A) Diego Velázquez B) Peter Paul Rubens C) Rembrandt van Rijn D) Anthony van Dyck
A) Charles I of England B) Philip IV of Spain C) James I of England D) Louis XIV of France
A) Louvre Museum B) National Gallery, London C) Prado Museum D) Royal Collection, Windsor Castle
A) French B) English C) Flemish D) Dutch
A) Renaissance B) Baroque C) Rococo D) Neoclassicism
A) Brown B) Black C) White D) Gray
A) Master of Ceremonies B) Royal Architect C) Principal Painter D) Court Jester
A) Chaotic movement B) Peaceful tranquility C) Regal authority and control D) Religious devotion
A) Toward Charles I as the focal point B) Toward M. de St Antoine C) Toward the background landscape D) In a circular motion around the painting
A) As a religious reformer B) As a common man C) As a military failure D) As a divinely appointed monarch
A) Rich variation in fabrics and surfaces B) Rough, impasto technique C) Flat, uniform textures D) Monochrome treatment
A) Dull colors show humility B) Bright colors create chaos C) Monochromatic for simplicity D) Rich, royal colors emphasize status
A) Introduced landscape backgrounds B) Established aristocratic portrait style C) Had little influence D) Popularized miniature portraits
A) 1651 B) 1588 C) 1633 D) 1702
A) A donkey B) A horse C) A carriage D) A chariot
A) Titian B) Vermeer C) Caravaggio D) Peter Paul Rubens |