A) To dictate how the audience should interpret the artwork
B) To create hidden compartments for art pieces
C) To select and arrange artworks for display
D) To disassemble the artworks after display

A) To cast shadows and obscure the artwork
B) To make it difficult for viewers to appreciate the art
C) To reduce the worth of the artwork
D) To enhance the visibility and atmosphere of the artwork

A) To prevent viewers from getting close to the art
B) To provide a neutral backdrop that enhances the artworks
C) To make the space look smaller
D) To distract viewers from the art

A) To restrict any interaction with the artworks
B) To engage the audience and make them active participants
C) To create a barrier between the art and the viewers
D) To intimidate the audience

A) By limiting the viewers' understanding of the artwork
B) By breaking down boundaries and exploring new forms of expression and experience
C) By conforming to outdated methods of display
D) By banning access to the art

A) To prevent viewers from reading about the art
B) To cover up the artwork
C) To provide context, explanation, or provoke thought
D) To mislead viewers about the artwork

A) By blocking the architecture from view
B) By ignoring the architecture completely
C) By creating dialogue and interactions with the surroundings
D) By positioning the artworks randomly within the space

A) To create a sense of drama, impact, or intimacy
B) To diminish the significance of the artwork
C) To confuse viewers about the artwork's meaning
D) To deter viewers from engaging with the art

A) To overpower the artworks
B) To pollute the exhibition space
C) To alienate viewers from nature
D) To introduce organic beauty and connect with the environment

A) To hide the artworks from the public
B) To create immersive and dynamic experiences for viewers
C) To make the art less appealing
D) To limit the audience's access to art