A) William-Adolphe Bouguereau B) Pierre-Auguste Renoir C) Edgar Degas D) Claude Monet
A) 1900 B) 1880 C) 1890 D) 1875
A) Charcoal on paper B) Oil on canvas C) Watercolor on paper D) Tempera on wood
A) White B) Red C) Black D) Blue
A) Italian B) Spanish C) French D) Dutch
A) Asymmetrical and unbalanced B) Intimate and focused on the subject C) Crowded with multiple figures D) Minimalist and abstract
A) Industrial landscapes B) Political satire C) Mythological scenes and portraits D) Abstract compositions
A) École des Beaux-Arts B) Black Mountain College C) Royal Academy of Arts D) Bauhaus
A) Porcelain-like smoothness B) Unrealistically colored C) Rough and textured D) Geometric facets
A) Mature period B) Experimental phase C) Early student years D) Final years
A) Blonde B) Brown C) Black D) Red
A) Highly successful and popular B) Only famous after death C) Controversial and rejected D) Unknown and obscure
A) Turner Prize B) Venice Biennale Golden Lion C) Nobel Prize in Arts D) Prix de Rome
A) Overlapping shapes B) Linear perspective only C) Atmospheric perspective D) Flat decorative space
A) Idealized beauty and technical perfection B) Spontaneous brushwork C) Social commentary D) Geometric abstraction
A) Professor B) Curator C) Janitor D) Student
A) Smooth, invisible brushstrokes B) Heavy impasto C) Dripping paint D) Pointillism
A) He later joined it B) He was indifferent to it C) He was its founder D) He opposed it
A) Renaissance B) Baroque C) Modernism D) Late 19th century Academic art |