A) The inner life of the actor
B) Lighting design
C) Costume selection
D) Stage direction

A) The actor's personal goal
B) The director's vision
C) The setting of the play
D) The character's overall goal

A) System of acting
B) Lee Strasberg's approach
C) Method acting
D) Meisner technique

A) Stage movement
B) Director's notes
C) Actor's biography
D) Underlying meaning of dialogue

A) Creating conflicts
B) Driving the action
C) Establishing setting
D) Designing costumes

A) To outline stage directions
B) To create depth for the character
C) To write the script
D) To describe costume choices

A) Exploration and experimentation
B) Rigid structure
C) Costume fittings
D) Learning lines

A) Real-life celebrities
B) Shakespeare's plays
C) Historical figures
D) Stanislavski's own experiences