A) Only buildings constructed with natural materials B) Anything involving a Māori client with a Māori focus C) Architectural designs created only by Māori architects D) Strictly as traditional meeting houses and shrines
A) The kaupapa and client's aspirations B) The use of specific traditional carvings C) The architectural budget and timeline D) The size of the land available
A) Only within the last decade B) During the 1920s C) From the 1960s D) Since the 1980s
A) Sacred place B) Meeting ground C) Sleeping quarters D) Shared kitchen
A) Retail shopping centre B) Sports stadium C) Private hotel D) Whare ora (health centre)
A) One large space with a porch and one door and window in front B) Multiple small rooms surrounding a central courtyard C) A circular building with multiple entrances D) An open-air pavilion with no walls
A) International airports and government embassies B) Private suburban homes and apartment complexes C) Public parks and industrial warehouses D) Prisons, schools and universities
A) Futuna Chapel B) Te Papa Museum C) Sky Tower D) Auckland War Memorial Museum
A) Providing permanent housing for the general public B) Exclusively for government council meetings C) Serving as a commercial marketplace D) Hosting events like weddings and funerals
A) Educational research centres B) Domestic Māori villages C) Traditional fishing ports D) Religious temples
A) Strict adherence to building codes B) Abundance of modern apartments C) Uniform architectural styles D) Acute shortage of dwellings
A) Resistance from Indigenous communities B) Lack of building materials C) Excessive land availability D) Rapid population growth
A) Western industrial standards B) Indigenous Australian cultural norms C) Governmental administrative preferences D) Global architectural trends
A) Lack of political will to build B) High costs of specialized labor C) Failure to recognize diverse cultural housing needs D) Use of environmentally friendly materials
A) Disruption of social organization B) Improvement of infrastructure C) Easier maintenance of households D) Reduction of construction costs
A) Avoidance behaviours B) Internet connectivity C) Parking space requirements D) Personal storage capacity
A) Using standardized blueprints B) Independently C) Through a singular national design D) By copying urban city models
A) Twelve B) Nine C) Seven D) Ten
A) Ability to wash people B) Large garden spaces C) Installation of high-speed internet D) Provision of luxury appliances
A) Domiciliary behaviours B) Market resale value C) Investment potential D) Construction speed
A) Severe stress on the occupants B) Better financial management C) Increased housing longevity D) Improved family bonding
A) Increasing the number of windows B) Painting exterior walls C) Eradicating all natural wildlife D) Reducing impact of pests or vermin
A) European colonial designs B) Only historical ruins C) Culture-specific architecture D) Standardized global housing
A) Igloo B) Teepee C) Yurt D) Wiltja
A) Steel beams B) Brick and mortar C) Basalt rocks D) Concrete slabs
A) Elongated egg shape B) Perfectly square C) Flat rectangle D) Tall pyramid
A) Cane B) Plastic piping C) Iron bars D) Bamboo
A) Sod cladding B) Animal fur C) Wood paneling D) Synthetic shingles
A) Late 1980s B) Late 1990s C) Mid 1970s D) Early 2000s
A) Halls Gap, Victoria B) Yirrkala, Northern Territory C) Redfern, Sydney D) Perth, Western Australia
A) Halls Gap, Victoria B) Bathurst, New South Wales C) Tennant Creek, Northern Territory D) Derby, Western Australia
A) West Kimberley Regional Prison B) Sydney Opera House C) The National Gallery of Australia D) Parliament House
A) Edith Cowan University B) University of Sydney C) University of Melbourne D) University of Newcastle
A) Modernist urban design B) Country-centred design C) Colonial design D) Universal design
A) Elizabeth Grant B) Timothy O'Rourke C) Paul Pholeros D) Sarah Lynn Rees
A) Tipi B) Pit house C) Igloo D) Longhouse
A) Wickiup ruins B) Igloo foundations C) Longhouse pits D) Quiggly holes
A) Animal hides B) Whale bones C) Red cedar planks D) Snow blocks
A) A totem pole made of ice B) A heraldric pole C) A garden arch D) A stone statue
A) Saplings B) Whale bones C) Red cedar D) Bison hides
A) Craig Kerslake B) Paul Memmott C) Rueben Berg D) Linda Kennedy
A) The far north B) The Canadian Prairies C) The Interior of British Columbia D) Southern Ontario
A) Increased migration to rural areas B) Exacerbated overcrowding C) A decline in farming D) A shortage of food supplies
A) Ryan Walker B) Patrick Stewart C) Wanda Dalla Costa D) Brian Porter
A) Alfred Waugh B) Étienne Gaboury C) Douglas Cardinal D) David Fortin
A) Regina B) Gatineau C) Vancouver D) Winnipeg
A) Douglas Cardinal B) Ryan Walker C) David Fortin D) Wanda Dalla Costa
A) Vancouver B) Wendake C) Thunder Bay D) Winnipeg
A) Rectangular B) Square C) Circular D) Triangular
A) Pyramid-like B) Gabled C) Flat D) Domed
A) Stone B) Clay C) Plants D) Metal
A) Scented flora B) Thorny bushes C) Vegetables D) Fruit trees
A) They were set higher B) They lacked roofs C) They were made of brick D) They were round
A) Government offices B) Schools C) Shopping malls D) Churches
A) Rural areas are evolving at a slower rate B) Rural areas are evolving faster C) They are evolving at the same rate D) Rural areas have stopped evolving
A) Le Clan Case B) La Flèche Case C) Le Petit Case D) La Grande Case
A) Palm wood B) Pine wood C) Oak wood D) Houp wood
A) Ixoe B) Kanak C) Behno D) Katana
A) A bad spirit B) The clan's protector C) The ancestor D) The living chief
A) Houp wood strips B) Coconut leaf C) Pandanus leaf D) Banana leaf
A) Grande Case B) Katana C) Ixoe D) Behno
A) Jean-Marie Tjibaou B) Alban Bensa C) Paul Vincent D) Renzo Piano
A) Twelve B) Ten C) Eight D) Thirty-four
A) Pine B) Oak C) Iroko D) Cedar
A) Eight B) Fifty-seven C) Four D) Ten
A) Tinu Peninsula B) Nouméa City Center C) New Caledonia mountain range D) A remote tribal village
A) The god of the lagoon B) A French explorer C) Téâ Kanaké D) The first tribal chief
A) 1989 B) 2005 C) 1998 D) 1853
A) 8 B) 341 C) 4,000 D) 57
A) Modern industrial warehouses B) Oceanic boat structures C) Colonial French architecture D) Traditional Kanak Grand Hut
A) Paul Vincent B) Renzo Piano C) Jean-Marie Tjibaou D) Alban Bensa
A) Metal sheets B) Clay tiles C) Palm fronds D) Totara-bark shingles
A) Cooking house B) Storage of fishing nets C) Sleeping house D) Carved meeting house
A) Backbone B) Ribs C) Head D) Heart
A) Pātaka B) Kāuta C) Marae D) Whare puni
A) It acts as the front door B) It supports the roof as a ridge beam C) It functions as a storage rack D) It represents the heart
A) Eyes B) Hair C) Fingers D) Toes
A) Fish drying rack B) Carved meeting house C) Sleeping hut D) Ancestor tomb
A) A local chief from the North Island central plateau B) A mythological figure who created the moon C) A Polynesian navigator from Tahiti D) Ruatepupuke
A) As arms B) As fingers C) As lungs D) As ribs
A) 2 metres x 3 metres B) 10 metres x 10 metres C) 1 metre x 2 metres D) 5 metres x 5 metres
A) For better insulation B) To hide from enemies C) To honor the earth deity D) To provide extra storage space
A) Batalan B) Bai C) Kamalig D) Bahay Kubo
A) Airai Bai B) Ancient Bai C) Elders' Bai D) Koror Bai
A) Kisame B) Bubungan C) Silong D) Ventanilla
A) Elsdon Best B) John Scott C) Elisapeta Heta D) Rewi Thompson
A) Wall dividers made of bamboo B) Roof vents for smoke C) Smaller windows underneath larger ones D) Traditional floor mats
A) Nipa Hut B) Batalan C) Kamalig D) Bahay na Bato
A) The floor B) The ceiling C) The wall frame D) The window frame
A) Jade Kake B) Elsdon Best C) Fleur Palmer D) Deidre Brown
A) Nordland B) Arcticus C) Sápmi D) Scandia
A) Scandinavia B) Russia C) Greenland D) Canada
A) Lavvu poles are wood, goahti poles are stone B) Lavvu has a chimney, goahti has an open hole C) Lavvu is square, goahti is circular D) Lavvu poles meet, goahti poles remain separate
A) Guy-wire B) Three forked poles C) Straight poles D) Size and quantity of poles
A) Zero B) Three C) One D) Two
A) Circular B) Hexagonal C) Elongated D) Rectangular
A) Arctic dome B) Reindeer hut C) Bread box lavvu D) Turf shelter
A) Six B) Two C) Eight D) Four
A) 180° B) 130° C) 45° D) 90°
A) Heavy wool felt B) Reindeer leather C) Canvas D) Plastic sheeting |