A) Costume selection
B) The inner life of the actor
C) Lighting design
D) Stage direction

A) The character's overall goal
B) The director's vision
C) The actor's personal goal
D) The setting of the play

A) Lee Strasberg's approach
B) System of acting
C) Meisner technique
D) Method acting

A) Establishing setting
B) Designing costumes
C) Creating conflicts
D) Driving the action

A) Rigid structure
B) Exploration and experimentation
C) Costume fittings
D) Learning lines

A) Historical figures
B) Real-life celebrities
C) Stanislavski's own experiences
D) Shakespeare's plays

A) Actor's biography
B) Stage movement
C) Director's notes
D) Underlying meaning of dialogue

A) To write the script
B) To create depth for the character
C) To describe costume choices
D) To outline stage directions