A) Rembrandt van Rijn B) Peter Paul Rubens C) Diego Velázquez D) Anthony van Dyck
A) Louis XIV of France B) Charles I of England C) Philip IV of Spain D) James I of England
A) Louvre Museum B) Prado Museum C) National Gallery, London D) Royal Collection, Windsor Castle
A) French B) Flemish C) Dutch D) English
A) Neoclassicism B) Renaissance C) Rococo D) Baroque
A) Brown B) Gray C) White D) Black
A) Principal Painter B) Master of Ceremonies C) Royal Architect D) Court Jester
A) Chaotic movement B) Religious devotion C) Peaceful tranquility D) Regal authority and control
A) In a circular motion around the painting B) Toward the background landscape C) Toward Charles I as the focal point D) Toward M. de St Antoine
A) As a common man B) As a military failure C) As a divinely appointed monarch D) As a religious reformer
A) Monochrome treatment B) Rich variation in fabrics and surfaces C) Flat, uniform textures D) Rough, impasto technique
A) Rich, royal colors emphasize status B) Monochromatic for simplicity C) Bright colors create chaos D) Dull colors show humility
A) Introduced landscape backgrounds B) Popularized miniature portraits C) Had little influence D) Established aristocratic portrait style
A) 1588 B) 1702 C) 1651 D) 1633
A) A chariot B) A carriage C) A donkey D) A horse
A) Peter Paul Rubens B) Titian C) Caravaggio D) Vermeer |