A) The time it takes to read a story out loud B) The time period during which a story was written C) The duration of events in a narrative D) The time a reader spends on a story
A) A non-participating narrator B) A third-person narrator C) A narrator who is a character in the story D) An all-knowing narrator
A) The characters in a story B) The setting of a story C) The moral of a story D) The chronological order of events in a story
A) The setting of a story B) The climax of a story C) The pace at which events in a story unfold D) The time it takes to read a story out loud
A) Mikhail Bakhtin B) Roland Barthes C) Tzvetan Todorov D) Gérard Genette
A) To describe the setting of a story B) To convey the moral lesson of a story C) To provide the sequence of events in a story D) To introduce the characters in a story
A) An unreliable narrator B) A narrator who is not a character in the story C) A first-person narrator D) A reflective narrator
A) The moral of a story B) The setting of a story C) The climax of a story D) The perspective through which a narrative is presented
A) Fabula B) Heteroglossia C) Syuzhet D) Narrativity
A) "Call me Ishmael." B) "For sale: baby shoes, never worn" C) "It was the best of times..." D) "Once upon a time..."
A) Roland Barthes B) Marie-Laure Ryan C) Jonathan Culler D) Astrid Ensslin
A) Poetics B) Communications C) The Craft of Fiction D) The Dialogic Imagination
A) Jonathan Culler B) Tzvetan Todorov C) The Russian Formalists D) Roland Barthes
A) Film theory B) Conversation analysis dealing with spontaneous verbal interaction C) Study of graphic novels D) Literary criticism
A) Videogame narratives B) Literary narratives C) Non-literary narratives D) Film narratives
A) Chemistry B) Physics C) Biology D) Linguistics
A) Cybertext: Perspectives on Ergodic Literature B) Hamlet on the Holodeck C) Victory Garden D) Pale Fire
A) Gérard Genette B) William Labov C) Roland Barthes D) Vladimir Propp
A) Graphic novels B) Sociolinguistics C) Film criticism D) Literary theory
A) Final Fantasy B) World of Warcraft C) Minecraft D) The Sims
A) Fabula and syuzhet analysis B) Thematic and modal narratology C) Story and discourse examination D) Cognitive and structural narratology
A) Stuart Moulthrop B) Janet Murray C) Arthur Danto D) Espen Aarseth
A) Peter Brooks B) Arthur Danto C) Robert Sternberg D) Roland Barthes
A) Propp, Bremond, Greimas B) Barthes, Genette, Todorov C) Ryan, Ensslin, Culler D) Sternberg, Ricoeur, Baroni
A) A.J. Greimas B) Arthur Danto C) Robert Sternberg D) Shlomith Rimmon-Kenan
A) Cyberdramas B) Life-simulators C) Ergodic literature D) Hypertext fiction
A) Multi-narrative structures B) Nonergodic literature C) Unicursal labyrinths D) Traditional linear narratives
A) Arthur Danto B) Roland Barthes C) Peter Brooks D) Robert Sternberg
A) Graph theory B) Literary theory C) Semiotics D) Film theory
A) Physics B) Mathematics C) Videogames D) Chemistry
A) Nonergodic literature B) Multicursal labyrinth C) Unicursal labyrinth D) Ergodic literature
A) Janet Murray B) Arthur Danto C) Stuart Moulthrop D) Espen Aarseth
A) Linear narratives B) Ergodic literature C) Traditional novels D) Texts without a typical plot structure |