A) London B) Rome C) Paris D) Venice
A) Cubism B) Surrealism C) Impressionism D) Renaissance
A) Government and military B) Marketplace and trade C) Church and monarchy D) School and hospital
A) Mythology B) Portraits C) Vanitas D) Landscape
A) 19th century B) 17th century C) 14th century D) 20th century
A) Pointillism B) Collage C) Graffiti D) Chiaroscuro
A) Symmetrical patterns B) Use of diagonals and spirals C) Horizontal lines D) Geometric shapes
A) Louise Élisabeth Vigée Le Brun B) Frida Kahlo C) Artemisia Gentileschi D) Mary Cassatt
A) Neoclassical B) Rococo C) Baroque D) Renaissance
A) Fresco B) Mosaic C) Cartouche D) Bas-relief
A) German B) Spanish C) French D) Italian
A) Irregular pearls B) Silver filigree C) Gold chains D) Diamond cuts
A) Voltaire B) Rene Descartes C) Blaise Pascal D) Michel de Montaigne
A) 1762 B) 1531 C) 1694 D) 1728
A) Jean-Philippe Rameau B) Ludwig van Beethoven C) Johann Sebastian Bach D) Wolfgang Amadeus Mozart
A) Baroque music B) Romantic music C) Renaissance music D) Classical music
A) Jacob Burckhardt B) John Ruskin C) Heinrich Wölfflin D) Quatremère de Quincy
A) Rococo B) Neoclassical C) Gothic D) Art Nouveau
A) A traditional and classical form. B) An innovative and modern approach. C) A harmonious and balanced composition. D) Something irregular, bizarre or unequal.
A) Raphael Sanzio B) Leonardo da Vinci C) Michelangelo Buonarroti D) Federico Barocci
A) 1788 B) 1855 C) 1768 D) 1835
A) To celebrate Gothic architecture. B) To ridicule post-Renaissance art. C) To describe modernist movements. D) To praise Renaissance art.
A) The Renaissance B) The Protestant Reformation C) The French Revolution D) The Industrial Revolution
A) Frescoes on the walls B) Trompe-l'œil paintings on the ceiling C) Stained glass windows D) Sculptures of saints
A) They use only monochromatic colors B) They depict multiple scenes in one perspective C) They avoid religious themes D) They are designed for correct perspective from the floor
A) The flying buttress B) The twisted column C) The pointed spire D) The flat arch
A) Francesco Borromini B) Bramante C) Carlo Maderno D) Gian Lorenzo Bernini
A) Symmetrical design B) Minimalist style C) Forced perspective D) Geometric abstraction
A) 1605 B) 1634 C) 1656 D) 1584
A) Francesco Borromini B) Gian Lorenzo Bernini C) Guarino Guarini D) Baldassare Longhena
A) Andrea Pozzo B) Giovanni Battista Gaulli C) Francesco Borromini D) Gian Lorenzo Bernini
A) Gian Lorenzo Bernini B) Baldassare Longhena C) Guarino Guarini D) Francesco Borromini
A) Santa Maria della Salute B) St. Peter's Basilica C) The Church of the Gesù D) San Carlo alle Quattro Fontane
A) Guarino Guarini B) Francesco Borromini C) Baldassare Longhena D) Gian Lorenzo Bernini
A) Santiago de Compostela Cathedral B) Chapel tower of Palace of San Telmo C) Palace of San Telmo D) San Isidro Chapel in Madrid
A) Salamanca B) Madrid C) Granada D) Seville
A) Fernando de Casas Novoa B) Pedro de la Torre C) Leonardo de Figueroa D) Alonso Cano
A) Classicism B) Rococo C) Churrigueresque style D) Gothic
A) Madrid B) Granada C) Salamanca D) Seville
A) Narciso Tomé B) Pedro de Ribera C) Fernando de Casas Novoa D) Alonso Cano
A) Heinrich Schütz B) Claudio Monteverdi C) Arcangelo Corelli D) Johann Pachelbel
A) Balthasar Neumann B) Dominikus Zimmermann C) Johann Bernhard Fischer von Erlach D) Matthäus Daniel Pöppelmann
A) Coimbra B) Lisbon C) Porto D) Braga
A) Alessandro Scarlatti B) Marc-Antoine Charpentier C) Francesco Cavalli D) Tomaso Albinoni
A) Displaying jewelry B) Writing letters C) Storing books D) Holding dishes
A) Jan Dismas Zelenka B) Giovanni Battista Pergolesi C) Francesco Cavalli D) Alessandro Scarlatti
A) Stone B) Bronze C) Polychromed wood D) Marble
A) St. Petersburg B) Berlin C) Paris D) Rome
A) Henry Purcell B) Antonio Vivaldi C) Johann Sebastian Bach D) George Frideric Handel
A) Juan Rodríguez Juárez B) José Juárez C) Gregorio Vasquez de Arce y Ceballos D) Miguel Cabrera
A) Maximalist railings decorated with rinceaux B) Simple wooden fences without decoration C) Flat metal grilles D) Minimalist stone barriers
A) 1725 B) 1688 C) 1717 D) 1736
A) Lima B) Mexico City C) Santiago D) Buenos Aires
A) Faces were not depicted B) Faces clearly expressed emotions C) Faces were more tranquil D) Faces were abstract and non-representational
A) Heinrich Schütz B) Henry Purcell C) Jean-Baptiste Lully D) Pierre Perrin
A) Rome B) Venice C) Padua D) Florence
A) 1734 B) 1940 C) 1768 D) 1919
A) José Juárez B) Gregorio Vasquez de Arce y Ceballos C) Juan Rodríguez Juárez D) Miguel Cabrera
A) Railings at Mogoșoaia Palace B) Flat roofs without decoration C) Simple stone walls D) Minimalist wooden furniture
A) Henry Purcell B) Jean-Baptiste Lully C) Heinrich Schütz D) Bartolomeo Cristofori
A) Florence B) Vienna C) Tuscany D) Paris, opened by Pierre Perrin
A) 1919 B) October 1733 C) 1768 D) May 1734
A) Byzantine rule B) Ottoman Empire's peak period C) Romanian independence era D) Phanariot reigns
A) Balthasar Neumann B) Johann Bernhard Fischer von Erlach C) Dominikus Zimmermann D) Georg Wenzeslaus von Knobelsdorff
A) Delicate floral motifs B) Geometric patterns without depth C) Minimalist stone carvings D) Simple geometric shapes
A) Royal Absolutism B) Golden Age C) Pombaline Era D) Baroque Boom
A) Heinrich Schütz's compositions B) Jacopo Peri's Dafne C) Robert Cambert's Pomone D) Jean-Philippe Rameau's Hippolyte et Aricie
A) Marcos Zapata B) Diego Quispe Tito C) Luis de Riaño D) Basilio Santa Cruz Pumacallao
A) Mansard roof B) Applied order C) Broken pediments D) Curvilinear façades
A) Pierre Le Muet B) Robert de Cotte C) François Mansart D) Louis Le Vau
A) Arcangelo Corelli B) Antonio Vivaldi C) Marin Marais D) Henry Purcell
A) Murillesque B) Cusco School of painting C) Sevillan Tenebrism D) Quito School
A) Manila B) Davao City C) Vigan D) Cebu City
A) Hippolyte et Aricie B) Lully's operas C) Dafne D) Pomone
A) Venice B) Bologna C) Milan D) Florence
A) Mercure de France B) Opera libretti C) Musical compositions D) Encyclopédie by Denis Diderot
A) Francesco Borromini B) Nicolau Nasoni C) Giovanni Battista Piranesi D) Carlo Maderno
A) Claude Perrault B) François Mansart C) Charles Le Brun D) André Le Nôtre
A) In the center of a room B) On top of another piece of furniture C) Against a wall D) Underneath a window
A) Carlos Drummond de Andrade B) Aleijadinho C) Oscar Niemeyer D) Lúcio Costa
A) Louis XIV B) Pope Urban VIII C) Charles II of Spain D) Frederick the Great
A) Ivan the Terrible B) Nicholas II C) Catherine the Great D) Peter the Great
A) Giovanni Gabrieli B) Arcangelo Corelli C) Claudio Monteverdi D) Heinrich Schütz
A) Denis Diderot B) Curt Sachs C) Jean-Jacques Rousseau D) Manfred Bukofzer
A) Pietro da Cortona B) François Boucher C) Diego Velázquez D) Elisabetta Sirani
A) Tylman van Gameren B) Giovanni Battista Trevano C) Pompeo Ferrari D) Christoph Dientzenhofer
A) São Paulo B) Fortaleza C) Recife D) Salvador
A) Johann Sebastian Bach B) George Frideric Handel C) Antonio Vivaldi D) Jean-Philippe Rameau
A) Johann Sebastian Bach B) François Couperin C) Domenico Scarlatti D) Arcangelo Corelli
A) Nature B) Renaissance works C) Classical models D) Modern art
A) Pietro da Cortona B) Nicolas Poussin C) Michelangelo Merisi da Caravaggio D) François Boucher
A) Canapé B) Chest C) Commode D) Fauteuil en confessionale
A) Jan Dismas Zelenka B) Marc-Antoine Charpentier C) Alessandro Scarlatti D) Francesco Cavalli
A) Symphoniae sacrae book 2 B) Musikalische Exequien C) Ercole amante D) L'Orfeo, favola in musica
A) Louis XIV B) Louis XVI C) Louis XV D) Napoleon Bonaparte
A) Sebastián López de Arteaga B) Bernardo Bitti C) José Juárez D) Melchor Pérez de Holguín
A) Vasile Lupu B) Matei Basarab C) Michael the Brave D) Constantin Brâncoveanu
A) Un cimbalo di cipresso di piano e forte B) Concerto C) Sinfonia D) Fortepiano
A) Jean-Philippe Rameau B) Marc-Antoine Charpentier C) George Frideric Handel D) Domenico Scarlatti
A) Arcangelo Corelli B) Marin Marais C) Johann Pachelbel D) Henry Purcell |