A) Charcoal on canvas B) Tempera on wood C) Oil on canvas D) Watercolor on paper
A) Dutch B) Italian C) French D) Spanish
A) Mythological and classical themes B) Industrial landscapes C) Political satire D) Abstract compositions
A) Two B) Three C) One D) Four
A) Pointillism B) Glazing C) Impasto D) Collage
A) Documenta B) Paris Salon C) Venice Biennale D) Royal Academy
A) 19th century B) 20th century C) 18th century D) 17th century
A) A sinking ship B) Multiple figures fighting C) A stormy sky D) The crashing wave
A) Student B) Director C) Professor D) Curator
A) Cartoonish and exaggerated B) Idealized and classical C) Realistic and gritty D) Abstract and distorted
A) Prix de Rome B) Medal of Honor C) Turner Prize D) Nobel Prize
A) As revolutionary and innovative B) As technically perfect but conservative C) As primitive and naive D) As political and controversial
A) Impressionism B) Cubism C) Surrealism D) Academic art
A) Smooth, polished finish B) Broken brushstrokes C) Heavy impasto D) Collage elements
A) Rome, Italy B) London, England C) Paris, France D) La Rochelle, France
A) Medium-sized B) Mural C) Miniature D) Large-scale painting
A) Bauhaus B) Royal Academy C) Black Mountain College D) École des Beaux-Arts
A) Anatomical accuracy B) Abstract composition C) Political commentary D) Spontaneous brushwork
A) Renaissance masters B) Byzantine icon painters C) Ancient Greek sculptors D) Impressionists |