A) Richard Norman Shaw B) Harry Kent C) Maurice Adams D) Peter Waite
A) 1885 to 1910 B) 1890 to 1915 C) 1880 to 1905 D) 1900 to 1920
A) Victorian B) Modernist C) Federation Bungalow D) Federation Queen Anne
A) Aluminum siding B) Plastic molding C) Elaborate fretwork D) Stone carvings
A) Flat roofs B) Skylights C) Verandahs D) Basement garages
A) Caerleon B) West Maling C) Urrbrae House D) Annesbury
A) Bellevue Hill B) Burwood C) Penshurst D) Ashfield
A) Harry Kent B) Richard Norman Shaw C) Federation architect D) Maurice Adams
A) Weld Club B) APA Building C) Campion College D) ANZ Bank
A) 1990 B) 1890 C) 1915 D) 1981
A) Rapacious development B) Earthquake damage C) Fire damage D) Lack of historical significance
A) 1888 B) 1885 C) 1900 D) 1895
A) Caerleon B) West Maling C) Urrbrae House D) Redcourt Estate
A) Reasonably well-off people B) The working class C) Government officials only D) Rural farmers
A) To provide extra bedrooms B) To store farming equipment C) To allow for indoor gardening D) To keep the sun out
A) Urrbrae B) Ashfield C) Hawthorn D) Bellevue Hill
A) Federation Bungalow B) Federation Victorian C) Federation Tudor D) Federation Modernist
A) Pyramid-shaped B) Gabled only C) Flat D) Sawtooth
A) 1880s B) 1900s C) 1850s D) 1870s
A) Pen-and-ink drawings B) Blueprints C) Watercolor sketches D) Charcoal portraits
A) Italy B) France C) United States D) Germany
A) Tudor elements B) Neoclassical elements C) Baroque elements D) Gothic elements
A) Brutalism B) Arts and Crafts C) Industrial Modernism D) Art Deco
A) Severalls Hospital B) The Royal Albert Hall C) The Tower of London D) Buckingham Palace
A) Liverpool, England B) Colchester, Essex C) Manchester, England D) London, England
A) Painted entirely black B) Rough and unfinished C) Warmer and softer finish D) Cold and industrial
A) Concrete blocks B) Steel beams and glass C) Plastic siding D) Terracotta panels or tile-hung upper storeys
A) Placed only on the ground floor B) Used exclusively on the roof C) Often stacked one above another D) Arranged in a circle
A) Central courtyards B) Symmetrical grand entrances C) Corner towers D) Flat, unornamented facades
A) Triangular B) Minimalist C) Perfectly symmetrical D) Asymmetrical
A) Gothic gargoyles B) Flemish mannerist sunken panels of strapwork C) Modernist abstract steel plates D) Roman marble friezes
A) Brightly illuminated B) Grand and symmetrical C) Deeply shadowed D) Flush with the wall
A) A domesticated free Renaissance style B) A rigid industrial style C) A purely functionalist style D) An aggressive Baroque style
A) George Devey B) Norman Shaw C) Frank Lloyd Wright D) Edwin Lutyens
A) Yellow brick with dark wood B) White walls with black trim C) Grey concrete with blue glass D) Red-brick walls with pale stone details
A) 1870 B) 1820 C) 1831 D) 1858
A) Stucco B) White marble C) Grey limestone D) Red brick
A) William Kent B) Christopher Wren C) Marcus Binney D) Inigo Jones
A) Poulton House B) Blenheim Palace C) Windsor Castle D) Hampton Court Palace
A) Circular central hall plan B) Single room row house C) Double pile, two rooms deep D) L-shaped courtyard plan
A) Historical accuracy B) Marketing purposes C) Architectural uniformity D) Government mandate
A) Emphasizing corners B) Supporting the roof C) Creating a doorway D) Decorating the windows
A) Washington D.C. B) New York City C) Chicago D) Boston
A) Internal courtyard porch B) Sunken basement porch C) Rooftop deck D) Wraparound front porch
A) Solid steel plating B) Polished marble slabs C) Patterned wood shingles D) Fiberglass panels
A) H.H. Richardson B) Sidney V. Stratton C) Louis Sullivan D) Frank Lloyd Wright
A) Stone statues B) Concrete barriers C) Iron security gates D) Wooden fences
A) Side-hidden gable B) Interior roof gable C) Dominant front-facing gable D) Flat-topped gable
A) Minimalist chrome railings B) Stone columns without detail C) Spindle work D) Modern glass panels
A) Second Empire B) Brutalism C) Bauhaus D) Art Deco |