A) Pierre-Auguste Renoir B) Edgar Degas C) Claude Monet D) William-Adolphe Bouguereau
A) 1875 B) 1900 C) 1890 D) 1880
A) Oil on canvas B) Watercolor on paper C) Tempera on wood D) Charcoal on paper
A) White B) Red C) Black D) Blue
A) French B) Dutch C) Italian D) Spanish
A) Intimate and focused on the subject B) Crowded with multiple figures C) Minimalist and abstract D) Asymmetrical and unbalanced
A) Abstract compositions B) Industrial landscapes C) Mythological scenes and portraits D) Political satire
A) École des Beaux-Arts B) Black Mountain College C) Bauhaus D) Royal Academy of Arts
A) Unrealistically colored B) Rough and textured C) Porcelain-like smoothness D) Geometric facets
A) Final years B) Experimental phase C) Early student years D) Mature period
A) Blonde B) Red C) Black D) Brown
A) Highly successful and popular B) Only famous after death C) Controversial and rejected D) Unknown and obscure
A) Turner Prize B) Venice Biennale Golden Lion C) Nobel Prize in Arts D) Prix de Rome
A) Atmospheric perspective B) Linear perspective only C) Flat decorative space D) Overlapping shapes
A) Social commentary B) Idealized beauty and technical perfection C) Geometric abstraction D) Spontaneous brushwork
A) Professor B) Curator C) Janitor D) Student
A) Heavy impasto B) Smooth, invisible brushstrokes C) Pointillism D) Dripping paint
A) He later joined it B) He was indifferent to it C) He opposed it D) He was its founder
A) Modernism B) Renaissance C) Baroque D) Late 19th century Academic art |