A) Andrea Gritti B) Francesco Foscari C) Giovanni Soranzo D) Marino Contarini
A) Romanesque and Classical B) Byzantine, Gothic, and Islamic C) Neoclassical and Rococo D) Renaissance and Baroque
A) Greco-Roman traditions B) Roman Empire C) Byzantine history D) Carolingian Renaissance
A) Four distinct stories B) Three distinct stories C) Two distinct stories D) Five distinct stories
A) Contains private living quarters B) Serves as a covered corridor with a multi-arched entrance C) Houses administrative offices D) Is used for storage
A) A retractable bridge B) A multi-arched entrance made up of pointed arches C) A glass window D) A large wooden door
A) The entrance hall (portego de mezo) directly from the canal B) The attic storage area C) The private gardens D) A secret passage
A) Rectangular windows B) Quatrefoil windows C) Circular windows D) Oval arches
A) Dome structures B) Scalloped cusping of pointed arches and window tracery patterns C) Columned porticos D) Flying buttresses
A) Blue and silver B) Black and gold C) White and pale red stone with golden gilded accents D) Green and bronze
A) A Roman architect B) An Italian mason C) A Venetian sculptor D) Zoane di Franza, a painter
A) Stone from Istria treated with white lead and oil B) Limestone from Tuscany C) Marble from Carrara D) Granite from Sicily
A) They were painted over in black B) They were replaced with silver C) They were enhanced with additional gold leaf D) No more gold decoration remained on the exterior
A) It was mandated by Venetian law B) It reflected the building's structural integrity C) The owner insisted on keeping the original name D) Its golden façade was already so well-known
A) Palazzo Grassi B) Palazzo Barbaro C) Palazzo Contarini del Bovolo D) Palazzo Santa Sofia
A) Marino Contarini B) Baron Giorgio Franchetti C) Bartolomeo Bon D) Giovanni Bon
A) 2000 B) 1905 C) 1850 D) 1927
A) Venetian Gothic Gallery B) Palazzo Contarini del Bovolo Museum C) Galleria Giorgio Franchetti alla Ca' d'Oro D) Franchetti Art Collection
A) To assert his family's position in Venetian society B) To create a private chapel C) To serve as a public library D) To establish a trading post
A) Through his marriage to Soradamore Zeno B) Through inheritance from his father C) As a gift from the Doge of Venice D) By purchasing it from a merchant
A) The basement B) The ground floor C) The piano nobile (noble floor) D) The top floor
A) The private living quarters B) The central courtyard C) The gran salone D) The atrium (androne)
A) A statue garden B) An underground tunnel C) A large fountain D) A central wellhead
A) Baron Giorgio Franchetti B) Marie Taglioni C) Ferdinando Forlati D) Antonio Nardo
A) Marie Taglioni B) Antonio Nardo C) Ferdinando Forlati D) Baron Giorgio Franchetti
A) 1916 B) 1846 C) 1894 D) 1923
A) Ferdinando Forlati B) Alessandro Trubetzkoi C) Baron Giorgio Franchetti D) Marie Taglioni
A) Andrea Mantegna B) Bartolomeo Bon C) Antoon van Dyck D) Ferdinando Forlati
A) Residential area B) Art storage C) Exhibition space D) Utilitarian function
A) Ferdinando Forlati B) Alessandro Trubetzkoi C) Baron Giorgio Franchetti D) Antonio Nardo |