A) 1959 B) 1984 C) 1971 D) 1967
A) Jean Baudrillard B) Herbert Marcuse C) Marshall McLuhan D) Guy Debord
A) A visual performance art. B) A social relationship mediated by images. C) A form of mass entertainment. D) A type of advertising.
A) Greater community engagement. B) Alienation from authentic experiences. C) Enhanced social connections. D) Increased political awareness.
A) As an unbiased informer. B) As a means for liberation. C) As a catalyst for action. D) As a tool for maintaining the spectacle.
A) It leads to revolutionary change. B) It is subordinated to collective images. C) It is fully expressed and celebrated. D) It is the primary form of activism.
A) By embracing consumer culture. B) By avoiding technology. C) By promoting celebrity culture. D) Through critical engagement and social struggle.
A) Postmodernism. B) Structuralism. C) Existentialism. D) Marxism.
A) Increased political protests. B) Cultural revitalization. C) The commodification of social life. D) Advancements in technology. |