A) Venice B) Paris C) Rome D) London
A) Cubism B) Impressionism C) Surrealism D) Renaissance
A) School and hospital B) Government and military C) Marketplace and trade D) Church and monarchy
A) Mythology B) Vanitas C) Landscape D) Portraits
A) 20th century B) 17th century C) 19th century D) 14th century
A) Collage B) Pointillism C) Graffiti D) Chiaroscuro
A) Geometric shapes B) Symmetrical patterns C) Horizontal lines D) Use of diagonals and spirals
A) Artemisia Gentileschi B) Frida Kahlo C) Mary Cassatt D) Louise Élisabeth Vigée Le Brun
A) Rococo B) Baroque C) Renaissance D) Neoclassical
A) Cartouche B) Fresco C) Bas-relief D) Mosaic
A) Italian B) French C) Spanish D) German
A) Silver filigree B) Irregular pearls C) Diamond cuts D) Gold chains
A) Voltaire B) Blaise Pascal C) Michel de Montaigne D) Rene Descartes
A) 1694 B) 1762 C) 1531 D) 1728
A) Johann Sebastian Bach B) Ludwig van Beethoven C) Jean-Philippe Rameau D) Wolfgang Amadeus Mozart
A) Renaissance music B) Baroque music C) Romantic music D) Classical music
A) Quatremère de Quincy B) John Ruskin C) Jacob Burckhardt D) Heinrich Wölfflin
A) Neoclassical B) Rococo C) Art Nouveau D) Gothic
A) A traditional and classical form. B) Something irregular, bizarre or unequal. C) A harmonious and balanced composition. D) An innovative and modern approach.
A) Leonardo da Vinci B) Raphael Sanzio C) Michelangelo Buonarroti D) Federico Barocci
A) 1768 B) 1835 C) 1855 D) 1788
A) To describe modernist movements. B) To praise Renaissance art. C) To ridicule post-Renaissance art. D) To celebrate Gothic architecture.
A) The Renaissance B) The French Revolution C) The Protestant Reformation D) The Industrial Revolution
A) Stained glass windows B) Trompe-l'œil paintings on the ceiling C) Sculptures of saints D) Frescoes on the walls
A) They use only monochromatic colors B) They are designed for correct perspective from the floor C) They depict multiple scenes in one perspective D) They avoid religious themes
A) The twisted column B) The flat arch C) The pointed spire D) The flying buttress
A) Bramante B) Francesco Borromini C) Gian Lorenzo Bernini D) Carlo Maderno
A) Forced perspective B) Geometric abstraction C) Minimalist style D) Symmetrical design
A) 1584 B) 1634 C) 1605 D) 1656
A) Gian Lorenzo Bernini B) Baldassare Longhena C) Francesco Borromini D) Guarino Guarini
A) Andrea Pozzo B) Francesco Borromini C) Gian Lorenzo Bernini D) Giovanni Battista Gaulli
A) Francesco Borromini B) Guarino Guarini C) Gian Lorenzo Bernini D) Baldassare Longhena
A) St. Peter's Basilica B) San Carlo alle Quattro Fontane C) Santa Maria della Salute D) The Church of the Gesù
A) Guarino Guarini B) Baldassare Longhena C) Francesco Borromini D) Gian Lorenzo Bernini
A) San Isidro Chapel in Madrid B) Santiago de Compostela Cathedral C) Palace of San Telmo D) Chapel tower of Palace of San Telmo
A) Granada B) Madrid C) Salamanca D) Seville
A) Pedro de la Torre B) Fernando de Casas Novoa C) Leonardo de Figueroa D) Alonso Cano
A) Classicism B) Rococo C) Gothic D) Churrigueresque style
A) Granada B) Salamanca C) Madrid D) Seville
A) Pedro de Ribera B) Narciso Tomé C) Fernando de Casas Novoa D) Alonso Cano
A) Claudio Monteverdi B) Arcangelo Corelli C) Johann Pachelbel D) Heinrich Schütz
A) Balthasar Neumann B) Johann Bernhard Fischer von Erlach C) Matthäus Daniel Pöppelmann D) Dominikus Zimmermann
A) Braga B) Lisbon C) Coimbra D) Porto
A) Marc-Antoine Charpentier B) Tomaso Albinoni C) Francesco Cavalli D) Alessandro Scarlatti
A) Displaying jewelry B) Storing books C) Writing letters D) Holding dishes
A) Giovanni Battista Pergolesi B) Jan Dismas Zelenka C) Alessandro Scarlatti D) Francesco Cavalli
A) Polychromed wood B) Stone C) Bronze D) Marble
A) Paris B) St. Petersburg C) Berlin D) Rome
A) Johann Sebastian Bach B) Henry Purcell C) George Frideric Handel D) Antonio Vivaldi
A) Gregorio Vasquez de Arce y Ceballos B) Juan Rodríguez Juárez C) José Juárez D) Miguel Cabrera
A) Maximalist railings decorated with rinceaux B) Minimalist stone barriers C) Flat metal grilles D) Simple wooden fences without decoration
A) 1688 B) 1736 C) 1725 D) 1717
A) Mexico City B) Santiago C) Lima D) Buenos Aires
A) Faces were not depicted B) Faces clearly expressed emotions C) Faces were abstract and non-representational D) Faces were more tranquil
A) Pierre Perrin B) Heinrich Schütz C) Jean-Baptiste Lully D) Henry Purcell
A) Venice B) Padua C) Rome D) Florence
A) 1919 B) 1940 C) 1768 D) 1734
A) Gregorio Vasquez de Arce y Ceballos B) José Juárez C) Juan Rodríguez Juárez D) Miguel Cabrera
A) Railings at Mogoșoaia Palace B) Minimalist wooden furniture C) Simple stone walls D) Flat roofs without decoration
A) Henry Purcell B) Bartolomeo Cristofori C) Heinrich Schütz D) Jean-Baptiste Lully
A) Florence B) Paris, opened by Pierre Perrin C) Vienna D) Tuscany
A) May 1734 B) October 1733 C) 1768 D) 1919
A) Ottoman Empire's peak period B) Romanian independence era C) Byzantine rule D) Phanariot reigns
A) Georg Wenzeslaus von Knobelsdorff B) Johann Bernhard Fischer von Erlach C) Dominikus Zimmermann D) Balthasar Neumann
A) Delicate floral motifs B) Simple geometric shapes C) Geometric patterns without depth D) Minimalist stone carvings
A) Royal Absolutism B) Baroque Boom C) Golden Age D) Pombaline Era
A) Robert Cambert's Pomone B) Heinrich Schütz's compositions C) Jean-Philippe Rameau's Hippolyte et Aricie D) Jacopo Peri's Dafne
A) Luis de Riaño B) Diego Quispe Tito C) Marcos Zapata D) Basilio Santa Cruz Pumacallao
A) Mansard roof B) Applied order C) Broken pediments D) Curvilinear façades
A) Pierre Le Muet B) Louis Le Vau C) François Mansart D) Robert de Cotte
A) Henry Purcell B) Antonio Vivaldi C) Arcangelo Corelli D) Marin Marais
A) Murillesque B) Quito School C) Sevillan Tenebrism D) Cusco School of painting
A) Manila B) Davao City C) Cebu City D) Vigan
A) Lully's operas B) Pomone C) Dafne D) Hippolyte et Aricie
A) Venice B) Milan C) Florence D) Bologna
A) Musical compositions B) Mercure de France C) Encyclopédie by Denis Diderot D) Opera libretti
A) Francesco Borromini B) Carlo Maderno C) Nicolau Nasoni D) Giovanni Battista Piranesi
A) Charles Le Brun B) Claude Perrault C) André Le Nôtre D) François Mansart
A) Underneath a window B) On top of another piece of furniture C) In the center of a room D) Against a wall
A) Carlos Drummond de Andrade B) Aleijadinho C) Oscar Niemeyer D) Lúcio Costa
A) Louis XIV B) Charles II of Spain C) Frederick the Great D) Pope Urban VIII
A) Ivan the Terrible B) Nicholas II C) Catherine the Great D) Peter the Great
A) Heinrich Schütz B) Giovanni Gabrieli C) Claudio Monteverdi D) Arcangelo Corelli
A) Denis Diderot B) Manfred Bukofzer C) Jean-Jacques Rousseau D) Curt Sachs
A) François Boucher B) Elisabetta Sirani C) Pietro da Cortona D) Diego Velázquez
A) Christoph Dientzenhofer B) Giovanni Battista Trevano C) Pompeo Ferrari D) Tylman van Gameren
A) Salvador B) São Paulo C) Fortaleza D) Recife
A) Antonio Vivaldi B) George Frideric Handel C) Jean-Philippe Rameau D) Johann Sebastian Bach
A) Domenico Scarlatti B) Johann Sebastian Bach C) Arcangelo Corelli D) François Couperin
A) Renaissance works B) Classical models C) Modern art D) Nature
A) Michelangelo Merisi da Caravaggio B) François Boucher C) Nicolas Poussin D) Pietro da Cortona
A) Fauteuil en confessionale B) Chest C) Canapé D) Commode
A) Francesco Cavalli B) Alessandro Scarlatti C) Jan Dismas Zelenka D) Marc-Antoine Charpentier
A) Ercole amante B) Musikalische Exequien C) Symphoniae sacrae book 2 D) L'Orfeo, favola in musica
A) Louis XVI B) Louis XV C) Louis XIV D) Napoleon Bonaparte
A) Melchor Pérez de Holguín B) Sebastián López de Arteaga C) José Juárez D) Bernardo Bitti
A) Constantin Brâncoveanu B) Matei Basarab C) Michael the Brave D) Vasile Lupu
A) Concerto B) Sinfonia C) Un cimbalo di cipresso di piano e forte D) Fortepiano
A) Domenico Scarlatti B) Marc-Antoine Charpentier C) Jean-Philippe Rameau D) George Frideric Handel
A) Johann Pachelbel B) Arcangelo Corelli C) Henry Purcell D) Marin Marais |