A) 16th century B) 15th century C) 14th century D) 17th century
A) Ignatius of Loyola B) Thomas Aquinas C) Francis of Assisi D) John Calvin
A) 1789 B) 1524 C) 1801 D) 1681
A) Charles V B) Francis I C) Napoleon Bonaparte D) Louis XIV
A) 1524 B) 1682 C) 1879 D) 1744
A) The Vatican Museums B) The British Museum C) Musée de l'Œuvre Notre-Dame D) The Louvre
A) Joseph Massol B) Jean-Laurent Goetz C) Robert de Cotte D) Gustave Klotz
A) A gallery B) A garden C) A library D) A new steeple
A) The Jacobins B) The Royalists C) The Enragés D) The Huguenots
A) Hidden in the crypt B) Moved to Paris C) Painted over D) Covered with wooden planks
A) It hurt the principle of equality B) It was structurally unsafe C) It blocked the view of the palace D) It was too expensive to maintain
A) A tin Phrygian cap B) A wooden crucifix C) A statue of Liberty D) A large French flag
A) A Museum of Arts B) A revolutionary barracks C) A Temple of Reason D) A civic warehouse
A) The Catholic Church B) The French state C) The City of Strasbourg D) The European Union
A) The French Ministry of Culture B) The Bishop of Strasbourg C) The President of France D) The Mayor of Strasbourg
A) Jean-Laurent Goetz B) Robert de Cotte C) Gustave Klotz D) Joseph Massol
A) It was bent B) It was replaced C) It was stolen D) It was destroyed
A) Russian Empire B) Austrian Empire C) German Empire D) British Empire
A) Baroque B) Neoclassical C) Modernist D) Romanesque Revival
A) 1811 B) 1789 C) 1801 D) 1794
A) 12 May 1277 B) 25 June 1277 C) 25 May 1277 D) 25 May 1377
A) 100 meters B) 110 meters C) 122 meters D) 142 meters
A) Johannes von Steinbach B) Claus von Lohre C) Erwin von Steinbach D) Ulrich Ensingen
A) Jakob von Landshut B) Johannes Hültz C) Michael von Freiburg D) Johannes Gerlach von Steinbach
A) Conrad/Kuntze B) Ulrich Ensingen C) Johannes Hültz D) Claus von Lohre
A) Michael von Gmünd B) Johannes Hültz C) Ulrich Ensingen D) Claus von Lohre
A) Ulrich Ensingen B) Michael Parler C) Jakob von Landshut D) Johannes Hültz
A) 1439 B) 1399 C) 1505 D) 1419
A) 1500 to 1800 B) 1647 to 1874 C) 1439 to 1647 D) 1647 to 1784
A) 50 kilometers B) 15 kilometers C) 30 kilometers D) 100 kilometers
A) The main west portal B) The south transept portal C) Saint-Lawrence portal D) The north transept portal
A) Rotated octagons B) Golden ratio triangles C) Parallel squares D) Intersecting circles
A) Ensingen B) Lohre C) Parler D) Steinbach
A) Glass ceiling B) Lack of buttresses C) Removal of the rose window D) Large windows in the inner wall
A) 1015 B) 1002 C) 1181 D) 1136
A) 1002, 1015, and 1181 B) 1200, 1228, and 1240 C) 1250, 1255, and 1274 D) 1136, 1140, 1150, and 1176
A) Massive Romanesque arches B) Flat ceiling beams C) Pointed Gothic rib vaults D) Wooden barrel vaults
A) 1200 and 1228 B) 1240 and 1274 C) 1250 and 1255 D) 1181 and 1190
A) 32 metres B) 10 metres C) 27 metres D) 55 metres
A) Switzerland B) France C) Belgium D) Germany
A) Limestone from local quarries B) Red granite C) Terracotta bricks D) Sandstone from the Vosges mountains
A) Saint Arbogast B) Victor Hugo C) Erwin von Steinbach D) Goethe
A) 50 years B) 300 years C) 100 years D) 227 years
A) 2000 B) 1995 C) 1988 D) 1972
A) Strasbourg B) Argentoratum C) Alsace D) Gaul
A) Notre-Dame de Paris B) St. Nikolai's Church, Hamburg C) The Eiffel Tower D) Cologne Cathedral
A) Vosges Centre B) Petite France C) Place de la Cathédrale D) Grande Île
A) 1926 B) 1915 C) 1905 D) 1903
A) 1926 B) 1905 C) 1915 D) 1944
A) John Paul II B) Johann Knauth C) Adolf Hitler D) General Leclerc
A) A basement in Paris B) The Strasbourg city library C) The Palais Rohan D) A salt mine near Heilbronn
A) Adolf Hitler B) Max Ingrand C) General Leclerc D) Johann Knauth
A) 1 March 1941 B) October 1988 C) 28 June 1940 D) 11 August 1944
A) 2006 B) Early 1990s C) 1945 D) 1956
A) Darkish red B) Yellow sandstone C) Grey granite D) Pure white marble
A) Three B) Six C) Four D) Two
A) Redemption B) The Last Judgement C) Martyrdom of Saint Lawrence D) Infancy of Christ
A) Redemption B) The Passion of Christ C) The Last Judgement D) Infancy of Christ
A) Reims Cathedral B) Notre-Dame de Paris C) Cologne Cathedral D) Chartres Cathedral
A) Hans von Aachen B) Jacob von Landshut C) Conrad Sifer D) Jean Vallastre
A) Shields B) Spears C) Crosses D) Swords
A) The Ascension B) The Transfiguration C) The entry into Jerusalem D) The Baptism
A) Serene B) Severe C) Frivolous D) Angry
A) 1220s B) 1399 C) 1493 D) 1439
A) The Nativity B) The Last Judgment C) The Crucifixion D) The Virgin Mary dying
A) They were painted B) They were stolen C) They were moved to the museum D) They were smashed
A) Reinforced steel beams B) Four more slender towers C) Heavy stone columns D) External flying buttresses
A) A bell B) A gold cross C) A fleuron D) A sundial
A) Four B) Six C) Eight D) Twelve
A) Four angels B) Four smaller crosses C) Images of the saints D) Eight fleurons
A) About 1430 B) About 1330 C) About 1230 D) About 1530
A) A lightning strike B) A fire C) An earthquake D) Prussian shelling
A) Northeast end B) In the center of the nave C) Southwest end D) Directly above the entrance
A) A large rose window B) A statue of a saint C) A clock face D) A small circular oculus window
A) The bell tower B) The chevet C) The crossing dome D) The main facade
A) Inside the west front, beneath the tower B) Between the nave and the choir C) In the underground crypt D) At the very top of the highest tower
A) Sixteen B) Twelve C) Eight D) Twenty
A) A cross B) An orb C) A sword D) A book
A) Fifty B) Twelve C) Eighty-four D) Nine
A) 1453 B) 1327 C) 1485 D) 1716
A) Hans Hammer B) Jost Dotzinger C) André Silbermann D) Nicolas Roder
A) angel feathers B) dragon scales C) butterfly wings D) lion paws
A) a lion B) a cat C) a dragon D) Geiler's dog
A) 1327 B) 1260 C) 1716 D) 1489
A) Nicolas Roder B) Joseph Merklin C) Jost Dotzinger D) André Silbermann
A) Two thousand, two hundred forty-two B) Three thousand C) Two thousand D) One thousand, five hundred
A) Martin Schongauer B) Albrecht Dürer C) Eugène Viollet-le-Duc D) Charles Auguste Steinheil
A) Nicolas Roder B) Hans Hammer C) André Silbermann D) Jost Dotzinger
A) The Adoration of the Magi B) Christ on the cross C) The Tree of Jesse D) The Last Judgement
A) Charles Auguste Steinheil B) Hans Hammer C) Jost Dotzinger D) Nicolas Roder
A) Gothic Flamboyant B) Romanesque C) Neo-Byzantine D) Baroque
A) 1220–1227 B) 1547–1571 C) 1837–1842 D) 1352–1354
A) The Last Judgement B) The Crucifixion C) The Resurrection D) The Nativity
A) Buttresses B) Atlantes C) Gargoyles D) Caryatids
A) 1352–1354 B) 1220–1227 C) 1230–1235 D) 1571–1580
A) The Schwilgué Clock B) Dreikönigsuhr C) The Celestial Clock D) The Dasypodius Clock
A) Tobias Stimmer B) Jean-Baptiste Schwilgué C) Christian Herlin D) Conrad Dasypodius
A) 25 m B) 18 m C) 30 m D) 12 m
A) 1,500 B) 1,022 C) 500 D) 2,000
A) Saturdays B) Fridays C) Sundays D) Mondays |