A) literary devices B) symbols C) rhymes D) themes
A) the weakness of black woman in the face of adversity B) the beauty of African landscape C) the remembrance of forgotten African heroes D) The celebration of cultural heritage and African identity
A) my promised land B) carved tom tom, taut tom tom C) solemn contralto voice D) I sing your beauty
A) proud and admiring B) confident and arrogant C) worshipful and dismissive D) playful and lighthearted
A) by contrasting their beauty with that of woman from another culture B) by comparing them to natural elements and symbols of African culture C) by revealing their past achievements D) by describing their physical features in explicit detail
A) synecdoche B) climax C) metonymy D) personification
A) John Donne B) Maya Angelou C) Chibuike Onu D) Leopold Senghor
A) The power of time B) The importance of song C) joy of retirement D) The oppression of woman
A) England B) Europe C) Africa D) Nairobi
A) continuation B) symbolism C) run - on - lines D) rhetorical question
A) imagery B) epilogue C) symbolism D) flashback
A) two rhyming lines of Poetry B) five rhyming lines of Poetry C) four rhyming lines of Poetry D) five alternate rhyming lines
A) Blackness as a subject of beauty B) Racism C) African land D) Rejection of European
A) plot B) theme C) tone D) setting
A) diction B) tone C) setting D) mood
A) ambivalence B) disgust C) pessimism D) dissatisfaction
A) Niyi Osundare B) John Donne C) Agustino Neto D) Omar Farouk Sesay
A) None of the above B) Black Woman C) The Grieved Lands of Africa D) A Taxi Driver on His own Retirement
A) The Song of the Woman of my Land and B) The Good Morrow C) A Government Driver on His own Retirement D) None of the above
A) Raider of the Treasure Trove B) Neither A nor B C) A and B D) Government Driver on His own Retirement
A) limitation B) live is evil C) music as a channel for emotional discharge, action and freedom D) growth and maturity
A) Bat B) Caged bird C) Good Morrow D) Binsey Poplars
A) alliteration B) simile C) pun D) bathos
A) The problem of leadership in Africa B) Hope in adversity C) Africa as land of grieve D) Slavery :ancient and modern
A) Rabbit B) Lion C) Elephant D) Tortoise
A) Technology B) Animal characters C) Outer space D) Modern city life
A) anxiety B) horror C) suspense D) laughter
A) peak B) epic C) resolution D) climax
A) toning B) placement C) genre D) group
A) abuse B) criticism C) stigmatization D) reformation
A) fiction B) imagery C) epic D) . pastoral
A) setting B) preface C) direction D) plot
A) stage man B) a stage writer C) a dramatist D) Wole Soyinka
A) danced B) mimed C) read aloud D) taught
A) They are broadcasted on radio and television B) They are only written and never spoken C) They are passed down through generations by word of mouth D) They are performed as plays in threater
A) The benefits of technology and modernization B) The importance of bravery and courage C) The value of hard work and preserverance
A) plot and setting B) evocation of feeling and imagination C) suspence D) preponderance of figures of speech
A) elegy B) ode C) ballad D) dirge
A) epigram B) tragedy C) pantomime D) burlesque
A) Animals are never portrayed in African B) wise and helpful C) aggressive and dangerous D) cunning and deceitful
A) A story passed down verbally from one generation to another teaching morals and cultural beliefs B) A story written by a famous African author C) A story with magical elements D) A story set in Africa
A) scene B) playlet C) act D) drama
A) mood B) beauty C) scenery D) structure
A) mimes B) pantomimes C) dances D) songs
A) autobiography B) anaphora C) narration D) personification
A) heroine B) maverick C) feminine antagonist D) Chief character
A) soliloquy B) prologue C) epilogue D) closing remarks
A) run - on B) blank verse C) iambic D) free verse
A) stanzas B) rhyming scheme C) verification D) rhythm formation
A) amalgam B) edit C) anthology D) poetry |