A) Lighting design
B) Stage direction
C) Costume selection
D) The inner life of the actor

A) The director's vision
B) The setting of the play
C) The actor's personal goal
D) The character's overall goal

A) Method acting
B) Meisner technique
C) Lee Strasberg's approach
D) System of acting

A) Stage movement
B) Underlying meaning of dialogue
C) Actor's biography
D) Director's notes

A) Creating conflicts
B) Designing costumes
C) Establishing setting
D) Driving the action

A) To create depth for the character
B) To outline stage directions
C) To describe costume choices
D) To write the script

A) Costume fittings
B) Exploration and experimentation
C) Learning lines
D) Rigid structure

A) Real-life celebrities
B) Stanislavski's own experiences
C) Historical figures
D) Shakespeare's plays