A) Paris B) Venice C) London D) Rome
A) Surrealism B) Cubism C) Impressionism D) Renaissance
A) Church and monarchy B) Marketplace and trade C) School and hospital D) Government and military
A) Mythology B) Vanitas C) Portraits D) Landscape
A) 17th century B) 14th century C) 19th century D) 20th century
A) Pointillism B) Graffiti C) Chiaroscuro D) Collage
A) Horizontal lines B) Use of diagonals and spirals C) Geometric shapes D) Symmetrical patterns
A) Mary Cassatt B) Louise Élisabeth Vigée Le Brun C) Artemisia Gentileschi D) Frida Kahlo
A) Rococo B) Baroque C) Renaissance D) Neoclassical
A) Cartouche B) Fresco C) Bas-relief D) Mosaic
A) French B) Spanish C) Italian D) German
A) Gold chains B) Irregular pearls C) Diamond cuts D) Silver filigree
A) Blaise Pascal B) Michel de Montaigne C) Rene Descartes D) Voltaire
A) 1531 B) 1694 C) 1762 D) 1728
A) Johann Sebastian Bach B) Jean-Philippe Rameau C) Wolfgang Amadeus Mozart D) Ludwig van Beethoven
A) Renaissance music B) Romantic music C) Baroque music D) Classical music
A) John Ruskin B) Quatremère de Quincy C) Heinrich Wölfflin D) Jacob Burckhardt
A) Rococo B) Neoclassical C) Gothic D) Art Nouveau
A) Something irregular, bizarre or unequal. B) An innovative and modern approach. C) A harmonious and balanced composition. D) A traditional and classical form.
A) Leonardo da Vinci B) Michelangelo Buonarroti C) Raphael Sanzio D) Federico Barocci
A) 1788 B) 1768 C) 1855 D) 1835
A) To ridicule post-Renaissance art. B) To describe modernist movements. C) To celebrate Gothic architecture. D) To praise Renaissance art.
A) The Protestant Reformation B) The Industrial Revolution C) The French Revolution D) The Renaissance
A) Trompe-l'œil paintings on the ceiling B) Frescoes on the walls C) Stained glass windows D) Sculptures of saints
A) They use only monochromatic colors B) They avoid religious themes C) They depict multiple scenes in one perspective D) They are designed for correct perspective from the floor
A) The pointed spire B) The flat arch C) The twisted column D) The flying buttress
A) Gian Lorenzo Bernini B) Francesco Borromini C) Bramante D) Carlo Maderno
A) Symmetrical design B) Forced perspective C) Minimalist style D) Geometric abstraction
A) 1605 B) 1656 C) 1584 D) 1634
A) Baldassare Longhena B) Francesco Borromini C) Gian Lorenzo Bernini D) Guarino Guarini
A) Andrea Pozzo B) Francesco Borromini C) Gian Lorenzo Bernini D) Giovanni Battista Gaulli
A) Guarino Guarini B) Francesco Borromini C) Gian Lorenzo Bernini D) Baldassare Longhena
A) St. Peter's Basilica B) San Carlo alle Quattro Fontane C) Santa Maria della Salute D) The Church of the Gesù
A) Gian Lorenzo Bernini B) Guarino Guarini C) Francesco Borromini D) Baldassare Longhena
A) Santiago de Compostela Cathedral B) Palace of San Telmo C) San Isidro Chapel in Madrid D) Chapel tower of Palace of San Telmo
A) Granada B) Salamanca C) Seville D) Madrid
A) Alonso Cano B) Fernando de Casas Novoa C) Pedro de la Torre D) Leonardo de Figueroa
A) Classicism B) Churrigueresque style C) Rococo D) Gothic
A) Salamanca B) Madrid C) Granada D) Seville
A) Pedro de Ribera B) Narciso Tomé C) Alonso Cano D) Fernando de Casas Novoa
A) Giovanni Battista Trevano B) Tylman van Gameren C) Christoph Dientzenhofer D) Pompeo Ferrari
A) Dominikus Zimmermann B) Johann Bernhard Fischer von Erlach C) Balthasar Neumann D) Matthäus Daniel Pöppelmann
A) Johann Bernhard Fischer von Erlach B) Georg Wenzeslaus von Knobelsdorff C) Dominikus Zimmermann D) Balthasar Neumann
A) Louis XVI B) Louis XIV C) Louis XV D) Napoleon Bonaparte
A) Louis Le Vau B) François Mansart C) Robert de Cotte D) Pierre Le Muet
A) François Mansart B) André Le Nôtre C) Charles Le Brun D) Claude Perrault
A) Nicholas II B) Peter the Great C) Ivan the Terrible D) Catherine the Great
A) Curvilinear façades B) Applied order C) Mansard roof D) Broken pediments
A) Pombaline Era B) Royal Absolutism C) Baroque Boom D) Golden Age
A) Braga B) Lisbon C) Coimbra D) Porto
A) Giovanni Battista Piranesi B) Nicolau Nasoni C) Carlo Maderno D) Francesco Borromini
A) Buenos Aires B) Lima C) Santiago D) Mexico City
A) Fortaleza B) São Paulo C) Recife D) Salvador
A) Aleijadinho B) Oscar Niemeyer C) Carlos Drummond de Andrade D) Lúcio Costa
A) Constantin Brâncoveanu B) Matei Basarab C) Michael the Brave D) Vasile Lupu
A) Ottoman Empire's peak period B) Byzantine rule C) Romanian independence era D) Phanariot reigns
A) Cebu City B) Vigan C) Davao City D) Manila
A) Minimalist stone carvings B) Geometric patterns without depth C) Delicate floral motifs D) Simple geometric shapes
A) Maximalist railings decorated with rinceaux B) Flat metal grilles C) Minimalist stone barriers D) Simple wooden fences without decoration
A) Minimalist wooden furniture B) Simple stone walls C) Flat roofs without decoration D) Railings at Mogoșoaia Palace
A) Faces were more tranquil B) Faces were not depicted C) Faces were abstract and non-representational D) Faces clearly expressed emotions
A) Florence B) Bologna C) Venice D) Milan
A) Nicolas Poussin B) Michelangelo Merisi da Caravaggio C) Pietro da Cortona D) François Boucher
A) François Boucher B) Elisabetta Sirani C) Pietro da Cortona D) Diego Velázquez
A) Melchor Pérez de Holguín B) Sebastián López de Arteaga C) Bernardo Bitti D) José Juárez
A) Basilio Santa Cruz Pumacallao B) Marcos Zapata C) Diego Quispe Tito D) Luis de Riaño
A) Murillesque B) Cusco School of painting C) Sevillan Tenebrism D) Quito School
A) José Juárez B) Juan Rodríguez Juárez C) Miguel Cabrera D) Gregorio Vasquez de Arce y Ceballos
A) Miguel Cabrera B) Gregorio Vasquez de Arce y Ceballos C) José Juárez D) Juan Rodríguez Juárez
A) Louis XIV B) Charles II of Spain C) Frederick the Great D) Pope Urban VIII
A) Renaissance works B) Modern art C) Classical models D) Nature
A) St. Petersburg B) Berlin C) Paris D) Rome
A) Polychromed wood B) Bronze C) Stone D) Marble
A) Chest B) Canapé C) Fauteuil en confessionale D) Commode
A) Against a wall B) Underneath a window C) In the center of a room D) On top of another piece of furniture
A) Storing books B) Writing letters C) Holding dishes D) Displaying jewelry
A) Lully's operas B) Pomone C) Dafne D) Hippolyte et Aricie
A) October 1733 B) May 1734 C) 1768 D) 1919
A) Curt Sachs B) Manfred Bukofzer C) Jean-Jacques Rousseau D) Denis Diderot
A) Bartolomeo Cristofori B) Heinrich Schütz C) Jean-Baptiste Lully D) Henry Purcell
A) Fortepiano B) Un cimbalo di cipresso di piano e forte C) Concerto D) Sinfonia
A) Jean-Baptiste Lully B) Heinrich Schütz C) Pierre Perrin D) Henry Purcell
A) Florence B) Vienna C) Tuscany D) Paris, opened by Pierre Perrin
A) Robert Cambert's Pomone B) Jacopo Peri's Dafne C) Jean-Philippe Rameau's Hippolyte et Aricie D) Heinrich Schütz's compositions
A) Encyclopédie by Denis Diderot B) Mercure de France C) Musical compositions D) Opera libretti
A) 1919 B) 1734 C) 1940 D) 1768
A) Rome B) Venice C) Padua D) Florence
A) Giovanni Gabrieli B) Claudio Monteverdi C) Heinrich Schütz D) Arcangelo Corelli
A) 1736 B) 1725 C) 1717 D) 1688
A) L'Orfeo, favola in musica B) Symphoniae sacrae book 2 C) Ercole amante D) Musikalische Exequien
A) Henry Purcell B) Johann Sebastian Bach C) George Frideric Handel D) Antonio Vivaldi
A) Tomaso Albinoni B) Alessandro Scarlatti C) Marc-Antoine Charpentier D) Francesco Cavalli
A) Antonio Vivaldi B) Jean-Philippe Rameau C) George Frideric Handel D) Johann Sebastian Bach
A) Antonio Vivaldi B) Henry Purcell C) Marin Marais D) Arcangelo Corelli
A) Alessandro Scarlatti B) Giovanni Battista Pergolesi C) Jan Dismas Zelenka D) Francesco Cavalli
A) Johann Pachelbel B) Heinrich Schütz C) Claudio Monteverdi D) Arcangelo Corelli
A) Johann Sebastian Bach B) Arcangelo Corelli C) François Couperin D) Domenico Scarlatti
A) Alessandro Scarlatti B) Jan Dismas Zelenka C) Marc-Antoine Charpentier D) Francesco Cavalli
A) Henry Purcell B) Johann Pachelbel C) Marin Marais D) Arcangelo Corelli
A) Domenico Scarlatti B) George Frideric Handel C) Jean-Philippe Rameau D) Marc-Antoine Charpentier |