A) Charcoal on canvas B) Watercolor on paper C) Tempera on wood D) Oil on canvas
A) Dutch B) Italian C) French D) Spanish
A) Industrial landscapes B) Political satire C) Mythological and classical themes D) Abstract compositions
A) One B) Three C) Two D) Four
A) Collage B) Pointillism C) Impasto D) Glazing
A) Venice Biennale B) Paris Salon C) Royal Academy D) Documenta
A) 18th century B) 19th century C) 20th century D) 17th century
A) Multiple figures fighting B) The crashing wave C) A sinking ship D) A stormy sky
A) Student B) Director C) Professor D) Curator
A) Abstract and distorted B) Cartoonish and exaggerated C) Idealized and classical D) Realistic and gritty
A) Nobel Prize B) Medal of Honor C) Turner Prize D) Prix de Rome
A) As technically perfect but conservative B) As primitive and naive C) As political and controversial D) As revolutionary and innovative
A) Surrealism B) Cubism C) Academic art D) Impressionism
A) Smooth, polished finish B) Heavy impasto C) Collage elements D) Broken brushstrokes
A) London, England B) Paris, France C) La Rochelle, France D) Rome, Italy
A) Mural B) Miniature C) Medium-sized D) Large-scale painting
A) Black Mountain College B) Royal Academy C) École des Beaux-Arts D) Bauhaus
A) Anatomical accuracy B) Political commentary C) Spontaneous brushwork D) Abstract composition
A) Ancient Greek sculptors B) Renaissance masters C) Byzantine icon painters D) Impressionists |