A) The duration of events in a narrative B) The time a reader spends on a story C) The time it takes to read a story out loud D) The time period during which a story was written
A) A non-participating narrator B) A narrator who is a character in the story C) A third-person narrator D) An all-knowing narrator
A) The characters in a story B) The chronological order of events in a story C) The setting of a story D) The moral of a story
A) The pace at which events in a story unfold B) The time it takes to read a story out loud C) The setting of a story D) The climax of a story
A) Tzvetan Todorov B) Roland Barthes C) Gérard Genette D) Mikhail Bakhtin
A) To describe the setting of a story B) To provide the sequence of events in a story C) To introduce the characters in a story D) To convey the moral lesson of a story
A) A narrator who is not a character in the story B) A reflective narrator C) An unreliable narrator D) A first-person narrator
A) The perspective through which a narrative is presented B) The setting of a story C) The moral of a story D) The climax of a story
A) Narrativity B) Heteroglossia C) Fabula D) Syuzhet
A) "It was the best of times..." B) "For sale: baby shoes, never worn" C) "Once upon a time..." D) "Call me Ishmael."
A) Jonathan Culler B) Marie-Laure Ryan C) Roland Barthes D) Astrid Ensslin
A) Poetics B) Communications C) The Craft of Fiction D) The Dialogic Imagination
A) Tzvetan Todorov B) The Russian Formalists C) Roland Barthes D) Jonathan Culler
A) Film theory B) Study of graphic novels C) Literary criticism D) Conversation analysis dealing with spontaneous verbal interaction
A) Literary narratives B) Non-literary narratives C) Videogame narratives D) Film narratives
A) Linguistics B) Chemistry C) Biology D) Physics
A) Pale Fire B) Hamlet on the Holodeck C) Cybertext: Perspectives on Ergodic Literature D) Victory Garden
A) William Labov B) Vladimir Propp C) Gérard Genette D) Roland Barthes
A) Literary theory B) Sociolinguistics C) Graphic novels D) Film criticism
A) World of Warcraft B) Minecraft C) Final Fantasy D) The Sims
A) Thematic and modal narratology B) Cognitive and structural narratology C) Story and discourse examination D) Fabula and syuzhet analysis
A) Arthur Danto B) Janet Murray C) Stuart Moulthrop D) Espen Aarseth
A) Robert Sternberg B) Peter Brooks C) Roland Barthes D) Arthur Danto
A) Barthes, Genette, Todorov B) Propp, Bremond, Greimas C) Sternberg, Ricoeur, Baroni D) Ryan, Ensslin, Culler
A) Robert Sternberg B) A.J. Greimas C) Arthur Danto D) Shlomith Rimmon-Kenan
A) Life-simulators B) Cyberdramas C) Ergodic literature D) Hypertext fiction
A) Unicursal labyrinths B) Traditional linear narratives C) Multi-narrative structures D) Nonergodic literature
A) Roland Barthes B) Peter Brooks C) Arthur Danto D) Robert Sternberg
A) Literary theory B) Semiotics C) Film theory D) Graph theory
A) Physics B) Videogames C) Mathematics D) Chemistry
A) Ergodic literature B) Multicursal labyrinth C) Unicursal labyrinth D) Nonergodic literature
A) Janet Murray B) Espen Aarseth C) Stuart Moulthrop D) Arthur Danto
A) Linear narratives B) Traditional novels C) Texts without a typical plot structure D) Ergodic literature |