A) To select and arrange artworks for display
B) To dictate how the audience should interpret the artwork
C) To disassemble the artworks after display
D) To create hidden compartments for art pieces

A) To cast shadows and obscure the artwork
B) To reduce the worth of the artwork
C) To enhance the visibility and atmosphere of the artwork
D) To make it difficult for viewers to appreciate the art

A) To prevent viewers from getting close to the art
B) To make the space look smaller
C) To distract viewers from the art
D) To provide a neutral backdrop that enhances the artworks

A) To restrict any interaction with the artworks
B) To intimidate the audience
C) To create a barrier between the art and the viewers
D) To engage the audience and make them active participants

A) By conforming to outdated methods of display
B) By breaking down boundaries and exploring new forms of expression and experience
C) By banning access to the art
D) By limiting the viewers' understanding of the artwork

A) To prevent viewers from reading about the art
B) To provide context, explanation, or provoke thought
C) To mislead viewers about the artwork
D) To cover up the artwork

A) By blocking the architecture from view
B) By creating dialogue and interactions with the surroundings
C) By positioning the artworks randomly within the space
D) By ignoring the architecture completely

A) To create a sense of drama, impact, or intimacy
B) To confuse viewers about the artwork's meaning
C) To deter viewers from engaging with the art
D) To diminish the significance of the artwork

A) To pollute the exhibition space
B) To alienate viewers from nature
C) To introduce organic beauty and connect with the environment
D) To overpower the artworks

A) To make the art less appealing
B) To limit the audience's access to art
C) To hide the artworks from the public
D) To create immersive and dynamic experiences for viewers