A) Goodman Theatre B) Albert Theatre C) Apollo Theater D) Broadway Theatre
A) September to December 2024 B) July 8 to September 2024 C) June 25 to August 11, 2024 D) July 8 to August 11, 2024
A) September 2024 B) July 8, 2024 C) August 11, 2024 D) June 25, 2024
A) Christopher Oram B) Rob Ashford C) Jon Weston D) Tanya Birl-Torres
A) Rob Ashford B) Tanya Birl-Torres C) Toni-Leslie James D) Neil Austin
A) Sierra Boggess B) Steven Oxman C) J. Harrison Ghee D) Tom Hewitt
A) J. Harrison Ghee B) Chris Jones C) Charles Isherwood D) Tom Hewitt
A) J. Harrison Ghee B) Sierra Boggess C) Elisabeth Vincentelli D) Tanya Birl-Torres
A) Jon Weston B) Christopher Oram C) Toni-Leslie James D) Neil Austin
A) Toni-Leslie James B) Rob Ashford C) Christopher Oram D) Jamie Platt
A) Tanya Birl-Torres & Tom Hewitt B) Neil Austin & Jamie Platt C) Toni-Leslie James & Rob Ashford D) Jon Weston & Christopher Oram
A) Christopher Oram B) Jon Weston C) Jamie Platt D) Neil Austin
A) September 2024 B) June 2024 C) July 2024 D) August 2024
A) 2024 B) 2026 C) 2027 D) 2025
A) The Wall Street Journal B) The New York Times C) Variety D) Chicago Tribune
A) Lacking credible conflict B) As intriguing as it is unwieldy C) Too timid in the splashier scenes D) A triple threat performer at the top of their game
A) Chris Jones B) Steven Oxman C) Benjamin Payne D) Charles Isherwood
A) The score was weaker than previous works B) The absence of a 1980s jury deliberation C) Problems resulting from adapting a digressive novel D) A lack of a credible conflict
A) Variety B) Chicago Tribune C) The New York Times D) Georgia Public Broadcasting
A) A weak musical score B) The absence of showing a 1980s jury deliberating C) Too timid direction in splashier scenes D) The lack of a credible conflict
A) Elisabeth Vincentelli B) Chris Jones C) Charles Isherwood D) Steven Oxman
A) The absence of a jury deliberation B) Poor set design C) Timidity in the splashier scenes D) Its lack of a credible conflict
A) Elisabeth Vincentelli B) Chris Jones C) Steven Oxman D) Benjamin Payne
A) Brilliant and engaging B) Extremely bold and chaotic C) Overall too timid D) Overly theatrical and unwieldy
A) Flawless from start to finish B) As intriguing as it is unwieldy, and so close to working C) A complete failure with no redeeming qualities D) The best musical adaptation of the decade
A) John Berendt B) Jason Robert Brown C) Alfred Uhry D) Taylor Mac
A) John Berendt B) Taylor Mac C) Jason Robert Brown D) Alfred Uhry
A) 2012 B) 1994 C) 2014 D) 2023
A) Jason Robert Brown B) John Berendt C) Alfred Uhry D) Taylor Mac
A) Chicago B) London C) Savannah D) New York
A) Jason Robert Brown B) Alfred Uhry C) John Berendt D) Danny Hansford
A) Jason Robert Brown B) Alfred Uhry C) Taylor Mac D) Rob Ashford
A) Alfred Uhry B) Jason Robert Brown C) John Berendt D) Johnny Mercer
A) Tony Goldwyn B) Stratton Leopold C) Taylor Mac D) Danny Hansford
A) John Berendt B) Jason Robert Brown C) Alfred Uhry D) Leslie Uggams
A) Jessica Molaskey B) Rob Ashford C) Anne Hamburger D) Taylor Mac
A) May 2012 B) Late 2014 C) July 2024 D) February 2023
A) December B) July C) May D) February
A) Alfred Uhry quit the production B) The director demanded modern pop music C) Mercer songs alone could not drive the story forward D) Johnny Mercer's catalogue was copyrighted
A) Singing without accompaniment B) Break the fourth wall C) Puppet performances D) Acrobatic stunts
A) Only the first act B) Only the lyrics C) Yes D) No
A) Visited Savannah B) Studied Johnny Mercer's biography C) Conducted readings in Chicago D) Interviewed Alfred Uhry
A) Anne Hamburger B) Tony Goldwyn C) Rob Ashford D) Stratton Leopold
A) Hansford's B) Williams's C) Mercer's D) Berendt's
A) Mercer House B) The Chicago Playhouse C) Goodman Theatre D) An antiques store |