A) Lighting design
B) Costume selection
C) The inner life of the actor
D) Stage direction

A) The setting of the play
B) The actor's personal goal
C) The director's vision
D) The character's overall goal

A) Meisner technique
B) Lee Strasberg's approach
C) System of acting
D) Method acting

A) Underlying meaning of dialogue
B) Actor's biography
C) Stage movement
D) Director's notes

A) Designing costumes
B) Creating conflicts
C) Establishing setting
D) Driving the action

A) To outline stage directions
B) To describe costume choices
C) To create depth for the character
D) To write the script

A) Learning lines
B) Exploration and experimentation
C) Costume fittings
D) Rigid structure

A) Stanislavski's own experiences
B) Shakespeare's plays
C) Real-life celebrities
D) Historical figures