A) 1789 B) 1793 C) 1776 D) 1801
A) A French king B) A radical journalist and politician C) A military general D) David's art teacher
A) Poisoned B) Hanged C) Stabbed in his bath D) Shot
A) Maximilien Robespierre B) Napoleon Bonaparte C) Charlotte Corday D) Marie Antoinette
A) He was hiding from enemies B) For artistic inspiration C) To relieve his skin condition D) It was his office
A) A sword B) A crown C) A letter D) A paintbrush
A) The Girondins B) The Jacobins C) The Moderates D) The Royalists
A) Le Figaro B) Le Monde C) La Gazette D) L'Ami du Peuple
A) British Museum B) Musée d'Orsay C) The Louvre D) Royal Museums of Fine Arts of Belgium
A) Impressionism B) Neoclassicism C) Romanticism D) Baroque
A) Soap B) Clothing C) Towels D) Water
A) Marat's sacrifice for the revolution B) The killer's signature C) Artistic flourish D) Royalist oppression
A) Marat was his patron B) They were both Jacobin politicians C) Marat was his student D) They were related
A) The Storming of the Bastille B) The rise of Napoleon C) The Restoration D) The Reign of Terror
A) "Liberty, Equality, Fraternity" B) "Death to Tyrants" C) "Vive la Revolution" D) "To Marat, David"
A) Pointillism B) Chiaroscuro C) Sfumato D) Impasto
A) Foreign diplomat B) Convention member C) Treasury official D) Military commander
A) It glorifies Marat as a revolutionary martyr B) It shows the brutality of revolution C) It criticizes the Jacobins D) It promotes royal restoration
A) Into abstract art B) Into political propaganda C) Into religious iconography D) Into a comedy |