A) Costume selection
B) The inner life of the actor
C) Stage direction
D) Lighting design

A) The actor's personal goal
B) The character's overall goal
C) The setting of the play
D) The director's vision

A) System of acting
B) Meisner technique
C) Method acting
D) Lee Strasberg's approach

A) Underlying meaning of dialogue
B) Stage movement
C) Actor's biography
D) Director's notes

A) Establishing setting
B) Driving the action
C) Creating conflicts
D) Designing costumes

A) To write the script
B) To create depth for the character
C) To outline stage directions
D) To describe costume choices

A) Costume fittings
B) Rigid structure
C) Exploration and experimentation
D) Learning lines

A) Shakespeare's plays
B) Real-life celebrities
C) Stanislavski's own experiences
D) Historical figures