A) Rome B) London C) Venice D) Paris
A) Surrealism B) Cubism C) Impressionism D) Renaissance
A) Government and military B) School and hospital C) Marketplace and trade D) Church and monarchy
A) Landscape B) Portraits C) Vanitas D) Mythology
A) 17th century B) 19th century C) 14th century D) 20th century
A) Graffiti B) Chiaroscuro C) Collage D) Pointillism
A) Horizontal lines B) Symmetrical patterns C) Geometric shapes D) Use of diagonals and spirals
A) Frida Kahlo B) Mary Cassatt C) Artemisia Gentileschi D) Louise Élisabeth Vigée Le Brun
A) Baroque B) Renaissance C) Rococo D) Neoclassical
A) Cartouche B) Bas-relief C) Fresco D) Mosaic
A) Italian B) German C) Spanish D) French
A) Gold chains B) Diamond cuts C) Silver filigree D) Irregular pearls
A) Michel de Montaigne B) Rene Descartes C) Voltaire D) Blaise Pascal
A) 1762 B) 1694 C) 1531 D) 1728
A) Jean-Philippe Rameau B) Johann Sebastian Bach C) Ludwig van Beethoven D) Wolfgang Amadeus Mozart
A) Renaissance music B) Romantic music C) Baroque music D) Classical music
A) Jacob Burckhardt B) Quatremère de Quincy C) Heinrich Wölfflin D) John Ruskin
A) Gothic B) Art Nouveau C) Neoclassical D) Rococo
A) A traditional and classical form. B) A harmonious and balanced composition. C) Something irregular, bizarre or unequal. D) An innovative and modern approach.
A) Michelangelo Buonarroti B) Leonardo da Vinci C) Raphael Sanzio D) Federico Barocci
A) 1855 B) 1835 C) 1768 D) 1788
A) To celebrate Gothic architecture. B) To praise Renaissance art. C) To describe modernist movements. D) To ridicule post-Renaissance art.
A) The Renaissance B) The Protestant Reformation C) The French Revolution D) The Industrial Revolution
A) Stained glass windows B) Trompe-l'œil paintings on the ceiling C) Frescoes on the walls D) Sculptures of saints
A) They depict multiple scenes in one perspective B) They use only monochromatic colors C) They avoid religious themes D) They are designed for correct perspective from the floor
A) The flying buttress B) The pointed spire C) The flat arch D) The twisted column
A) Gian Lorenzo Bernini B) Bramante C) Carlo Maderno D) Francesco Borromini
A) Minimalist style B) Symmetrical design C) Forced perspective D) Geometric abstraction
A) 1656 B) 1634 C) 1605 D) 1584
A) Francesco Borromini B) Gian Lorenzo Bernini C) Guarino Guarini D) Baldassare Longhena
A) Gian Lorenzo Bernini B) Francesco Borromini C) Giovanni Battista Gaulli D) Andrea Pozzo
A) Gian Lorenzo Bernini B) Baldassare Longhena C) Francesco Borromini D) Guarino Guarini
A) The Church of the Gesù B) San Carlo alle Quattro Fontane C) St. Peter's Basilica D) Santa Maria della Salute
A) Guarino Guarini B) Gian Lorenzo Bernini C) Baldassare Longhena D) Francesco Borromini
A) San Isidro Chapel in Madrid B) Santiago de Compostela Cathedral C) Palace of San Telmo D) Chapel tower of Palace of San Telmo
A) Seville B) Salamanca C) Granada D) Madrid
A) Fernando de Casas Novoa B) Leonardo de Figueroa C) Pedro de la Torre D) Alonso Cano
A) Rococo B) Churrigueresque style C) Classicism D) Gothic
A) Madrid B) Seville C) Salamanca D) Granada
A) Pedro de Ribera B) Fernando de Casas Novoa C) Alonso Cano D) Narciso Tomé
A) Christoph Dientzenhofer B) Giovanni Battista Trevano C) Tylman van Gameren D) Pompeo Ferrari
A) Balthasar Neumann B) Johann Bernhard Fischer von Erlach C) Dominikus Zimmermann D) Matthäus Daniel Pöppelmann
A) Balthasar Neumann B) Johann Bernhard Fischer von Erlach C) Georg Wenzeslaus von Knobelsdorff D) Dominikus Zimmermann
A) Louis XIV B) Napoleon Bonaparte C) Louis XVI D) Louis XV
A) Louis Le Vau B) Robert de Cotte C) Pierre Le Muet D) François Mansart
A) Claude Perrault B) François Mansart C) André Le Nôtre D) Charles Le Brun
A) Nicholas II B) Peter the Great C) Catherine the Great D) Ivan the Terrible
A) Broken pediments B) Curvilinear façades C) Applied order D) Mansard roof
A) Royal Absolutism B) Golden Age C) Pombaline Era D) Baroque Boom
A) Coimbra B) Lisbon C) Braga D) Porto
A) Nicolau Nasoni B) Giovanni Battista Piranesi C) Carlo Maderno D) Francesco Borromini
A) Mexico City B) Buenos Aires C) Lima D) Santiago
A) Fortaleza B) São Paulo C) Salvador D) Recife
A) Carlos Drummond de Andrade B) Oscar Niemeyer C) Aleijadinho D) Lúcio Costa
A) Vasile Lupu B) Constantin Brâncoveanu C) Matei Basarab D) Michael the Brave
A) Phanariot reigns B) Ottoman Empire's peak period C) Romanian independence era D) Byzantine rule
A) Vigan B) Manila C) Davao City D) Cebu City
A) Minimalist stone carvings B) Delicate floral motifs C) Geometric patterns without depth D) Simple geometric shapes
A) Flat metal grilles B) Simple wooden fences without decoration C) Maximalist railings decorated with rinceaux D) Minimalist stone barriers
A) Railings at Mogoșoaia Palace B) Minimalist wooden furniture C) Simple stone walls D) Flat roofs without decoration
A) Faces were not depicted B) Faces were more tranquil C) Faces clearly expressed emotions D) Faces were abstract and non-representational
A) Bologna B) Venice C) Florence D) Milan
A) Michelangelo Merisi da Caravaggio B) Nicolas Poussin C) François Boucher D) Pietro da Cortona
A) Elisabetta Sirani B) François Boucher C) Diego Velázquez D) Pietro da Cortona
A) Sebastián López de Arteaga B) Melchor Pérez de Holguín C) José Juárez D) Bernardo Bitti
A) Diego Quispe Tito B) Luis de Riaño C) Marcos Zapata D) Basilio Santa Cruz Pumacallao
A) Quito School B) Sevillan Tenebrism C) Murillesque D) Cusco School of painting
A) Juan Rodríguez Juárez B) Miguel Cabrera C) José Juárez D) Gregorio Vasquez de Arce y Ceballos
A) José Juárez B) Gregorio Vasquez de Arce y Ceballos C) Juan Rodríguez Juárez D) Miguel Cabrera
A) Pope Urban VIII B) Louis XIV C) Charles II of Spain D) Frederick the Great
A) Modern art B) Nature C) Classical models D) Renaissance works
A) St. Petersburg B) Rome C) Paris D) Berlin
A) Polychromed wood B) Bronze C) Stone D) Marble
A) Canapé B) Commode C) Fauteuil en confessionale D) Chest
A) Against a wall B) On top of another piece of furniture C) In the center of a room D) Underneath a window
A) Displaying jewelry B) Holding dishes C) Storing books D) Writing letters
A) Pomone B) Hippolyte et Aricie C) Lully's operas D) Dafne
A) May 1734 B) October 1733 C) 1768 D) 1919
A) Denis Diderot B) Manfred Bukofzer C) Jean-Jacques Rousseau D) Curt Sachs
A) Henry Purcell B) Jean-Baptiste Lully C) Heinrich Schütz D) Bartolomeo Cristofori
A) Sinfonia B) Fortepiano C) Concerto D) Un cimbalo di cipresso di piano e forte
A) Heinrich Schütz B) Henry Purcell C) Jean-Baptiste Lully D) Pierre Perrin
A) Vienna B) Florence C) Paris, opened by Pierre Perrin D) Tuscany
A) Robert Cambert's Pomone B) Jacopo Peri's Dafne C) Jean-Philippe Rameau's Hippolyte et Aricie D) Heinrich Schütz's compositions
A) Mercure de France B) Encyclopédie by Denis Diderot C) Musical compositions D) Opera libretti
A) 1734 B) 1940 C) 1768 D) 1919
A) Florence B) Venice C) Padua D) Rome
A) Claudio Monteverdi B) Giovanni Gabrieli C) Heinrich Schütz D) Arcangelo Corelli
A) 1725 B) 1717 C) 1736 D) 1688
A) Ercole amante B) Musikalische Exequien C) Symphoniae sacrae book 2 D) L'Orfeo, favola in musica
A) Henry Purcell B) George Frideric Handel C) Antonio Vivaldi D) Johann Sebastian Bach
A) Marc-Antoine Charpentier B) Alessandro Scarlatti C) Tomaso Albinoni D) Francesco Cavalli
A) Antonio Vivaldi B) Johann Sebastian Bach C) George Frideric Handel D) Jean-Philippe Rameau
A) Henry Purcell B) Arcangelo Corelli C) Antonio Vivaldi D) Marin Marais
A) Jan Dismas Zelenka B) Giovanni Battista Pergolesi C) Francesco Cavalli D) Alessandro Scarlatti
A) Claudio Monteverdi B) Johann Pachelbel C) Arcangelo Corelli D) Heinrich Schütz
A) Johann Sebastian Bach B) Arcangelo Corelli C) François Couperin D) Domenico Scarlatti
A) Francesco Cavalli B) Alessandro Scarlatti C) Marc-Antoine Charpentier D) Jan Dismas Zelenka
A) Johann Pachelbel B) Marin Marais C) Henry Purcell D) Arcangelo Corelli
A) Marc-Antoine Charpentier B) Jean-Philippe Rameau C) Domenico Scarlatti D) George Frideric Handel |