarter
A) A month B) A week C) A year D) A day
A) A commission success B) A lower price C) A masterpiece D) A client's dissatisfaction
A) Greece B) Rome C) Egypt D) China
A) 10th century BC B) 20th century BC C) 14th century BC D) 5th century BC
A) 2000 BC B) 500 AD C) Over 1000 BC D) 100 AD
A) Surviving canvas paintings B) Papyrus sketches C) Literary evidence D) Stone murals
A) Theodosius I B) Pliny the Elder C) Alexander the Great D) Constantine I
A) Byzantium, Turkey B) Fayum, Egypt C) Rome, Italy D) Athens, Greece
A) Constantine I B) Pliny the Elder C) Socrates D) Alexander the Great
A) It increased significantly B) It remained the same C) It focused only on children D) It declined considerably
A) Caricatures of historical figures B) Abstract geometric shapes C) Highly realistic individual portraits D) Fairly standardized images
A) Robert Campin B) Jan van Eyck C) Hildegard of Bingen D) Leonardo da Vinci
A) Cosimo I de' Medici B) Charles IV C) Richard II of England D) Henry VIII
A) Michelangelo B) Sandro Botticelli C) Rogier van der Weyden D) Raphael
A) Fresco B) Tempera C) Oil colors D) Watercolor
A) Canvas resists cracking better than wood B) Canvas was cheaper than wood C) Canvas allows for faster drying D) Canvas was easier to find
A) Ginevra de' Benci B) The Arnolfini Marriage C) School of Athens D) The Mona Lisa
A) Albrecht Dürer B) Leonardo da Vinci C) Hans Holbein the Younger D) Lucas Cranach
A) Richard II B) Charles IV C) Sir Thomas More D) Henry VIII
A) Perfect symmetry B) Exaggerated width C) Absence of teeth D) Subtle asymmetry
A) Leonardo da Vinci B) Masaccio C) Titian D) Raphael
A) Agnolo Bronzino B) Raphael C) Titian D) Leonardo da Vinci
A) Hans Holbein the Younger B) El Greco C) Albrecht Dürer D) Agnolo Bronzino
A) Rembrandt B) The Accademia degli Incamminati C) Diego Velázquez D) Frans Hals
A) Peter Paul Rubens B) Diego Velázquez C) Frans Hals D) Sir Anthony van Dyck
A) Using very long brushes B) Painting only the background C) Observing exact similitude of every feature D) Taking the general air
A) John Trumbull B) Thomas Gainsborough C) William Hogarth D) Gilbert Stuart
A) John Singleton Copley B) John Trumbull C) Gilbert Stuart D) Charles Willson Peale
A) Pointillism B) Chiaroscuro C) Fresco D) Impasto
A) Élisabeth Vigée-Lebrun B) François Boucher C) Hyacinthe Rigaud D) Peter Paul Rubens
A) Madame de Pompadour B) Angelica Kauffman C) Élisabeth Vigée-Lebrun D) Rosalba Carriera
A) Diaphanous gowns B) Ornate floral corsets C) Traditional armor D) Heavy velvet robes
A) Jacques-Louis David B) Jean-Auguste-Dominique Ingres C) Eugène Delacroix D) Gustave Courbet
A) Piotr Michałowski B) Honoré Daumier C) Théodore Géricault D) Francisco de Goya
A) Édouard Manet B) Gustave Courbet C) Mary Cassatt D) Thomas Eakins
A) Edgar Degas B) Cecilia Beaux C) John Singer Sargent D) Giovanni Boldini
A) Edith Mahon B) Jane Avril C) Cecilia Beaux D) Mary Cassatt
A) Pierre-Auguste Renoir B) Claude Monet C) Honoré Daumier D) Jacques-Louis David
A) Gustave Courbet B) Edgar Degas C) Édouard Manet D) Thomas Eakins
A) Mongol Ilkhanids B) Ottoman Empire C) Qajar dynasty D) Mughal Empire
A) Full-back view B) Profile C) Frontal D) Three-quarter view
A) Poor eyesight B) Dyslexia C) Blindness D) Color blindness
A) Crowns B) Halos C) Swords D) Jeweled turbans
A) Foreign dignitaries B) Religious leaders C) The general public D) A very restricted circle
A) Ottoman B) Ilkhanid C) Mughal D) Qajar
A) Chinese-looking features B) European-looking features C) Abstract shapes D) Highly individualized features
A) Imperial palace guards B) Buddhist clergy C) Confucian bureaucrats D) Taoist merchants
A) The general public B) All government officials C) Foreign dignitaries D) The most senior ministers
A) Mathematics B) Calligraphy C) Physiognomy D) Astronomy
A) Only upon the death of an emperor B) Once per decade C) Once a year D) Every month
A) Gu Kaizhi B) Sima Yan C) Ruan Xian D) Rong Qiqi
A) 96 inches B) 150 inches C) 200 inches D) 35 inches
A) Seven B) Four C) Eight D) Ten
A) Ji Kang B) Rong Qiqi C) Liu Ling D) Ruan Ji
A) Dancing B) Drinking alcohol C) Playing the flute D) Writing literature
A) A harp B) A flute C) A zither D) A drum
A) An erbei B) A bowl C) A vase D) A goblet
A) Gu Kaizhi B) Sima Yan C) Shan Tao D) Ruan Xian
A) Ming dynasty B) Song dynasty C) Han dynasty D) Tang dynasty
A) Confucianism B) Buddhism C) Taoism D) Shintoism
A) Temporal incorruptibility B) Imperial legitimacy C) Chronological succession D) Spiritual consonance
A) Fifteen B) Twelve C) Thirteen D) Ten
A) Informal costumes indicated bad rulers, formal dress indicated high achievements B) Only the Tang dynasty emperors wore formal attire C) All emperors were dressed in identical royal robes D) Informal costumes indicated wise scholars, formal dress indicated warriors |