A) The time a reader spends on a story B) The time period during which a story was written C) The time it takes to read a story out loud D) The duration of events in a narrative
A) A non-participating narrator B) A narrator who is a character in the story C) A third-person narrator D) An all-knowing narrator
A) The characters in a story B) The chronological order of events in a story C) The moral of a story D) The setting of a story
A) The setting of a story B) The pace at which events in a story unfold C) The climax of a story D) The time it takes to read a story out loud
A) Mikhail Bakhtin B) Tzvetan Todorov C) Roland Barthes D) Gérard Genette
A) To describe the setting of a story B) To introduce the characters in a story C) To provide the sequence of events in a story D) To convey the moral lesson of a story
A) An unreliable narrator B) A first-person narrator C) A reflective narrator D) A narrator who is not a character in the story
A) The moral of a story B) The perspective through which a narrative is presented C) The setting of a story D) The climax of a story
A) Syuzhet B) Narrativity C) Fabula D) Heteroglossia
A) "It was the best of times..." B) "For sale: baby shoes, never worn" C) "Call me Ishmael." D) "Once upon a time..."
A) Roland Barthes B) Jonathan Culler C) Marie-Laure Ryan D) Astrid Ensslin
A) The Dialogic Imagination B) Poetics C) The Craft of Fiction D) Communications
A) Jonathan Culler B) Tzvetan Todorov C) Roland Barthes D) The Russian Formalists
A) Film theory B) Conversation analysis dealing with spontaneous verbal interaction C) Study of graphic novels D) Literary criticism
A) Film narratives B) Literary narratives C) Videogame narratives D) Non-literary narratives
A) Linguistics B) Biology C) Physics D) Chemistry
A) Cybertext: Perspectives on Ergodic Literature B) Hamlet on the Holodeck C) Victory Garden D) Pale Fire
A) Vladimir Propp B) Roland Barthes C) Gérard Genette D) William Labov
A) Sociolinguistics B) Film criticism C) Literary theory D) Graphic novels
A) The Sims B) Final Fantasy C) Minecraft D) World of Warcraft
A) Thematic and modal narratology B) Cognitive and structural narratology C) Fabula and syuzhet analysis D) Story and discourse examination
A) Arthur Danto B) Espen Aarseth C) Stuart Moulthrop D) Janet Murray
A) Roland Barthes B) Robert Sternberg C) Arthur Danto D) Peter Brooks
A) Propp, Bremond, Greimas B) Ryan, Ensslin, Culler C) Barthes, Genette, Todorov D) Sternberg, Ricoeur, Baroni
A) Arthur Danto B) Shlomith Rimmon-Kenan C) Robert Sternberg D) A.J. Greimas
A) Hypertext fiction B) Ergodic literature C) Cyberdramas D) Life-simulators
A) Unicursal labyrinths B) Traditional linear narratives C) Multi-narrative structures D) Nonergodic literature
A) Arthur Danto B) Peter Brooks C) Roland Barthes D) Robert Sternberg
A) Film theory B) Graph theory C) Literary theory D) Semiotics
A) Videogames B) Chemistry C) Physics D) Mathematics
A) Nonergodic literature B) Multicursal labyrinth C) Unicursal labyrinth D) Ergodic literature
A) Stuart Moulthrop B) Espen Aarseth C) Janet Murray D) Arthur Danto
A) Traditional novels B) Ergodic literature C) Texts without a typical plot structure D) Linear narratives |