A) Costume selection
B) The inner life of the actor
C) Lighting design
D) Stage direction

A) The setting of the play
B) The director's vision
C) The actor's personal goal
D) The character's overall goal

A) Lee Strasberg's approach
B) System of acting
C) Method acting
D) Meisner technique

A) Establishing setting
B) Driving the action
C) Creating conflicts
D) Designing costumes

A) Learning lines
B) Exploration and experimentation
C) Rigid structure
D) Costume fittings

A) Real-life celebrities
B) Shakespeare's plays
C) Stanislavski's own experiences
D) Historical figures

A) Director's notes
B) Underlying meaning of dialogue
C) Actor's biography
D) Stage movement

A) To outline stage directions
B) To describe costume choices
C) To create depth for the character
D) To write the script