A) Paris B) Venice C) Rome D) London
A) Impressionism B) Renaissance C) Cubism D) Surrealism
A) School and hospital B) Church and monarchy C) Marketplace and trade D) Government and military
A) Mythology B) Vanitas C) Portraits D) Landscape
A) 20th century B) 14th century C) 19th century D) 17th century
A) Graffiti B) Pointillism C) Chiaroscuro D) Collage
A) Symmetrical patterns B) Use of diagonals and spirals C) Geometric shapes D) Horizontal lines
A) Mary Cassatt B) Louise Élisabeth Vigée Le Brun C) Frida Kahlo D) Artemisia Gentileschi
A) Baroque B) Renaissance C) Neoclassical D) Rococo
A) Bas-relief B) Cartouche C) Fresco D) Mosaic
A) Spanish B) Italian C) French D) German
A) Diamond cuts B) Irregular pearls C) Gold chains D) Silver filigree
A) Rene Descartes B) Blaise Pascal C) Michel de Montaigne D) Voltaire
A) 1694 B) 1728 C) 1762 D) 1531
A) Ludwig van Beethoven B) Jean-Philippe Rameau C) Johann Sebastian Bach D) Wolfgang Amadeus Mozart
A) Romantic music B) Renaissance music C) Baroque music D) Classical music
A) Heinrich Wölfflin B) John Ruskin C) Quatremère de Quincy D) Jacob Burckhardt
A) Gothic B) Art Nouveau C) Rococo D) Neoclassical
A) Something irregular, bizarre or unequal. B) An innovative and modern approach. C) A traditional and classical form. D) A harmonious and balanced composition.
A) Raphael Sanzio B) Leonardo da Vinci C) Federico Barocci D) Michelangelo Buonarroti
A) 1768 B) 1788 C) 1835 D) 1855
A) To celebrate Gothic architecture. B) To describe modernist movements. C) To praise Renaissance art. D) To ridicule post-Renaissance art.
A) The French Revolution B) The Industrial Revolution C) The Protestant Reformation D) The Renaissance
A) Stained glass windows B) Sculptures of saints C) Trompe-l'œil paintings on the ceiling D) Frescoes on the walls
A) They depict multiple scenes in one perspective B) They use only monochromatic colors C) They are designed for correct perspective from the floor D) They avoid religious themes
A) The flat arch B) The flying buttress C) The twisted column D) The pointed spire
A) Gian Lorenzo Bernini B) Francesco Borromini C) Carlo Maderno D) Bramante
A) Forced perspective B) Symmetrical design C) Geometric abstraction D) Minimalist style
A) 1584 B) 1656 C) 1634 D) 1605
A) Baldassare Longhena B) Gian Lorenzo Bernini C) Francesco Borromini D) Guarino Guarini
A) Gian Lorenzo Bernini B) Giovanni Battista Gaulli C) Francesco Borromini D) Andrea Pozzo
A) Guarino Guarini B) Gian Lorenzo Bernini C) Francesco Borromini D) Baldassare Longhena
A) San Carlo alle Quattro Fontane B) Santa Maria della Salute C) The Church of the Gesù D) St. Peter's Basilica
A) Guarino Guarini B) Baldassare Longhena C) Gian Lorenzo Bernini D) Francesco Borromini
A) Chapel tower of Palace of San Telmo B) Palace of San Telmo C) San Isidro Chapel in Madrid D) Santiago de Compostela Cathedral
A) Granada B) Madrid C) Salamanca D) Seville
A) Alonso Cano B) Leonardo de Figueroa C) Pedro de la Torre D) Fernando de Casas Novoa
A) Gothic B) Classicism C) Rococo D) Churrigueresque style
A) Salamanca B) Granada C) Madrid D) Seville
A) Alonso Cano B) Pedro de Ribera C) Narciso Tomé D) Fernando de Casas Novoa
A) Claudio Monteverdi B) Johann Pachelbel C) Arcangelo Corelli D) Heinrich Schütz
A) Matthäus Daniel Pöppelmann B) Balthasar Neumann C) Johann Bernhard Fischer von Erlach D) Dominikus Zimmermann
A) Lisbon B) Coimbra C) Braga D) Porto
A) Francesco Cavalli B) Alessandro Scarlatti C) Marc-Antoine Charpentier D) Tomaso Albinoni
A) Storing books B) Holding dishes C) Displaying jewelry D) Writing letters
A) Giovanni Battista Pergolesi B) Francesco Cavalli C) Alessandro Scarlatti D) Jan Dismas Zelenka
A) Stone B) Bronze C) Marble D) Polychromed wood
A) Rome B) Berlin C) Paris D) St. Petersburg
A) Johann Sebastian Bach B) Henry Purcell C) Antonio Vivaldi D) George Frideric Handel
A) Juan Rodríguez Juárez B) Gregorio Vasquez de Arce y Ceballos C) José Juárez D) Miguel Cabrera
A) Minimalist stone barriers B) Flat metal grilles C) Simple wooden fences without decoration D) Maximalist railings decorated with rinceaux
A) 1725 B) 1688 C) 1717 D) 1736
A) Mexico City B) Lima C) Santiago D) Buenos Aires
A) Faces clearly expressed emotions B) Faces were not depicted C) Faces were more tranquil D) Faces were abstract and non-representational
A) Heinrich Schütz B) Pierre Perrin C) Jean-Baptiste Lully D) Henry Purcell
A) Rome B) Padua C) Florence D) Venice
A) 1940 B) 1734 C) 1768 D) 1919
A) Miguel Cabrera B) Gregorio Vasquez de Arce y Ceballos C) Juan Rodríguez Juárez D) José Juárez
A) Simple stone walls B) Minimalist wooden furniture C) Railings at Mogoșoaia Palace D) Flat roofs without decoration
A) Henry Purcell B) Heinrich Schütz C) Jean-Baptiste Lully D) Bartolomeo Cristofori
A) Vienna B) Florence C) Paris, opened by Pierre Perrin D) Tuscany
A) October 1733 B) 1768 C) May 1734 D) 1919
A) Ottoman Empire's peak period B) Phanariot reigns C) Byzantine rule D) Romanian independence era
A) Dominikus Zimmermann B) Georg Wenzeslaus von Knobelsdorff C) Johann Bernhard Fischer von Erlach D) Balthasar Neumann
A) Simple geometric shapes B) Minimalist stone carvings C) Delicate floral motifs D) Geometric patterns without depth
A) Pombaline Era B) Baroque Boom C) Golden Age D) Royal Absolutism
A) Robert Cambert's Pomone B) Heinrich Schütz's compositions C) Jacopo Peri's Dafne D) Jean-Philippe Rameau's Hippolyte et Aricie
A) Basilio Santa Cruz Pumacallao B) Diego Quispe Tito C) Marcos Zapata D) Luis de Riaño
A) Broken pediments B) Curvilinear façades C) Applied order D) Mansard roof
A) Robert de Cotte B) François Mansart C) Louis Le Vau D) Pierre Le Muet
A) Antonio Vivaldi B) Marin Marais C) Henry Purcell D) Arcangelo Corelli
A) Murillesque B) Cusco School of painting C) Quito School D) Sevillan Tenebrism
A) Davao City B) Cebu City C) Manila D) Vigan
A) Hippolyte et Aricie B) Dafne C) Lully's operas D) Pomone
A) Florence B) Milan C) Bologna D) Venice
A) Musical compositions B) Encyclopédie by Denis Diderot C) Opera libretti D) Mercure de France
A) Francesco Borromini B) Nicolau Nasoni C) Carlo Maderno D) Giovanni Battista Piranesi
A) Claude Perrault B) François Mansart C) Charles Le Brun D) André Le Nôtre
A) Against a wall B) On top of another piece of furniture C) In the center of a room D) Underneath a window
A) Oscar Niemeyer B) Lúcio Costa C) Aleijadinho D) Carlos Drummond de Andrade
A) Louis XIV B) Frederick the Great C) Pope Urban VIII D) Charles II of Spain
A) Catherine the Great B) Peter the Great C) Nicholas II D) Ivan the Terrible
A) Claudio Monteverdi B) Heinrich Schütz C) Arcangelo Corelli D) Giovanni Gabrieli
A) Manfred Bukofzer B) Curt Sachs C) Denis Diderot D) Jean-Jacques Rousseau
A) François Boucher B) Pietro da Cortona C) Diego Velázquez D) Elisabetta Sirani
A) Pompeo Ferrari B) Giovanni Battista Trevano C) Tylman van Gameren D) Christoph Dientzenhofer
A) Fortaleza B) Recife C) Salvador D) São Paulo
A) George Frideric Handel B) Jean-Philippe Rameau C) Johann Sebastian Bach D) Antonio Vivaldi
A) Domenico Scarlatti B) Johann Sebastian Bach C) François Couperin D) Arcangelo Corelli
A) Modern art B) Nature C) Classical models D) Renaissance works
A) Pietro da Cortona B) Nicolas Poussin C) François Boucher D) Michelangelo Merisi da Caravaggio
A) Commode B) Fauteuil en confessionale C) Chest D) Canapé
A) Alessandro Scarlatti B) Marc-Antoine Charpentier C) Francesco Cavalli D) Jan Dismas Zelenka
A) Ercole amante B) L'Orfeo, favola in musica C) Symphoniae sacrae book 2 D) Musikalische Exequien
A) Louis XV B) Napoleon Bonaparte C) Louis XVI D) Louis XIV
A) Sebastián López de Arteaga B) José Juárez C) Melchor Pérez de Holguín D) Bernardo Bitti
A) Constantin Brâncoveanu B) Matei Basarab C) Vasile Lupu D) Michael the Brave
A) Concerto B) Fortepiano C) Un cimbalo di cipresso di piano e forte D) Sinfonia
A) Domenico Scarlatti B) Jean-Philippe Rameau C) George Frideric Handel D) Marc-Antoine Charpentier
A) Johann Pachelbel B) Marin Marais C) Henry Purcell D) Arcangelo Corelli |