A) sønderhoning B) stadsmusikant C) spillemand D) spillemandsmusik
A) pols B) stadsmusikant C) fannik D) spillemand
A) 15th and 16th centuries B) 19th and 20th centuries C) 17th and 18th centuries D) Middle Ages
A) hurdy-gurdy B) drum C) fiddle D) bagpipe
A) minuets B) square dances C) contra dances D) chain dances
A) 1900 B) 1929 C) 1750 D) 1850
A) the invention of the radio and gramophone B) government bans on town musicians C) increasing urbanization and the spread of classical music D) the extinction of the fiddle
A) pianos and violins B) guitars and accordions C) fiddles and hurdy-gurdies D) pipes, drums and singing
A) minstrel B) spillemand C) stadsmusikant D) maestro
A) Copenhagen and Aarhus B) Bornholm and Amager C) Ærø and Western Jutland D) Fanø and Læsø
A) local musicians leased the right to perform from the city musician of Ribe B) they hired foreign musicians C) they received a royal exemption D) they ignored the laws and played secretly
A) they deemed them impure B) they were associated with foreign enemies C) they were too loud for indoor venues D) they were too expensive
A) 1800 B) 1600 C) 1700 D) 1500
A) pols B) minuet C) waltz D) polka
A) Poland B) Germany C) England D) Sweden
A) fannik and sønderhoning B) waltz and polka C) pols and minuet D) square dance and contra dance
A) three parts B) one part C) two parts D) four parts
A) it was copied from English tune books B) it was improvised based on the first half C) it was omitted entirely D) it was strictly prescribed by the stadsmusikant
A) American jazz dances B) English-style contra and square dances C) Southern European court dances D) French Renaissance dances
A) minuet B) waltz C) polka D) pols
A) 1750 B) 1800 C) 1900 D) 1850
A) courtly dances from Russia B) medieval chain dances C) traditional Asian and African dances D) dances from England, Southern Europe and America
A) pols and minuet B) sønderhoning and fannik C) schottish and mazurka D) hopsa and galop
A) 1850 B) 1929 C) 1901 D) 1900
A) 1750-1850 B) 1850-1950 C) 1600-1700 D) 1500-1600
A) as many as 16,000 members B) exactly 5,000 members C) around 1,600 members D) over 50,000 members
A) a modernizing effect B) a homogenizing effect C) a diversifying effect D) an eradicating effect
A) modern urban clothing B) folk dress C) military uniforms D) courtly royal attire
A) Spillemandsmusik Guild B) Traditional Folk C) Free Dance Society D) Old Dance
A) Bornholm, Amager, Copenhagen and Roskilde B) Funen, Lolland, Falster and Møn C) North Jutland, Djursland, Zealand and Funen D) Fanø, Læsø, Ærø and parts of Western Jutland
A) Svend Grundtvig B) A. P. Berggreen C) Rasmus Storm D) Evald Tang Kristensen
A) Late 18th century B) Middle ages C) Early 20th century D) Early 19th century
A) Svend Grundtvig B) Evald Tang Kristensen C) Rasmus Storm D) A. P. Berggreen
A) 1843-1929 B) 1824-83 C) 1801-80 D) 1760-1830
A) Evald Tang Kristensen B) Rasmus Storm C) An anonymous monk D) A modern ethnomusicologist
A) 1824 B) 1760 C) 1843 D) 1801
A) 1883 B) 1800 C) 1950 D) 1929
A) Early 19th century B) Early 20th century C) Late 20th century D) Early 18th century
A) Archaeology B) Ethnology C) Anthropology D) Musicology |