A) Stage direction
B) The inner life of the actor
C) Lighting design
D) Costume selection

A) The director's vision
B) The actor's personal goal
C) The character's overall goal
D) The setting of the play

A) Meisner technique
B) Lee Strasberg's approach
C) System of acting
D) Method acting

A) Director's notes
B) Stage movement
C) Underlying meaning of dialogue
D) Actor's biography

A) Establishing setting
B) Driving the action
C) Creating conflicts
D) Designing costumes

A) To outline stage directions
B) To create depth for the character
C) To write the script
D) To describe costume choices

A) Learning lines
B) Exploration and experimentation
C) Rigid structure
D) Costume fittings

A) Shakespeare's plays
B) Historical figures
C) Stanislavski's own experiences
D) Real-life celebrities