A) The time it takes to read a story out loud B) The time a reader spends on a story C) The duration of events in a narrative D) The time period during which a story was written
A) A third-person narrator B) An all-knowing narrator C) A narrator who is a character in the story D) A non-participating narrator
A) The chronological order of events in a story B) The setting of a story C) The characters in a story D) The moral of a story
A) The time it takes to read a story out loud B) The climax of a story C) The pace at which events in a story unfold D) The setting of a story
A) Roland Barthes B) Gérard Genette C) Tzvetan Todorov D) Mikhail Bakhtin
A) To describe the setting of a story B) To introduce the characters in a story C) To convey the moral lesson of a story D) To provide the sequence of events in a story
A) A narrator who is not a character in the story B) An unreliable narrator C) A first-person narrator D) A reflective narrator
A) The perspective through which a narrative is presented B) The setting of a story C) The climax of a story D) The moral of a story
A) Fabula B) Narrativity C) Syuzhet D) Heteroglossia
A) "For sale: baby shoes, never worn" B) "Call me Ishmael." C) "It was the best of times..." D) "Once upon a time..."
A) Marie-Laure Ryan B) Astrid Ensslin C) Jonathan Culler D) Roland Barthes
A) Poetics B) The Craft of Fiction C) The Dialogic Imagination D) Communications
A) Jonathan Culler B) Roland Barthes C) Tzvetan Todorov D) The Russian Formalists
A) Literary criticism B) Conversation analysis dealing with spontaneous verbal interaction C) Film theory D) Study of graphic novels
A) Videogame narratives B) Film narratives C) Literary narratives D) Non-literary narratives
A) Biology B) Linguistics C) Physics D) Chemistry
A) Victory Garden B) Pale Fire C) Cybertext: Perspectives on Ergodic Literature D) Hamlet on the Holodeck
A) William Labov B) Gérard Genette C) Roland Barthes D) Vladimir Propp
A) Graphic novels B) Sociolinguistics C) Film criticism D) Literary theory
A) Final Fantasy B) Minecraft C) The Sims D) World of Warcraft
A) Thematic and modal narratology B) Fabula and syuzhet analysis C) Story and discourse examination D) Cognitive and structural narratology
A) Arthur Danto B) Janet Murray C) Espen Aarseth D) Stuart Moulthrop
A) Arthur Danto B) Roland Barthes C) Robert Sternberg D) Peter Brooks
A) Propp, Bremond, Greimas B) Sternberg, Ricoeur, Baroni C) Ryan, Ensslin, Culler D) Barthes, Genette, Todorov
A) Shlomith Rimmon-Kenan B) A.J. Greimas C) Arthur Danto D) Robert Sternberg
A) Cyberdramas B) Life-simulators C) Ergodic literature D) Hypertext fiction
A) Multi-narrative structures B) Unicursal labyrinths C) Nonergodic literature D) Traditional linear narratives
A) Arthur Danto B) Robert Sternberg C) Roland Barthes D) Peter Brooks
A) Semiotics B) Literary theory C) Graph theory D) Film theory
A) Mathematics B) Chemistry C) Videogames D) Physics
A) Multicursal labyrinth B) Nonergodic literature C) Unicursal labyrinth D) Ergodic literature
A) Arthur Danto B) Janet Murray C) Espen Aarseth D) Stuart Moulthrop
A) Traditional novels B) Ergodic literature C) Texts without a typical plot structure D) Linear narratives |